dfarkas Posted May 28, 2009 Share #1 Posted May 28, 2009 Advertisement (gone after registration) I got a chance to shoot with a production Noctilux 0.95 ASPH last week. I've got some pictures and impressions on my blog. Check it out at David Farkas Photography Blog David Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/86184-shooting-the-new-noctilux-m-50mm-f095-asph/?do=findComment&comment=913370'>More sharing options...
Advertisement Posted May 28, 2009 Posted May 28, 2009 Hi dfarkas, Take a look here Shooting the new Noctilux-M 50mm f/0.95 ASPH. I'm sure you'll find what you were looking for!
chris_yu Posted May 28, 2009 Share #2 Posted May 28, 2009 WOW... Link to post Share on other sites More sharing options...
zlatkob Posted May 28, 2009 Share #3 Posted May 28, 2009 I love the look of this lens! Very nice blog post. Link to post Share on other sites More sharing options...
photophile Posted May 28, 2009 Share #4 Posted May 28, 2009 David..."many lenses for one nocti. " ...the images do have a very dreamy quality about them however. Great subjects too! Perhaps this lens is the ultimate acquired taste...one must be able to acquire in order to appreciate the taste? Thanks for the update. Now give that lens back to the nice customer.....:Best. Coos http://www.focophoto.com Link to post Share on other sites More sharing options...
twittle Posted May 28, 2009 Share #5 Posted May 28, 2009 Very nice! I was expecting the OOF to be harsher for some reason. Link to post Share on other sites More sharing options...
sm23221 Posted May 28, 2009 Share #6 Posted May 28, 2009 Nice review, I totally agree with it. Link to post Share on other sites More sharing options...
Gentleman Villain Posted May 28, 2009 Share #7 Posted May 28, 2009 Advertisement (gone after registration) David, thanks again for another excellent blog post...You and Sean Reid really are mandatory reading for fans of Leica Link to post Share on other sites More sharing options...
mtomalty Posted May 28, 2009 Share #8 Posted May 28, 2009 David In your blog posting you made note of the lack of vignetting when used wide open. Would this characteristic hold true if the lens was used on a full frame 35mm camera? Does the previous version of the Noct vignette on the M8? Mark Link to post Share on other sites More sharing options...
Riccis Posted May 28, 2009 Share #9 Posted May 28, 2009 David In your blog posting you made note of the lack of vignetting when used wide open. Would this characteristic hold true if the lens was used on a full frame 35mm camera? Does the previous version of the Noct vignette on the M8? Mark Hopefully this will answer your question... MP, Noctilux ASPH shot @ f/0.95 and Tri-X. Cheers, Link to post Share on other sites More sharing options...
mtomalty Posted May 28, 2009 Share #10 Posted May 28, 2009 Impressive Riccis. Thanks Mark Link to post Share on other sites More sharing options...
Gentleman Villain Posted May 28, 2009 Share #11 Posted May 28, 2009 Hopefully this will answer your question... MP, Noctilux ASPH shot @ f/0.95 and Tri-X. Cheers, IF you don't mind me asking...how do you deal with film and workflow? Do you scan tri-x from a negative or have it printed? Thanks man...I'm looking to start shooting film again but am not exactly sure how professionals are coping with it nowadays Link to post Share on other sites More sharing options...
Riccis Posted May 28, 2009 Share #12 Posted May 28, 2009 Thanks, Mark. IF you don't mind me asking...how do you deal with film and workflow? Do you scan tri-x from a negative or have it printed? Thanks man...I'm looking to start shooting film again but am not exactly sure how professionals are coping with it nowadays Mr. Villain (I love your name ) - All my film is processed and scanned by my lab Richard Photo Lab (Richard Photo Lab) in L.A. I overnight the film from my place in South Florida, New York or wherever I am working at the moment (except when I am out of the country) and in less than 2 weeks, I have everything back and all I have to do is sort and upload the images to my online galleries for client viewing. Darkroom work is done by Robert Cavalli (Still Moving Pictures) also in L.A. although I am doing a lot of my personal work myself. The majority of the top wedding guys that are still shooting film are using Richard Photo as they are the best film lab out there because of their quality and personalized service. Cheers, Link to post Share on other sites More sharing options...
Gentleman Villain Posted May 28, 2009 Share #13 Posted May 28, 2009 Thanks very much for the info! Link to post Share on other sites More sharing options...
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