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H'mmm ... decisions, decisions


Simon Baker

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Hello all,

 

I will be most grateful of any advice you may have for me with regard to the purchase of an "R" lens in the 180 - 200mm range.

 

I recently purchased a very nice "R" outfit at a very affordable price, it comprises the following:-

Black R8 ( late s/n)

Black R5 ( late "Leica" logo )

35 F2.8 Elmarit ( latest )

50 F2 Summicron ROM

90 F2.8 Elmarit ( latest )

100 F2.8 APO Macro Elmarit ROM

2x APO ROM

 

I would like to purchase a telephoto in the 180mm range and am prepared to spend up to approx £2K if warranted. I don't mind a prime or a zoom at this focal length, but would like to get it right first time so to speak, so as I see it my possible options are :-

 

1) 180mm F2.8 latter non APO ( APO too hard to find )

2) 180mm F3.4 APO

3) 80-200 F4 ROM ( latest )

4) 105-280 F4.2 ROM

5) 70-180 F2.8 APO

 

Ideally my preferred max aperture would be F2.8 ... in keeping with my primes, however the two slower zooms mentioned would be acceptable if the benefits outweigh the aperture.

 

So as I see it:-

 

1) A good lens, better and lighter than the earlier version, nice and compact too

 

2) A highly rated lens, cracking at infinity, less so close up ..... a better choice than 1) ?

 

3) Owned this a number of years ago so am familiar with it, IMO a very good lens, nice balance and size due to slower max aperture but would it be a better choice than 1) or 2) ? Given I already have 90 & 100 lenses its benefit to me would be at about 135mm onwards.

 

4) Appears to be highly regarded, good focal range, no overlap with current lenses owned, OK it's on the heavier side but I've lugged a Nikkor 400 F2.8 around which is considerably heavier again

 

5) A very highly rated lens, similar weight to 4) but shorter focal range however faster max aperture, overlap with my current 90 & 100 lenses but from there up provides new focal lengths for me.

 

Would the wisest choice be to stay with primes and if so which would be the better option .... F2.8 later lens but not APO or the F3.4 APO ?

 

Performance to cost ratio should I forgo F2.8 and get the 80-200 ROM , can buy a nice one for about £600

 

105-280 ROM would give a nice extended focal length range but would you consider it

 

70 -180 APO .... difficult to get a 180 APO F2.8 prime .... how does this compare and if this would be your lens of choice - why ?

 

I very much appreciate any suggestions you may have which may help guide me towards narrowing down my choices.

 

Many thanks Simon

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Purpose????? Travel??? Wildlife????

 

 

Any and all "short telephoto use"

 

Sometimes useful for portraiture / fashion from a distance, shallow & compressed backgrounds.

 

Some wildlife shots and often isolating scenes within landscapes

 

Whilst weight needs to be considered I would not put it above performance or versatility,

 

Thanks Simon

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  • 3 weeks later...

For what its' worth, I think you would be satisfied completely with the 180 F3.4 APO lens- brought out for the US navy for intelligence prposes, and at a no expense spared funding. I had one of these fabulous lenses, and believe me it was very very good. Small and light, it gave a fabulous image- one that had that all too rare 'Glow'.

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For what its' worth, I think you would be satisfied completely with the 180 F3.4 APO lens- brought out for the US navy for intelligence prposes, and at a no expense spared funding. I had one of these fabulous lenses, and believe me it was very very good. Small and light, it gave a fabulous image- one that had that all too rare 'Glow'.

 

I agree- I bought a mint example for a song and I love it!

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I would rate the 180 APO f/3.4 as the best deal - only very slightly behind the more modern APOs, usually quite a bit cheaper, and only 1/2 stop slower than the f/2.8.

 

Its main drawback is a longer close focus limit, if you are thinking of portraits. It also may not work with your APO 2x (see my thread in customer forum as mentioned) and if it does will become an f/7 lens.

