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Light Meter


wilfredo

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Well I picked up a Sekonic L308S today and I love the simplicity and speed with which it gives you a reading. I will be putting it to use with my M2. I think it will be a great combination of old and new technology. Thank you all for helping me decide.

 

Cheers,

Wilfredo

Benitez-Rivera Photography

 

PS If anyone would like an old Gossen Luna Pro just contact me. It still works but the dials get a little stuck sometimes. Perhaps it can be used for parts. No Charge.

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I think the old and new combo is a good choice. The digital readout is actually a lot simpler than squinting at those tiny needles on an analog meter. The Luna Pro, while undoubtedly a good meter in its time, is also a bit clunky. I actually swapped mine for the Sekonic a few years ago.

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  • 2 weeks later...

I have an old Weston Master V that is cosmetically spotless. However, the cell died years ago. Every time I clean out my shelves, I think about tossing it. But I haven't had the heart. Problem is that I haven't found anyone to repair it except one source that told me it wasn't worth it. Do any of you have a suggestion other than the obvious, which would be painful. I'd like to get it working, if possible.

 

Jim Evidon

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I highly recommend them. They have serviced and calibrated all of my light meters for years. They service meters for virtually every cinematographer I know. Years ago when I lived in NYC I used to use Empire Exposure Meter Service in NJ, but I don't know if they're still in business.

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Megatron price for a rebuild is quite high, not to mention that with shipping to the &US, I would be way ahead buying the Seconic. I just called quality Light Metric in Hollywood and was quoted a very reasonable price; less than $100. They have the parts and guarantee the work. Thank you Leitz_not_Leitz and to LAPD. I'll ship it off in a few days and probably retire my Gossen Luna Lux SBC, a real workhorse but very thick, and large.

 

Jim Evidon:)

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I've used a Gossen Digisix for a while now and I can say I don't like it. It takes far too long to switch between film speeds. On the plus side it's very small and light and seems to be practically indestructible.

 

Cheers, P.

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The VC- meters work nicely, BUT one big drawback is the constant

and unintended travel of the filmspeedsetting. I checked several

VC I- and VC II- meters and they behaved the same.

 

I returned to my old LEICAmeter IV, which still works like a charm

AND it is coupled to the camera for adjusting the shuttertime.

 

 

 

Best

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  • 2 weeks later...

Just a comment to report that, thanks to this thread, I sent my Weston Master V to Quality Light Metrics in Hollywood. It was a two day turnaround once he received it. I got it back with new parts and calibrated for $78 including return shipping. I compared it to my Gossen LunaPro SBC and the readings are very close. Three Cheers for Q.L.M.

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I've used a Sekonic L-558 for some years and though one or two bits have fallen off along the way and it's been through snow, rain, intense heat and dust it still works perfectly. It does just about anything a lightmeter possibly could and I have been very happy with it, however it is bulky and much more highly specified than I need for M shooting alone. I have been considering a Voigtlander VC Meter II for my M4 for some time, I have heard good things and it looks like a simple, compact and functional unit.

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The VC- meters work nicely, BUT one big drawback is the constant

and unintended travel of the filmspeedsetting. I checked several

VC I- and VC II- meters and they behaved the same.

 

I returned to my old LEICAmeter IV, which still works like a charm

AND it is coupled to the camera for adjusting the shuttertime.

 

 

 

Best

 

 

Dear k_g_wolf,

 

As mentioned above I'm considering a VC II and am confused by what you describe as 'the constant and unintended travel of the filmspeed setting'. Can you explain what this means practically?

 

Thanks in advance!

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Dear k_g_wolf,

 

As mentioned above I'm considering a VC II and am confused by what you describe as 'the constant and unintended travel of the filmspeed setting'. Can you explain what this means practically?

 

Thanks in advance!

 

I imagine he's referring to the filmspeed selection dial -- which is a dial within the aperture knob. I haven't had that problem with mine but suppose it could be a problem if the dial somehow lost its friction grip within the aperture knob. I love my VC II.

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Not had a problem with the film speed setting on mine either. It sits well with my CL's and other meterless cameras.

 

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hi wilfredo

 

for a classic m2, maybe there is only one classic solution? :)

 

just rebuilt, calibrated and new batteries put in by quality light metrics in hollywood! if you're interested, i'll put it in the buy & sell section.

 

greetings from hamburg

 

rick

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