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slide film - anyone out there still using them?


mkern1974

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I've just switched to Fuji Velvia 100 from the late, lamented Kodachrome. The color strikes me as much too artificial. Any suggestions for a better substitute?

I nurse along my 40 year old Pradovit 250 and pray that nothing worse happens to it than my current problem with the dark slide sticking open between slides.

In the meanwhile, until I can walk up to a 70" screen and see the kind of detail I get with film, I am not switching to digital.

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Even if you're on the other side of the world, B&H in NYC is a good source for slide film -- good price, and reliable service. Fuji Astia 100F has to have the finest possible grain, superb rendition of highlights and shadow, with neutral colors, especially whites. I also quite like Kodak's E100G and Elite range -- good blues and greens for landscapes. Merry Christmas!

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Hi there

 

I am addicted to slide film - I just love the colors and the saturation of Velvia 50 when I push it through my lovely Leica M6 camera. I find it hard to believe that it dies slowly but surely. I am this week in San Francisco and cannot find decent slide film in this city nor a lab which can process it. Is there a chance that good slide film survives along with the black-white community? Give me hope, dear community!!

 

Not only am I still using transparancy film, my favorite is still B&W Agfa SCALA. We are down to one known lab, dr5-lab, Denver, after getting ripped off by Color Reflections, Miami, operation that closed out of Scala last year. (They offered to buy back their prepaid mail bags, and then didn't after I sent mine). So we must be careful.

 

But I just sent out my Christmas "cards" and used a Hudson River scene on SCALA, taken with my M6 TTL and Summacron 28 asph. Nutten Hook Tree (south): Photo by Photographer Oculus New York - photo.net Nothing like the stuff and the freezer is still stocked.

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Began with Kodachrome in early 1940s. Still shooting 90% trannies. Buy from B&H in NYC, send to A&I in California for excellent processing. P2002 projector with matte screen. Use Astia and Provia with a little bit of Velvia for fun. Given up on Kodak.

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I mainly use slides (Fuji Provia, Kodak Elite Chrome) when my Sigma cameras are too slow. The look of bayer sensors I simply do not like; flat - end of story; making bayer photos live would costs me too much money (good lenses, larger bodies than I use today, etc)

Just framed some older slides yesterday and looked at them through a slide projector. What an enjoyment for the eyes after looking at screens all the time, and man, what charme some of the photos have. No way digital would produce that. Another reason I still like film at times: my best photos were ALL shot with film, no digital camera could have produced that special touch.

That said, Foveon is getting there (if they would build a nice camera around it I may largely set aside analogue for good perhaps) and a nice digital alternative, without wanting to spark a discussion. I am simply saying is that I like foveon and film - for the same reasons I suppose: charme, liveliness, colors, b/w abilities.

 

And - being able to fire a few good slides into the projector is always nice. More memories seem to come up than with digital photos I find. In the end it is all about the balance.

 

Peter

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Hello,

 

I use film- and digital bodys. My first choice in film is the Velvia 100F. I use it for my slideshows showing in different cities - but also for scanning with my Nikon COOLSCAN 9000 ED.

 

Problem now is that the number of good laboratories here in Germany become smaller and smaller. So I had to change to a very professional one, and have to pay now really more. So - I use my digital camera (Nikon D200) more often then before. And on my next journey I have both with me, digital- and filmbodies. And - I´m waiting after a cheaper "D3x" - for example a "D700x".

 

Regards

Heinz

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I live in a university city, down near the border with Mexico, pop 90,000. We do not have a camera store. There are a couple of 'so-called' studios for h.s. pics and they do do machine processing. Color only no B&W. In the shorts it is a sorry state of affairs. I shoot film 95% of the time. Chromes, negative color and B&W. I buy it all out of NYC and mailers to a particular lab in California. I shoot mainly slides but with my new film scanner it works equally well with B&W prints and color neg prints.

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For those still looking for an E6 lab in San Francisco, try:

Light Waves Imaging

130 Russ Street

San Francisco, CA 94103

(415) 431-9651

http://www.lightwavesimaging.com

 

In the North Bay there is also:

Tha Lab

400 Tesconi Circle

Santa Rosa, CA 95401

(707) 575-5553

The Lab: Custom Photographic Lab & Digital Imaging

 

I process my own E6 but a quick google search indicated that these are two labs that still do E6. I've personally used The Lab and they do good work.

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I was in SF a few months back and recall a photographer telling me it was becoming increasingly difficult to find transparency in the city, so I'm glad to Leicaman has provided some info - the beauty of the Forum!

 

In answer to the question in the title of your thread the answer is yes, all the time! I am currently on a trip and have a couple of bags of tranny ranging from Astia to Ektachrome to Velvia 50 to GX in addition to some Ektar and plenty of black and white.

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I always shoot Kodachrome 100G. Two rolls so far this year (2010!)

It is perfect for mixed light, not too contrasty, or over saturated.

 

Develop and mount it myself, usually 2 films at a time. I use the Tetenal 3-Bath process in a Jobo proccesor.

 

Tetenal : Colortec E-6 3-Bath Kit : PHOTO IMAGING

 

John

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I used to shoot slide, until recently, when the processing price of one 135 roll went up to 14 euros in my town! Can't afford it and I'm too lazy to develop it myself, so now I only shoot BW (selfprocessed) and kodak portra, which by the way scans beautifully in my V700.

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It seems I have a silent comeback of slide film, which I abandoned sometimes in the 90s.

 

Recently I did three rolls of Kodachrome 64 to wave it goodbye. I used to like the "black" of Kodachrome but found the colours difficult for scanning, didn't see the use of doing the effort to learn to scan it properly.

 

Over christmas, I tried a roll of Fuji Astia and liked it very much for it's natural colours, smooth and deep "black", very good skin tone reproduction and grain below the resolution I ordered at my lab (12Mpx scan, giving 36MBit TIFFs).

 

Stefan

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Guest Joachim_I

I only use slide films (35mm and 120), mostly Provia 100F, Provia 400x and Velvia 50. I usually mail order my slide films once per year. I can have my films developed at the same day for a reasonable price by a local lab. I am happy with this procedure and very much enjoy my projected slides.

 

However, I miss some films like Kodachrome 64, Ektachrome 320T (just shot my last two rolls) or a local possibility to develop Agfa Scala. I hope Fujifilm continues to supply their current slide films.

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