Jump to content

The missing link


Recommended Posts

x

Hey ! Unless is a photoshop joke... ;)... very unusual !!! Never seen... most intringuing is the raised red "button"...not typical of very early BM lenses... wouldn't have been for it, I'd say it can be a prototype BM lens for M3... I wonder if it could be a frankenstein-lab-repaired lens... but why the absence of s/n, in that case ? If they used an old Elmar lens tube it ought to have the s/n at its usual location... unless they used a very very old unnumbered (even uncoupled ?) lens unit... does the lens look VERY old ? I can't read clearly the f stops... are they of the prewar "european" scale ?

Link to post
Share on other sites

But... is the DOF scale coherent with the lens f scale - old values ?

No Luigi,

That surprised me when I saw it, is that the LTM Elmar body have the same diameter than the M version.

I never take a dial caliper to measure them before. Now I know it is 29mm :).

 

An another case is the Summaron 3.5 / 35; from LTM to M, a lot of bodies differents in shape around the lens which are, fortunely, at the same place.

Link to post
Share on other sites

never seen before such a coupling elements : a bayonet mount and a Elmar 3.5/50 (without serial number) from screw mount, lens body . Do you ?

 

No, but I have once seen one the other way round, i.e. the regular screw mount coupled to a lens body of the bayonet type (E39 filter thread and click stop aperture ring). It was a 3.5 version, too.

 

Andy

Link to post
Share on other sites

It appears that the lens in question has the old aperture scale: 4.5 - 6.3 - 9 - 12.5 - 18. I am sure that if this indeed was a prototype lens from the early 1950's, Leitz would have used a curent version of the 3.5 LTM Elmar. The one here is either pre-war or war-time.

 

I believe that this is a home-made adaptation. As Luigi asked - do the f-stop scale of the lens and the depth of field scale of the mount match? Obviously not.

 

As the focusing movement of the 50mm lens is identical to the movement of the rangefinder cam, this adaptation is fairly easily accomplished, as long as flange to film plane distances are maintained.

 

Best,

 

Jan

Link to post
Share on other sites

Well... given the question of the DOF scale... I'd say it's a home (lab, probably) made intimate marriage of a "new" BM Elmar and an old SM Elmar lens tube... done for need (new Elmar glass broken ?) or for nostalgy of ol'Elmar "glow" ;)...

There is still the issue of missing s/n...but it could indeed be simply a very very old unnumbered Elmar...

Link to post
Share on other sites

Well... given the question of the DOF scale... I'd say it's a home (lab, probably) made intimate marriage of a "new" BM Elmar and an old SM Elmar lens tube... done for need (new Elmar glass broken ?) or for nostalgy of ol'Elmar "glow" ;)...

There is still the issue of missing s/n...but it could indeed be simply a very very old unnumbered Elmar...

For me it is a coffee/lunch break time job from some employees in Wetzlar, I have seen some of them ex. my M4 222 A.

Link to post
Share on other sites

For me it is a coffee/lunch break time job from some employees in Wetzlar, I have seen some of them ex. my M4 222 A.

 

Can be... in the '50s Leitz was still a factory of that times... FULL of workers and materials everywhere... a big leap from today's clean and streamlined production dept.

What's about your M4 ? I don't remember to have seen "a little..." thread of yours with it...

Link to post
Share on other sites

I'm curious. Is a dummy lens simply one in which the diaphragm is missing or not linked in to the aperture ring (like the 0.95 Noctilux I saw earlier this year which rather surprised me)? Is it a simple matter of fitting a few parts to make the dummy work or is there more to it?

Link to post
Share on other sites

I'm curious. Is a dummy lens simply one in which the diaphragm is missing or not linked in to the aperture ring (like the 0.95 Noctilux I saw earlier this year which rather surprised me)? Is it a simple matter of fitting a few parts to make the dummy work or is there more to it?

Usualy a Dummy lens have a (black) false lens in front and it's all.

Link to post
Share on other sites

Archived

This topic is now archived and is closed to further replies.

  • Recently Browsing   0 members

    • No registered users viewing this page.
×
×
  • Create New...