 

Personally I like the 180 f/2.8 pre-APO. As a portrait lens it has some of the "gentleness" of the pre-APO 90 Summicrons at f/2.8 and f/4, while being very close to the APO f/3.4 @ f/5.6-8.

 

The recent 80-200 f/4 lens just didn't impress me much. Even my Leica rep acknowledged it was not as clear and brilliant as the f/2.8 70-180. It was built by Kyocera (the Contax folks) as a cheap alternative to fill out the R line.

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Me too vote for the 180 3,4... never read anything less than enthusiastic about it, and with the 2xAPO extender you have is still an interesting combo.

But... as a non-R user I have also the idea that having a reflex, it's a pity not to have zooms... and in this case I'd prefer the 105-280 , simply considering your lens set: there is what can be a serious problem, however, : 1950g vs. 750g for the 180... and length adequate...all another beast to carry around; I think it's also not so easy to find (but Leicashop has one for sale, - 2200 Euros)

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To all who have replied thus far .... thank you,

 

It is helpful to have your thoughts to guide me. At the moment I am leaning towards going for a late 180 f2.8 non-apo as I would like to use it for some portraiture as well as the usual moderate telephoto stuff. I have not ruled out an F3.4 APO and if one turns up at the right price I will certainly consider it, I have ruled out the two zooms ... the 80-200 has overlap with my 90 & 100 and apparently is best at its mid zoom setting of approx 135mm, I would like "best" at around 180/200 . The 105-280 whilst no doubt a good performer is rather large for general use thus would most likely not be in my bag that often.

 

BTW .... I just purchased a mint & late 24mm ROM for £350 , "R" lenses really are such wonderful value right now ! It is now possible ( with a little luck and patience ) to purchase a nice basic outfit such as 24/35/50/90/SF20 & R8 for less than what the R8 alone cost new.

 

Once again, my thanks to everyone

 

Simon

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Simon,

 

Hang around a bit longer and you'll find a 180/2.8 APO for sale within your budget. I have the 180/2 summicron which is fabulous but massive; the 180/2.8 APO is a great compromise. Funny that the folks around here aren't impressed with the 80-200/4. I'm very happy with mine considering its price and limitations. A significant number of my gig shots on my website are taken with it (eg Nigel Kennedy, Van Morrison, Hugh Masakela, Squeeze, Billy Joel, Buena Vista Social Club).

 

Best wishes,

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Simon,

 

Hang around a bit longer and you'll find a 180/2.8 APO for sale within your budget. I have the 180/2 summicron which is fabulous but massive; the 180/2.8 APO is a great compromise. Funny that the folks around here aren't impressed with the 80-200/4. I'm very happy with mine considering its price and limitations. A significant number of my gig shots on my website are taken with it (eg Nigel Kennedy, Van Morrison, Hugh Masakela, Squeeze, Billy Joel, Buena Vista Social Club).

 

Best wishes,

 

 

Hi Charlie,

 

By that , can I take it you will most likely be advertising one soon ?

 

Kind regards Simon

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180 3.4 is kind of funky except for infinity. All the weight is on the end so it does not balance well and most take odd filters.

 

180 4.0 is nice and handy. Price is good on these and is what I have.

 

180 2.8 is a decent lens and not to big

 

180 2.8 APO is an outstanding glass, probably the best 180 ever made anywhere. Will cost much money.

 

105 280 is a big hugh lens.

 

70/180 is a very good zoom

 

80/200 4.0 is very good zoom. I have the previous 70/210 ? and it is a credable lens. Think it was made by Kyocera. Not the 75/?, but the model inbetween. It is a push pull single ring

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Hi Charlie,

 

By that , can I take it you will most likely be advertising one soon ?

 

Kind regards Simon

 

Simon,

 

Er, no! But I have sent you a PM about one for sale. (Oh and I don't think I'll ever sell my 180/2 summicron - it's just a fantastic lens)

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The 180 Apo 3.4 is one of the reasons I got into the R system, and I have not been disappointed. It is retina-searingly sharp. However, infinity is very far away, and as Tobey mentioned, it takes 60mm filters, which are scarcely available.

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