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Stained glass, Crowland Abbey (CL + TL18-56mm)

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Swans on the river (CL + TL18-56mm)

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7Artisans 25mm f/1.4 shutter drag.

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On 5/30/2025 at 8:32 PM, elambo said:

Le Chef -- any tricks in converting your images to B&W? Is it being done in Lightroom? They tend to look good so I'm curious.

I look at images in LR to see whether I prefer color or B&W. If the latter, I convert, and then possibly do more tinkering in Silver EfexPro. I’m this instance there was a bit of work in LR to preserve texture and tone.

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Recently bought into the CL system, including the 18mm 35mm and 60mm L lenses. Took the kit out yesterday for a trial run, and l’m quite impressed with how it performed. Image below  ISO 100  f2.8  1/500 taken with the 18mm.

 

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This one with the 35mm   :  ISO 100 ; 1/8000 ; f2

 

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I’ve always shot in Aperture priority mode, but for the first time ever l thought, let’s just see what Leica and their computer engineers can do, so l put the camera into P mode, and l think the results above speak for themselves.

philip

 

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"On yer bike!" (CL + TL18-56mm)

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On 6/1/2025 at 10:07 AM, parigby said:

I’ve always shot in Aperture priority mode, but for the first time ever l thought, let’s just see what Leica and their computer engineers can do, so l put the camera into P mode, and l think the results above speak for themselves.

philip

 

They look great, though that mode seemed to be more flattering for the white flower. The focus depth is just a bit too shallow for the blue one, imo.

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I’d noticed that as well, and kind of assumed the effect was likely to be down to the 18mm lens as opposed to the White flower being shot with the 35mm

9 hours ago, elambo said:

They look great, though that mode seemed to be more flattering for the white flower. The focus depth is just a bit too shallow for the blue one, imo.

 

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Hello,

Personally, I find that the blue flower has too much of a background, which hinders the readability of the flower, which is the main subject of the image.
I find that the white flower is more emphasized because the background is judiciously cast in shadow.

The general problem with macro photography is that the background is often too prominent and disrupts the image's readability.

Guytou

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8 hours ago, parigby said:

I’d noticed that as well, and kind of assumed the effect was likely to be down to the 18mm lens as opposed to the White flower being shot with the 35mm

 

I hadn't noticed that they were different lenses. Yeah that likely played a big role.

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7 hours ago, Guytou said:

Hello,

Personally, I find that the blue flower has too much of a background, which hinders the readability of the flower, which is the main subject of the image.
I find that the white flower is more emphasized because the background is judiciously cast in shadow.

The general problem with macro photography is that the background is often too prominent and disrupts the image's readability.

Guytou

This is one reason why we love photography. All the decisions required for making an effective, complete picture. I personally like the degree to which the background fits into the story. It becomes a background that fills the space around the flower without drawing too much attention to itself, to my eyes. The flower lays in bed instead of floating above it, isolated.

I do wish we had more control over depth of field after the shot is taken, as we're able to do with certain iPhone images. I know we can add blur, but it's not so easy to create sharpness and focus that wasn't captured in-camera.

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This year's tamarack (eastern larch) cones. 

CL 105 f2.8 Micro Nikkor

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14 hours ago, elambo said:

This is one reason why we love photography. All the decisions required for making an effective, complete picture. I personally like the degree to which the background fits into the story. It becomes a background that fills the space around the flower without drawing too much attention to itself, to my eyes. The flower lays in bed instead of floating above it, isolated.

I do wish we had more control over depth of field after the shot is taken, as we're able to do with certain iPhone images. I know we can add blur, but it's not so easy to create sharpness and focus that wasn't captured in-camera.

Re: White flower  -  hence the retention of the purple flowers, bottom left hand corner, as my attempt to provide a foundation.

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  • 2 weeks later...

Another experiment with the 35mm  :  ISO 100 : 1/320 : f/1.4

 

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Another in the series of “ getting to know the 35mm “  :  ISO 100 : 1/500 : f/1.4

 

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