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On 4/7/2019 at 7:07 AM, PaulJohn said:

Take notes on what you did. Don't trust your memory.

Instruct your developer not to compensate for exposure errors when scanning. This can hide your mistakes and slow your learning.

 

I have a notebook and I take notes of every shot - will do so for a few roles and see how its pans out, a bit time consuming. 

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On 4/7/2019 at 1:07 AM, PaulJohn said:

Take notes on what you did. Don't trust your memory.

Instruct your developer not to compensate for exposure errors when scanning. This can hide your mistakes and slow your learning.

Looking at one's negatives is also a good idea. If your lab doesn't want to deal with your tedious requests you can either 1) get a new lab* or 2) look for signs of banding and noise in scans, a telltale sign that the lab used a ton of gain on a given frame.

* Richard Photo Lab in Valencia, CA, just north of LA, is really good about scanning to order. They'll also offer mercilessly honest feedback like "images inconsistently exposed" when they deliver your scans. I really like them but I'm on the East Coast and I do my own developing and digitizing. Speaking of, I just posted this piece on my new digitizing workflow and started a thread but perhaps it's relevant here as well: <http://bit.ly/2UHWxKQ>.

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On 4/26/2019 at 12:52 AM, M10Alpine said:

I have 14 roles of film to develop lets see what comes out - I will share the results.

Just curious ...

That would be nice to know if those 14 rolls were exposed with or without lightmeter 😉

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On 5/7/2019 at 1:17 AM, a.noctilux said:

Just curious ...

That would be nice to know if those 14 rolls were exposed with or without lightmeter 😉

I used a Sekonic light meter for all 14 rolls. I got them yesterday, I'm blown away with the results, I love them. I was very insecure going for the MA but I'm happy, I will post a few samples. 

Edited by M10Alpine
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