Jump to content

Recommended Posts

2 hours ago, Kristofferpaulsen said:

+1 for the 21!

I've seen others wanting a 21 SL as well.  I have the WATE that I use for my SL2 and it performs very well and I pretty much set it at infinity when taking landscape/building shots.  What's the benefit of a 21 SL when the 28 SL and 24-70 / 24-90 lens are available?

 

 

Link to post
Share on other sites

5 minutes ago, cj3209 said:

I've seen others wanting a 21 SL as well.  I have the WATE that I use for my SL2 and it performs very well and I pretty much set it at infinity when taking landscape/building shots.  What's the benefit of a 21 SL when the 28 SL and 24-70 / 24-90 lens are available?

 

 

21 is just such a party.. I love it for rooms, and social documentary. SO different from like, 35 or even 28. If I'm shooting a building I'll generally go my shifts because I'm a stickler for verticals. 

  • Like 1
Link to post
Share on other sites

No,that is the Lens Compendium. There is one for sale on Amazon right now. I meant the newer Leica Compendium. But no matter, in the part about Leica and optical design they both stress the importance of the mechanical construction for image quality.

 

40 minutes ago, pf4eva said:

That book is released 20y ago, what is it to do with current sigma/leica lenses?

 

  • Like 3
Link to post
Share on other sites

9 minutes ago, jaapv said:

No,that is the Lens Compendium. There is one for sale on Amazon right now. I meant the newer Leica Compendium. But no matter, in the part about Leica and optical design they both stress the importance of the mechanical construction for image quality.

 

 

i think that's a really good point.. and we really see that manifested in the difference between the 24-70's we've all known forever on Canon/Nikon etc, (which are very good, I loved my 24-70 when I shot Canon) absolutely destroyed by the 24-90. I can never quite believe the difference.. 

Link to post
Share on other sites

1 hour ago, LocalHero1953 said:

So does mine, but the only time I notice it is when pointing vertically downwards for negative copying. I do that at 90mm anyway, and I've never noticed creep in any other scenario (with this or the other SL zooms, the TL zooms or the 80-200 R zoom). Having a focus lock never occurred to me as a 'thing' until I heard here that the absence of one is very bad design.

Not sure how you may not notice it, even if you hold the camera over the shoulder it extends every time, very annoying... This the only bad thing about this lens really, but that's an extremely bad design.

Link to post
Share on other sites

Advertisement (gone after registration)

3 minutes ago, pf4eva said:

Not sure how you may not notice it, even if you hold the camera over the shoulder it extends every time, very annoying... This the only bad thing about this lens really, but that's an extremely bad design.

The Leica 24-70 does not extend on its own yet does not have a lock. Perhaps the difference is the weight of the elements? 

Brad

Link to post
Share on other sites

11 minutes ago, pf4eva said:

Not sure how you may not notice it, even if you hold the camera over the shoulder it extends every time, very annoying... This the only bad thing about this lens really, but that's an extremely bad design.

It just never happens to mine. I admit I’ve never held it over my shoulder - I doubt I could take a photo that way. 

Link to post
Share on other sites

It's obvious it's a tweaked rebrand. Leica users would  be up in arms if it was a straight out copy. It's really up to individual if they want to shell out more for a tweaked sigma design, their money their happiness 

If however Leica straight out copied the z 70-200 2.8 Wr from Nikon I probably wouldnt mind as much 😆. They're better lenses to copy from.

  • Haha 2
Link to post
Share on other sites

2 hours ago, cboy said:

It's obvious it's a tweaked rebrand. Leica users would  be up in arms if it was a straight out copy. It's really up to individual if they want to shell out more for a tweaked sigma design, their money their happiness 

If however Leica straight out copied the z 70-200 2.8 Wr from Nikon I probably wouldnt mind as much 😆. They're better lenses to copy from.

That would be pretty nice!  I’ll bet Nikon wouldn’t have factory space to make it for them!

