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Leica Publisher's Award, Winner 2006


wide.angle

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I think these are really beautiful. The color is subtle, and original. The subject matter is not beautiful. The beauty has come almost completely from the efforts of the photographer making images that another would not.

 

As for the portrayal of China... I think it interesting that there is something sterile and empty being revealed here. Human rights abuses are obviously very important, but they are not the only lens to look at a country. I think in this portrayal of the best of China one has the feeling of something lacking which is how I felt when I was there.

 

I think Leica has done very well with it's choice. Not the same old.

 

Thanks for bringing it to our attention.

 

Best,

 

Mitchell

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I have to admit this collection, and so-called art-photography in general, sort of washes over my humble head.

 

However, my other half, who has recently finished her MA in Fine Art, says "they're fantastic" - and she normally has slightly less than zero interest in photography.

 

Just goes to show :(

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AS with all industry/ commercial based awards, never rock the boat, be nice as you never know when you need something, sometimes half a story is not better than none

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As a series, or a body of work, cliched and unimaginative and not representative of anything in particular of China. In fact you could take most of this stuff in any city.

 

As far as the images themselves go, at this level of competition you shouldn't be able to pick holes in their technical production, composition or photographic technique, and you should just be able to say I like or I dislike or they evoke whatever emotional response. They bore me. I have to go looking into their processing, their composition, or the technique to find anything I can appreciate much less respect.

 

Summary, abject failure. Worse, if you really want me to think hard about it, for having lived there I find it hard to accept this sort of stuff as representational of China.

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I would say they are all very nice, but only one is really noteworthy in my opinion, and that is the image mentioned previously of the two people in under the phone hoods. For the most part, the rest rely primarily on color rather than technique for their effect. I'm sure any number of people on this forum could have put together a collection of images this good.

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At first I didn't particularly like the pictures, but I gave them another couple of viewings thanks to the activity on this thread. I have to say they're growing on me - they have an ethereal, dreamy quality, to my eye.

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Hi guys

 

 

IMO a stunning set of images,I think the photograher has a great eye for composition ,in some images he has broken rules and place subject centre ,works imo.

 

I think the visual image he is trying to communicate is one of change, from old to new from communism to capitalism....regardless of what we think his style of reportage has been successful ,his work has been chosen and more importantly has evoked feelings be them good or bad ,as photographer what more could one ask for, I wud love to be in his position .

 

 

 

Peter Delaney.

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I began this intentionally without offering up my own views. I had many of the same thoughts that were in your responses here...snapshot, nice colors, lack of coherent composition. It seemed these images could have been taken in my city ... image of a congested freeway, a crane about to build new construction, decayed alleyways, etc. Probably images I would not have made.

 

Given that they were recognized with an award by judges much more keen to observing than myself, I wanted to see another perspective, one that may have resulted in the award. Some of you have expressed that the images must be judged together, and it is the story they tell that makes it a winner. In an attempt to add to this, it seems the images would also need the viewer to have an understanding of what was going on there and why, and its imact to fully appreciate the images.

 

To me, noticably absent (with some exception) if this is reportage photography, is signs of the people that live there, for it is people that bring its significance. I wonder if their absence was on purpose, and if so, why.

 

Thanks for all the discussion.

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So true Bob.

 

Since I'm sure the entire collection is not represented on the Leica website I think it's unfair to judge based on just what we see.

 

Last time around the tone was exactly the same. When I took the time to view ALL the pictures in the collection I was impressed and suprised.

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