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Which lens for street?


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This is very personal and you have to find out for yourself ...... it's an old discussion: some prefer 35 others 50 on film. This translates to 28 or 35mm on the M8

For me it's the 35 or the 50mm on the M8........ i prefer photographs with tighter compositions!

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I just got the 21 emarit and the zeiss finder, I find it interesting to zone focus and use the incredibly bright and big zeiss finder to sight through, and leave the focusing part alone in brightl light,-I have only worked this way on a couple of occasions, but it was heck of a lot of fun, very freeing.

 

the leica viewfinder is of course great, but the zeiss is even bigger, kind of fun to look through. Not so unobtrusive, with the big red eye of the 21 and filter and the finder on top, but here in NY you can do pretty much whatever you want and not really get noticed.

 

just another option...

 

I am sure the 15 heliar is also great from the hip. egadds the 12....

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28/2,8 small and fantastic lens.

 

 

If we could only find a current one...

 

:D

 

I would love the 24, but it's great to have framelines inside the viewfinder to 'crop' better... that's the whole reason we use these things than SLRs, right?

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If we could only find a current one...

 

:D

 

I would love the 24, but it's great to have framelines inside the viewfinder to 'crop' better... that's the whole reason we use these things than SLRs, right?

 

I am not sure I understand you here. You do have 24 mm framelines (FOV 32) in the M8's VF, coupled with the 35 framelines. Is this your worry?

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I found the 28mm great for R and the 2.0 version of the M is really a wonderful compromise.

 

At 35mm equiv the FOV is comfortable for street and works well for WA by using vertcally for panorama.

 

For Tele, I use the R system

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I am not sure I understand you here. You do have 24 mm framelines (FOV 32) in the M8's VF, coupled with the 35 framelines. Is this your worry?

 

I meant, it's nice to see outside the framelines for 24mm, versus the other focal lengths, while composing. But if you can prefocus and pre-visualize, all the more power to you!

 

Remember that Joel Meyerowitz video? It's a great example of how to shoot street. Though, in NY, people's attitude toward a creepy looking guy in black with a tiny camera is probably different than other towns/countries. :p

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Guest stnami
You mean me? I clarified: "vote".
... that's because you befriended Senior Hindesite:p

 

 

 

 

 

 

 

 

 

 

 

31mm in the old scale

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I meant, it's nice to see outside the framelines for 24mm, versus the other focal lengths, while composing. But if you can prefocus and pre-visualize, all the more power to you!

 

I wear glasses. It's a rare day when I have time to scan the full frame lines for the 24, and about a quarter of the frame edges are blocked by the big lens shade anyway, and BTW the lens shade no longer clicks into place securely when you install even a thin 486 B&W IR filter, so tape or some other kluge is needed, and they haven't made the Epson RD-1 21mm x1.5 external viewfinder that would be just right for a while now, so Steven Gandy is out of stock on them, and ...grrrr. But I love the results anyway.

 

scott

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I am just not communicating well. I meant, the 28 seems ideal, since it's still relatively wide, so that you can see outside the framelines, making composing (cropping in camera) more interactive.

 

If you've shot SLR, and had to bob your head or pan around, you'd understand what I mean, where the rangefinder excels for composition.

 

I guess what you're saying is you know the edges are the crop for 24, almost, eh?

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