Link to post
Share on other sites

3 hours ago, Priaptor said:

Yes a 400 mm F2.8 would indeed be a beast.  A 400mm F4 (or even a F5.6) would be a much more useable lens, without the helf or the expense of a F2.8 would satisfy many  more of us at the 400mm end than this Sigma zoom.  You are picking the most expensive and bulkiest prime to compare it to. But I would welcome any alternative at the long end to this

It exists. The best lens Leica ever built. The APO-Telyt 280/4.0. R A stunning 500 LP/mm wide open, diffraction limited, reasonably compact and not too heavy, It smokes the 90-280. Put it on the APO-extender 1.4 R which does not perceptibly diminish IQ. 

  • Like 3
Link to post
Share on other sites

3 hours ago, Kristofferpaulsen said:

i think that's a really good point.. and we really see that manifested in the difference between the 24-70's we've all known forever on Canon/Nikon etc, (which are very good, I loved my 24-70 when I shot Canon) absolutely destroyed by the 24-90. I can never quite believe the difference.. 

A prime example is the APO Summicron 50 M. The design had to stay on the shelf for eight years because it took that long to perfect the machining of the barrel to enable its full optical potential. 

  • Like 2
Link to post
Share on other sites

2 minutes ago, jaapv said:

It exists. The best lens Leica ever built. The APO-Telyt 280/4.0. R A stunning 500 LP/mm wide open, diffraction limited, reasonably compact and not too heavy, It smokes the 90-280. Put it on the APO-extender 1.4 R which does not perceptibly diminish IQ. 

@jaapv, I thought the R 1.4x only worked with a few lenses, like the APO 280 f/2.8.  I have both the lens and 1.4 that I’ve used, but not the f/4 version, although I have the APO 180 f/2.8 which is its little sister.  I’ll have to try it…

You are correct, some of the R lenses are incredible even by today’s standards.  Just not autofocus and weather sealed.

The best part is that it’s been great to see a good group of new lenses come out for the SL and the M series. 

Link to post
Share on other sites

Just now, jaapv said:

A prime example is the APO Summicron 50 M. The design had to stay on the shelf for eight years because it took that long to perfect the machining of the barrel to enable its full optical potential. 

And even as great as that lens is, I also still enjoy the 50 Summicron IV (and V), sort of like the APO 50 for the SL and the new 50 ASPH for the SL.  

Link to post
Share on other sites

The APO Telyt 280 4.0 plus the APO extender 1.4 was my standard wildlife lens in the nineties until I replaced by the 105-280 R + 1.4x which was far more flexible and still very .very   good. 

Link to post
Share on other sites

16 minutes ago, jaapv said:

The APO Telyt 280 4.0 plus the APO extender 1.4 was my standard wildlife lens in the nineties until I replaced by the 105-280 R + 1.4x which was far more flexible and still very .very   good. 

I’ve looked at that lens a few times.  I use the 70-180 APO and travel with the 80-200 f/4 because of size.  You’re the first person I’ve heard thats used the 105-280.  Still, need to do research on which lenses fit the 1.4 because that seems to be a great compromise on f/stop and reach.  Thanks for the aside…

Link to post
Share on other sites

6 hours ago, LocalHero1953 said:

So does mine, but the only time I notice it is when pointing vertically downwards for negative copying. I do that at 90mm anyway, and I've never noticed creep in any other scenario (with this or the other SL zooms, the TL zooms or the 80-200 R zoom). Having a focus lock never occurred to me as a 'thing' until I heard here that the absence of one is very bad design.

I don’t want a zoom lock but I also don’t want zoom creep. It’s disappointing to have it with the 24-90. I experience it when I walk around with the camera/lens on my hip. 

Link to post
Share on other sites

Join the conversation

You can post now and register later. If you have an account, sign in now to post with your account.
Note: Your post will require moderator approval before it will be visible.

Guest
Reply to this topic...

×   Pasted as rich text.   Paste as plain text instead

  Only 75 emoji are allowed.

×   Your link has been automatically embedded.   Display as a link instead

×   Your previous content has been restored.   Clear editor

×   You cannot paste images directly. Upload or insert images from URL.

  • Recently Browsing   0 members

    • No registered users viewing this page.
×
×
  • Create New...