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Showing results for tags 'documentary'.
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Hi friends, I’m not usually very active on the forum but I remember years ago being very curious about how a modern digital M camera would behave under real working scenarios, even more an M Monochrom considering how much limited is the choice of these tools. I felt that this recent example of a collaboration I had with a music band could be potentially useful for anyone interested in seeing real life results, especially under these challenging conditions. Hope you like it or that it’s somehow useful, best regards to all, Sergio. All photographs made with M10M, Nokton 35mm f1.4 v2 and 50mm Summilux Asph. Belter Souls Band - Leica M10M -
just finished watching this Documentary, very nice:
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here are the thoughts of two photographers on 28mm vs. 35mm for documentary photography. There is nothing "wrong" with the 35mm; for some reason, the 28mm focal length produces images that are more three dimensional looking to my eye. For that reason, I am drawn to the 28mm focal length. I think of my 28mm Elmarit as my documentary lens and my 35mm Summicron as my all-arounder. https://emulsive.org/articles/sharing-my-contact-sheets-india-snapshots-all-xa-all-colour?utm_source=EMULSIVE+Daily+and+Weekly+Newsletters&utm_campaign=e7c973b9ea-RSS_DAILY_EMAIL_CAMPAIGN&utm_medium=email&utm_term=0_c4b55b017a-e7c973b9ea-174834361
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Here is an interesting discussion on the 28mm vis-à-vis 35mm lens for documentary photography: Focal Length Feud: 28mm vs 35mm for Telling a story – by David Babaian and Simon King https://emulsive.org/articles/focal-length-feud-28-35 I have used both and at the end of the day it seems to me that either will work well, if you are willing to fine tune your shooting technique for each lens. Thoughts?
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From the album: Cuba
Santiago de Cuba. 2001 Nikon FM2 50mm Kodak Portra 400BW© All Rights Reserved.. Keith Lloyd Davenport..
