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I guess the first question is - which film? Color slides? Kodachrome? Ektachrome? Color negatives? Ultra-fine-grain B&W microfilm "pulled" in special developers? Tri-X? FP4? TMax 100?

Scanned film, or traditional darkroom-print reproduction? And if the latter, on which paper grade?

The second question is - just how knowledgeable and skillful is one, regarding pulling the most out of either film or (raw) digital originals? In both exposure, and post-processing?

 

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Somewhat older article. Modern sensors are appreciably better. So yes, in general a digital camera will have a higher DR than film. But note that a digital camera has a cutoff in the highlights whereas negative film will have so in the shadows. 

https://clarkvision.com/imagedetail/dynamicrange2/

present-day noise reduction techniques will extend the digital range in the shadows even more. 

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A nice read which film has "toe and shoulder" which sensors lack.

this link ...

Sensor light response is straight line ( = expose correctly is a must ).

Film can be more tolerant in exposure ( less so slides).

With M-D (type 262), in difficult lighting, I use manual setting AND vary exposures when I can.

 

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