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Hi There

In my opinion, the WB presets are off - an not the relative colours.

 

CORRECT.

 

I have calibrated my monitor

 

I have created a dual illuminant DNG profile for my M240

 

There are some slight but subtle differences from embedded (not much) and adobe (a bit)

 

When WB is adjusted the colour profile to me looks perfect. It has all the vibrancy of M9 files and if anything looks better and more balanced......

 

It is only the WB that is off and that is fairly easliy correctable ...... if Leica re-set the daylight/cloudy etc a few hundred k lower it would be a better representation of reality. Auto WB is ok in sunlight but gets progressively worse the lower the illumination level..... which is a pain because otherwise you could just apply a global correction and be roughly right for all images....

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Hi There

In my opinion, the WB presets are off - an not the relative colours.

 

Jono,

 

I know you are an Aperture user and I don't know what the standard profile is like on Aperture (I must have a look tomorrow) but the standard profiles on both LR and C1 are so far off that it gives a much worse impression of the colour from the M240, than I think is actually the case. The fact that the RAW developers have got the profiles wrong can hardly be laid at Leica's door.

 

Wilson

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The fact that the RAW developers have got the profiles wrong can hardly be laid at Leica's door.

 

But some difference of opinion in this thread as to whether any sort of 'collaboration' is possible or even potentially beneficial. Otherwise, it seems to me, it's chicken and egg...no yolk.

 

Jeff

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I am sure I read somewhere that there is an after market bottom plate that does have such doors. Interesting but not necessary for me.

 

Whoops! I just told kdriceman this diversion was over.

Sorry!

 

Leicatime - Luigi Creszenzi

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CORRECT.

 

I have calibrated my monitor

 

I have created a dual illuminant DNG profile for my M240

 

There are some slight but subtle differences from embedded (not much) and adobe (a bit)

 

When WB is adjusted the colour profile to me looks perfect. It has all the vibrancy of M9 files and if anything looks better and more balanced......

 

It is only the WB that is off and that is fairly easliy correctable ...... if Leica re-set the daylight/cloudy etc a few hundred k lower it would be a better representation of reality. Auto WB is ok in sunlight but gets progressively worse the lower the illumination level..... which is a pain because otherwise you could just apply a global correction and be roughly right for all images....

 

 

Sorry but I have to disagree here . I did the same test and compared the results with similar tests of the M9 and the D800E /R lenses.

 

1. Their is no way the AWB is accurate in daylight . I shot a grey card at noon on a sunny day . The AWB is 500-1000K warm . This is exactly the results that Diglloyd got in his tests . I ve seen enough files to just label this statement as rubbish .

 

2. The second issue with the colors of the M ..is that they are over saturated . I did it by eye as it appears you did . Try doing it by the numbers . I need to do more tests but it appears that the M has a bias toward yellow green and the M9 toward blue and magenta . You can see this easier with the embedded profile . The adobe profile does pump up the magenta and balance out the tendency toward greenish tint .

 

3. The tone curve is significantly different because the M has a greater DR . Out of the camera the colors are darker and the light tones spread more evenly . Check the grey scale if you doubt this .

 

If you adjust the AWB, establish a camera calibration and adjust exposure to match your tone curve ...you can calibrate the M and the M9 to a very close standard . The issue is that this can be difficult and as lighting changes frustrating . Plenty of other systems get it close right out of the camera and handle changes in lighting easily .

 

Please someone try shooting some portraits in daylight with an M and M9 ..then publish the results without custom calibration . Apples and Oranges .

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Hello

 

How does this work: "If you adjust the AWB, establish a camera calibration and adjust exposure to match your tone curve ...you can calibrate the M and the M9 to a very close standard ."

 

liebe Grüße Alexander

 

Sorry but I have to disagree here . I did the same test and compared the results with similar tests of the M9 and the D800E /R lenses.

 

1. Their is no way the AWB is accurate in daylight . I shot a grey card at noon on a sunny day . The AWB is 500-1000K warm . This is exactly the results that Diglloyd got in his tests . I ve seen enough files to just label this statement as rubbish .

 

2. The second issue with the colors of the M ..is that they are over saturated . I did it by eye as it appears you did . Try doing it by the numbers . I need to do more tests but it appears that the M has a bias toward yellow green and the M9 toward blue and magenta . You can see this easier with the embedded profile . The adobe profile does pump up the magenta and balance out the tendency toward greenish tint .

 

3. The tone curve is significantly different because the M has a greater DR . Out of the camera the colors are darker and the light tones spread more evenly . Check the grey scale if you doubt this .

 

If you adjust the AWB, establish a camera calibration and adjust exposure to match your tone curve ...you can calibrate the M and the M9 to a very close standard . The issue is that this can be difficult and as lighting changes frustrating . Plenty of other systems get it close right out of the camera and handle changes in lighting easily .

 

Please someone try shooting some portraits in daylight with an M and M9 ..then publish the results without custom calibration . Apples and Oranges .

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Sorry but I have to disagree here . I did the same test and compared the results with similar tests of the M9 and the D800E /R lenses.

