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mmmm...smooth, creamy and delicious!


Tony C.

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I've recently acquired a lens which I've been seeking for some time. My attraction to this lens had everything to do with the way it renders

out of focus areas, and while I've only taken a few test shots, I am extremely pleased with what I've seen thus far.

 

Based on this sample, would anyone care to guess what lens it is?

 

Regards,

 

Tony C.

 

Hex4s.jpg

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I've recently acquired a lens which I've been seeking for some time.... Based on this sample, would anyone care to guess what lens it is?

 

Hmm - I'd say I have a couple of lenses like this - oh, wait, you mean this M8 is *not* autofocus??

 

Ducking... ;-)

 

JohnS.

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Then Canon 0.95? But I think the point of having creamy OOF areas is to actually have something IN focus too...

 

Well, I agree to some extent. This image was only used as an example of the OOF area, although I have seen (and captured) some very interesting and pleasing images which were intentionally out of focus. I will certainly post some more traditional images at some point.

 

The Canon is a good guess, of course, but not correct. It is a 50mm lens, and it is fast, though not quite as fast as the Canon or Noctilux. It's the M-Hexanon 1.2 which came with the limited edition Hexar RF kit in 2001.

 

I know that it may seem silly to own two lenses (this and the Noctilux) with such similar capabilities, but I'd inferred from images taken with the M-Hexanon that its signature was somewhat different than that of the Noctilux. My early tests confirm this to be the case, and I must say that am extremely impressed and happy with the Konica thus far. I say that not only with respect to the way it draws (even in focus!), but the build quality is superb as well.

 

Regards,

 

Tony C.

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I would guess a 50 from the angle of view. Possibly a 75, but I suspect not.

Contrast is moderately low, so I'd guess it's an oldie.

I've never used a 50/1, but there's nothing swirly about this.

Hard to tell aperture, because there's nothing in clear focus.

The edge of the point spread is well defined, so it's a well corrected lens, so I'd guess 1960s based on the degree of correction and contrast. Or a 1970s wide open.

There's a hint of oof artifacting (faux lines produced by point spread), which is somewhat rare in Leica and more common in Zeiss.

 

So... I'd have to join Carsten... a classic Sonnar 50/1.5. Were these made as late as the 60s? Or did you buy Jack's Canon 50?

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