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call me crazy but couldn't we just name it the official name?

 

Summilux

Summilux Aspherical

Summilux Asph

Summilux Asph FLE

 

Yes but, although Leica started using floating element in many R and M lenses since long ago FLE is never part of any official name. Perhaps they should name it Mark II, Mark III?

Edited by sdai
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call me crazy but couldn't we just name it the official name?

 

Summilux

Summilux Aspherical

Summilux Asph

Summilux Asph FLE

 

I agree with the sentiment but FLE is not part of the official name. The current lens, like it's predecessor, is officially called the Summilux-M 35 mm f/1.4 ASPH. The FLE moniker is just an internet forum convention.

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Yes but, although Leica started using floating element in many R and M lenses since long ago FLE is never part of any official name. Perhaps they should name it Mark II, Mark III?

 

problem with that is then you get people saying - which one is the Mark II again?

 

Yes point taken about the FLE but it seems it's understood and simple.

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AA can easily be confused with the Apo Summicron ASPH 90, which is commonly called AA as well. In general I find acronyms like SX, FLE, SE, NX, VE, etc. practical, as opposed to Lux, Cron and Noct which always get my hackles up,as it suggests, to my ear, a pretension of belonging to some kind of in-crowd of connoisseurs.

 

I agree with the first part, but not with the second ;)

 

Absolutely nothing wrong with lux, cron, nocti, etc; they're shorter and accurate to boot. If you believe the totally cryptic acronyms "SX, FLE, NX and VE" are more transparent and less elitist than the simply abbreviations, well, then, hmmm :) Or you really *do* want to be part of a pretentious in-crowd!

 

AA means APO-Aspherical. I don't care why Steve Huff named it AA, it's wrong.

 

I don't mind the 'net term FLE to distinguish the old ASPH from the latest ASPH. But there you go :)

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AA means APO-Aspherical. I don't care why Steve Huff named it AA, it's wrong.

 

I don't mind the 'net term FLE to distinguish the old ASPH from the latest ASPH. But there you go :)

 

Agree on both points.

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call me crazy ...... (yep)

Anyone found abbreviating Aspherical to asph will be punished, tortured and/or shot. :)

 

I always feel like a geeky trainspotter quoting numbers.

Torture is confirmed and wholly appropriate. Maybe we need a 'L' iron???

 

Anyway we have an suitable location in Den Haag also open to the general public. Rental tariffs on request I expect. Gevangenpoort Museum

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I had concerns when I first purchased my 35mm Summilux fle with the overexposed red edges and even the aperture ring being quite loose

I sent it in to Leica for calibration and adjustment and this lens now simply blows me away with its quality

I am just careful now not to overexpose.

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I've heard that the 35mm Summarit f2.5 lens for 1/3rd the price has good control of flare even compared with the summicron-asph f2 which is slightly better than the summilux-asph. But to be honest I've never used my 35mm f2 asph wide open and into the sun before probably because with film Ms you only have 1/1000th as the max speed and also you might burn a hole in the shutter curtain ( or your eyes ) if you take too long to get the shot.

 

Perhaps if I buy a £850 35f2.5 you could swap it with your 35 f1.4 asph (new expensive no focus shift lens)? But I might be waiting in a long queue!

 

Regards, Lincoln

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I've heard that the 35mm Summarit f2.5 lens for 1/3rd the price has good control of flare even compared with the summicron-asph f2 which is slightly better than the summilux-asph.

 

Yes, the 35 Summarit provides outstanding control of flare – almost too good, depending upon your objective. You can see it in this snap.

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the summicron-asph f2 which is slightly better than the summilux-asph.

 

I'm not sure if you are just making this up, Lincoln, or whether that is your direct experience. In my experience, the Summilux ASPH (both non-FLE and FLE varieties) has better overall flare control than the Summicron ASPH. The latter is much more prone to spectacular gobs of flare in the frame (though it does still retain an impressive amount of contrast). Example below.

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Edited by wattsy
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I'm not sure if you are just making this up, Lincoln, or whether that is your direct experience. In my experience, the Summilux ASPH (both non-FLE and FLE varieties) has better overall flare control than the Summicron ASPH. The latter is much more prone to spectacular gobs of flare in the frame (though it does still retain an impressive amount of contrast). Example below.

 

 

Did you get much red fringing on the bright areas in these shots

On my 35mm Summilux fle I am always having to deal with it in processing on strong backlit shots.

Thanks

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Did you get much red fringing on the bright areas in these shots

On my 35mm Summilux fle I am always having to deal with it in processing on strong backlit shots.

 

No, I don't find red or purple fringing a problem with the 35 Summilux FLE. That said, I rarely shoot wide-open against a strong backlight.

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  • 3 weeks later...

Here two more testshots to make it clear.

 

first Leica 35 Summilux FLE at 2.0

second Nikon 28/1.8 at 2.0

 

both shot against the sun at ISO 200 at 2000/sec, cropped a bit.

 

I don´t want to talk down the lens, people who shoot "normally" probably will not notice, but for me, this is going to be a deal braker.

 

 

heiko

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Here two more testshots to make it clear.

 

first Leica 35 Summilux FLE at 2.0

second Nikon 28/1.8 at 2.0

 

both shot against the sun at ISO 200 at 2000/sec, cropped a bit.

 

I don´t want to talk down the lens, people who shoot "normally" probably will not notice, but for me, this is going to be a deal braker.

 

 

heiko

 

The second is 1/4000s.

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... both shot against the sun at ISO 200/24° at 1/2000 s, cropped a bit. [...] for me, this is going to be a deal breaker.

Different light, different angles, different exposures, different cameras—huh!? What is this supposed to prove?

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