 

1. Their is no way the AWB is accurate in daylight . I shot a grey card at noon on a sunny day . The AWB is 500-1000K warm . This is exactly the results that Diglloyd got in his tests . I ve seen enough files to just label this statement as rubbish .

 

2. The second issue with the colors of the M ..is that they are over saturated . I did it by eye as it appears you did . Try doing it by the numbers . I need to do more tests but it appears that the M has a bias toward yellow green and the M9 toward blue and magenta . You can see this easier with the embedded profile . The adobe profile does pump up the magenta and balance out the tendency toward greenish tint .

 

3. The tone curve is significantly different because the M has a greater DR . Out of the camera the colors are darker and the light tones spread more evenly . Check the grey scale if you doubt this .

 

If you adjust the AWB, establish a camera calibration and adjust exposure to match your tone curve ...you can calibrate the M and the M9 to a very close standard . The issue is that this can be difficult and as lighting changes frustrating . Plenty of other systems get it close right out of the camera and handle changes in lighting easily .

 

Please someone try shooting some portraits in daylight with an M and M9 ..then publish the results without custom calibration . Apples and Oranges .

 

 

In http://www.l-camera-forum.com/leica-forum/2379888-post26.html 01af has this recommendation, quote:

 

"Until then, here's my recipe for getting the M9's colour at least half-way right in Camera Raw/Lightroom (sorry, no recipe for the M, as mine hasn't been delivered yet).

 

In the Camera Calibration panel, select Process=2012 and Camera Profile=Embedded. Then adjust the primaries as follows:

 

Red Primary: Hue +15; Saturation -10.

Green Primary: Hue 0; Saturation -5.

Blue Prmary: Hue -15; Saturation -25.

 

Furthermore, in the Basic panel, tune Saturation down to -10.

 

Save these setting as your new default for the Leica M9."

 

First, please let me ask whether this recommendation agrees with your experience? If not, what do you recommend for the M9?

Second, what settings do you suggest to use for the M?

Thanks.

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Sorry but I have to disagree here . I did the same test and compared the results with similar tests of the M9 and the D800E /R lenses.

 

1. Their is no way the AWB is accurate in daylight . I shot a grey card at noon on a sunny day . The AWB is 500-1000K warm . This is exactly the results that Diglloyd got in his tests . I ve seen enough files to just label this statement as rubbish .

 

 

read what I said .... and what I've written before ...... I have never said it is correct in daylight ..... I am pointing out that it is less wrong in bright sunlight .... all the WB settings are miles adrift ..... its just that the higher the K in the image the less it seems away from reality.

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Been trying to get the two issues separated the whole thread.

 

Make dual luminance profile with (properly exposed, very important!) GTMB chart in temperature controlled (preferably measured with C500) lighting for tungsten and daylight.

 

Go out and shoot pictures like Thighslapper so admirably has in various lighting conditions where possible with the GTMB (or Xrite passport) in the frame. Post dng results and icc profile for others to draw subjective conclusions.

 

Hive mind the analysis get's a quick and broad trend. But someone needs to do the shooting first. I would, but my M is still unavailable. I'm in correspondence with someone who has done all this and my mind may soon be at ease anyway.

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read what I said .... and what I've written before ...... I have never said it is correct in daylight ..... I am pointing out that it is less wrong in bright sunlight .... all the WB settings are miles adrift ..... its just that the higher the K in the image the less it seems away from reality.

 

I don't think it was confrontational, and I appreciate your slightly exhausted tone after all you've put into this issue. But you said "Auto WB is ok in sunlight but...", which may be what he was countering in point 1.

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Please someone try shooting some portraits in daylight with an M and M9 ..then publish the results without custom calibration . Apples and Oranges .

 

I sometimes feel I am banging my head against a brick wall..... :rolleyes:

 

http://www.l-camera-forum.com/leica-forum/leica-m9-forum/278105-comparison-m9-m240-7.html#post2385747

 

The start of all the comparisons ..... WB, ISO, shadow recovery etc is here:

 

http://www.l-camera-forum.com/leica-forum/leica-m9-forum/278105-comparison-m9-m240-3.html#post2362283

 

Personally, if Leica adjust the in camera WB settings to something near 'normal' I will shut up and stop posting ...... there is nothing else about the M240 that I am dissatisfied with...;)

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There's a lot to read in a few different threads, plus the side battles that go along with them. So some might miss some points. It's inevitable. Doesn't mean your efforts are any less valuable. It's just how them internets work.....

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There's a lot to read in a few different threads' date=' plus the side battles that go along with them. So some might miss some points. It's inevitable. Doesn't mean your efforts are any less valuable. It's just how them internets work.....[/quote']

 

I find this thread very informative and interesting. Keep the nice dialoge - for us who plan to buy the M - this is most useful and interesting.

 

Thx for your effort

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The same here. I've read enough feedback from photographers I highly respect onthis thread to have no worry about the M colours at all,especially mid and long term. Now where is my camera ?

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I sometimes feel I am banging my head against a brick wall.....

 

I know the feeling...

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