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Your favourite non-Leica camera


jagwar.jim

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They did make a Rolleiwide E, which used a 55mm Zeiss Distagon. However they are now rare, often heavily used during their life by professionals and much sought after in good condition, hence very expensive. The 55mm Distagon is an excellent lens.

 

Now if you are feeling super flush with cash, you can still buy a new Rolleiflex, which is assembled by ex F&H employees on a limited production basis. The wide angle one uses an F4 50mm Super Angulon lens and costs $5,375.

 

Wilson

 

Yeah, I knew of them, but I always also knew they cost an arm and a leg. A Hasselblad SWC would always be cheaper. I think a Mamiya 6 or 7 is the most practical option for that kid of shooting, but they don't really excite me that much, not as much as old Rolleiflex do anyway.

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Yeah, I knew of them, but I always also knew they cost an arm and a leg. A Hasselblad SWC would always be cheaper. I think a Mamiya 6 or 7 is the most practical option for that kid of shooting, but they don't really excite me that much, not as much as old Rolleiflex do anyway.

 

I too am very fond of Rollei’s. You are everyone’s friend nowadays with a Rolleiflex (or a Graflex). I have put in an offer to buy an 8 x 11mm Sharan Rolleiflex just for fun.

 

Wilson

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I always had FM type Nikons, latterly a couple of FM3As. I like their ruggedness and that big knarly shutter speed selector. Their only drawback is they're SLRs ;).

I used to have a Mamiya 6, thinking it would be the ideal MF camera for me but somehow it didn't stoke my boiler. I immediately gelled with my Mamiya 330, everything looked good through that camera, and pretty good coming out of it. I sold it to buy the Mamiya 6 :o. My 500c/m keeps on trucking, and I'll be using it a lot more this coming year since getting a better focusing screen for it. However, I've a really good feeling about my latest acquisition with it's beautiful 105/2.4 lens:

Pete

 

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However, I've a really good feeling about my latest acquisition with it's beautiful 105/2.4 lens:

Pete

[ATTACH]415331[/ATTACH]

I've enjoyed my 6x7 also. 67 lenses are still a bargain. With the 135 macro and extension tubes things get really interesting.

Notice how they only made the body in black to make it unobtrusive for candid shooting.

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I've enjoyed my 6x7 also. 67 lenses are still a bargain. With the 135 macro and extension tubes things get really interesting.

Notice how they only made the body in black to make it unobtrusive for candid shooting.

 

'Pentax 6x7' and 'candid shooting'? Surely mutually exclusive statements! ;)

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  • 1 month later...

After my OM4's got stolen in 2001 I was gutted and did not shoot anything for 12 months digital was starting to become popular and the catch cry of film is dead was starting to emerge I sat on the fence as to what would I get to replace the om's I loved those cameras. The mamiya 7ii was the choice combined with 65 and 150 mm lens this combo become my new love affair with film I then added the 43mm wide angle its optics speak for themselves.

Fast forward to today it is still my favourite camera ( excluding the M240 ) but I did purchase a mamiya 654AFDii on a whim at xmas and am having fun using it auto focus and if I ever have a spare 30-40 k I can put an IQ250 back on it though this is not likely to happen. I am tempted to get another OM4 :)

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Hi guys,

 

I know this is a Leica forum, but I'm interested what the Leica community uses aside from their Leicas. I'm specifically thinking about film cameras here. What is your favourite non-Leica film camera? And why?

 

Thanks everyone!

 

I have two -

 

My Rollei 35 SE.

Why? It's just a great little camera that produces excellent image quality - and it's fun to use.

 

My XPAN II.

Why? Fuji glass is just outstanding. I love the 24x65mm format, and the ability to change from panoramic to 24x36mm is just fantastic.

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Now if you are feeling super flush with cash, you can still buy a new Rolleiflex, which is assembled by ex F&H employees on a limited production basis. The wide angle one uses an F4 50mm Super Angulon lens and costs $5,375.

Unfortunately, the new Rolleiflex wide lens seems to have noticable barrel distortion, which is not really excusable in a camera where there is no mirror between the lens and the film. Much as I like the 80mm 2.8 GX and FX cameras for the standard focal length, for me, this optical shortcoming of the FW would make the Hasselblad SWC or Mamiya rangefinder cameras a more attractive wide angle proposition.

 

Nick

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Unfortunately, the new Rolleiflex wide lens seems to have noticable barrel distortion

 

Nick

 

 

How disappointing! Biogons should have almost zero distortion at reasonable distances.

 

 

 

Sent from my Etcha-sketch.

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How disappointing! Biogons should have almost zero distortion at reasonable distances.

 

 

 

Sent from my Etcha-sketch.

 

Pico,

 

I agree, very odd. I have never heard anyone complain about the 50/2.8 on the Hasselblad but of course that is a Distagon not a Biogon formation and I don’t know how similar, if at all, they are. Certainly my 25 ZM Biogon is remarkably free from barrel distortion, which is why I bought it for interior shots mainly of yachts but some of restoration buildings. Having a very rectilinear lens, saves a whole lot on PP work, as otherwise you should use a different correction profile for each two stops of aperture. Sadly none of this work has come my way recently, so it sits forlorn and unused but I have the interior of a restored windmill to shoot next month, so it will get dusted off.

 

I don’t yet know how good the 15mm f5.6 Azonon lens is in my Micro TLR Rolleiflex, as I have yet to have any 8 x 11 films developed and printed from it :)

 

Wilson

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Wilson: I am a rabid Biogon enthusiast, but have only used them in medium and large format. Forgive:)

 

I work with one that covers 6" square as well as the Linhof RF coupled version for 4x5".

 

No movements are possible with the later, however the Super Angulon of the same focal length is entirely unacceptable to me .

 

I should get one for a Leica, and might when I overcome my pleasure with the well-known early Leica 35mm F/1.4 Summilux of which I have used for (gasp) forty years.

 

 

 

 

Sent from my Etcha-sketch.

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2 x Canon FtBn, FD 1.2 - 50mm L (asph.) and TS 2.8 - 35mm SSC (Tilt and Shift):

 

 

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M8.2,. 'cron 50 coll., SOOKY-M, Jan. 2014.

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How disappointing! Biogons should have almost zero distortion at reasonable distances.

It's not a Biogon though. The rated distortion is -1.5% which I found noticeable in on-line samples I downloaded.

 

The distortion graph is given at the back of the manual here:

http://www.galerie-photo.com/manuels/manuel-rolleiflex-fx.pdf

 

I would have thought that without a mirror they could have optimised the design around a closer rear nodal point, like a classic Biogon design.

 

Nick

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Nick,

 

Presumably then it is made for them by Schneider Kreutznach not Zeiss. I have never been a huge fan of their wide angle lenses made for Leica and others. The Schneider lens on my Rollei Baby is OK but not as super sharp as the Planar on my big Rolleiflex.

 

Wilson

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I've sold off most of my cameras and just kept the Leica MM, M6, and my Canon 5D mk III. It's a fantastic camera and I use it for many things that the Leicas aren't as well suited to.

 

Sent from my SM-N9005 using Tapatalk

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  • 4 weeks later...

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