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Many thanks for all the generous comments. It's not me, I was in a Carlo Aymonino's building in Milan. He was one of the most significant contemporary italian architect, passed last July 4. To its memory. I was not acquainted at all with the speed of the M8, i'm used with Mamiya RZ67.

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Many thanks for all the generous comments. It's not me, I was in a Carlo Aymonino's building in Milan. He was one of the most significant contemporary italian architect, passed last July 4. To his memory. I was not acquainted at all with the speed of the M8, i'm used with Mamiya RZ67.

 

Sorry

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  • 3 weeks later...

I have this afternoon been enjoying all these marvelous posts.

I must add one or two of mine too. Really some street shooting, piggybacking on the scene-setting done by professional photographers in Kyoto. Many visitors in Kyoto old town dress up for a day and hire a photographer for a nice remembrance, what I see as a 'rite de passage'. Instead of focussing on a static portrait I found it easy to come into contact with the sitter. The camera made it easy to do just that because it is manual and non-intrusive.

Enjoy. albert

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Welcome, dear visitor! As registered member you'd see an image here…

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Hi All -

 

as a fairly new M8 addict - this thread has been fantastic, really some beautiful shots to be seen here...

 

being 'new' to the way of working with DNG - it would be great to know what came straight out of the M8 vs what post processing happened in lightroom or aperture (or any others).

 

i know this may be a question for post processing forum but actually getting some insight about that along some of these great m8 shots would be vary valuable as i'm sure it will help a lot of us getting the most out of our M8.

 

thanks - sebastian

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Hi All -

 

as a fairly new M8 addict - this thread has been fantastic, really some beautiful shots to be seen here...

 

being 'new' to the way of working with DNG - it would be great to know what came straight out of the M8 vs what post processing happened in lightroom or aperture (or any others).

 

i know this may be a question for post processing forum but actually getting some insight about that along some of these great m8 shots would be vary valuable as i'm sure it will help a lot of us getting the most out of our M8.

 

thanks - sebastian

 

ILikeMyLeica (too):

my posts in #450 were processed in-camera. Yes, the details are less fine than with DNG, at least at 100% onscreen - but in print even at 30x45 it is marvelous. And the in-camera M8 JPG is very very good. I didn't have the possibility to travel with my laptop, so I had to resort to a stack of cards.

albert

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Shambles Square Manchester UK April 2009. Sometimes we have sun in Manchester and when we do we make the best of it.

 

Some info on the Shambles from wiki at

 

Shambles Square, Manchester - Wikipedia, the free encyclopedia

 

Chris

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Here are a few of my favorites. First 3 or evening in foggy San Francisco the bike is Aspen Colorado, I like the pooper scooper bag on the basket.

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ILikeMyLeica (too):

my posts in #450 were processed in-camera. Yes, the details are less fine than with DNG, at least at 100% onscreen - but in print even at 30x45 it is marvelous. And the in-camera M8 JPG is very very good. I didn't have the possibility to travel with my laptop, so I had to resort to a stack of cards.

albert

Thanks Albert - if you would have yr laptop i assume you would have used the DNG rather then JPG and processed?

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Summicron new syle 50mm @ F8

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Some of my favorites--a street musician named Catfish. M8, 50 lux ASPH

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Fantastic thread. Here's my two cents..

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Rollin Chair Nite

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O-Course Roped

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