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Name This Orchid


lambroving

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Not sure what this Orchid species is. I have seen the rare Tiger Orchid In Singapore & Malaysia. The black spots against the yellow - greenish background / white perimeter are interesting. Reminds me a little bit of a Leopard.

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Thanks for the comments. Pleased you enjoyed.

 

DD,

 

It didn't lunge at me, but Paul may be onto something! :)

 

Chris,

 

"George" is my ex-wife! :D

 

Ed,

 

Indeed. Maybe it's possible to do this with a DMR but I doubt it. Forget any other rig The textures would just not be the same. The SL and 60/2.8 are very special for this kind of thing. I doubt I could do it with any other kit. Doug Herr and John Mead would probably agree. It's the lens and this viewfinder.

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That may be the case William, but without a direct comparrison it's difficult to say, and since I don't have a DMR I'm not able to make that comparison.

 

One thing I think worth mentioning is that if you are using scans made at the time of processing the film they are likely to be 8 bit Jpegs which of course will have had a lossy compression applied to them. A DMR on the other hand records 14 bit images and any compression will be lossless. So on a purely technical basis I would expect an image from a DMR to be streets ahead of what you could get from images scanned as Jpegs.

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The background texture on this image is part of the character of film. It's the subtleties I see like this that keeps me shooting film for many things.

 

While I think the DMR produces some fantastic results...I have yet to see any digital camera produce similar textures as to what's possible with film. It really comes down to personal preference. William & I have had many discussions about the hi-def look of digital, and why we still shell out $$$ for the junk in those little cannisters.

 

Honestly, there's alot of stuff I've shot in the past year that digital simply couldn't touch. By the same token, there are some things I NEED digital for...some things my M system aren't right for.

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Of course you're right Dan, it's down to personnel preference, but it's always good to hear the opinions of someone like yourself who uses a DMR and film. As you'll be aware what an image looks like in a 200k Jpeg and what it looks like printed can be too totally different things - whether it's film or digital.

 

I don't want to hijack William's thread so I'll end there :-)

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Steve - I am a former R system owner...but stopped short of getting into the DMR. My digital work is all done with Nikon D2X's. I've tested the DMR, as well as the M8 - but my current Leica ownership is strictly M gear.

 

Yes...printing makes a big difference as opposed to web viewing. And to keep the thread on track, I'll ask William if he'd like me to make a print of this....I'm curious myself to see just how it looks in that medium.

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IMHO, it's this lens, with whatever medium you choose to stick behind it.

 

I have sold several of my orchid shots I took earlier this year, which is very unusual for me. It was the DMR shots that people preferred when offered a choice. Maybe they are just philistines, who knows :)

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WOW - I wholeheartedly agree with Dan. The lens/film combo really made this shot. I really like the color combination against the dark background. It is this gentle treatment of tones, textures and colors that keeps me coming back to film.

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which is a classic

yours is particularly handsome & well photographed

we have the more typical hybrid with a white throat in our collection

 

[ATTACH]46684[/ATTACH]

 

I could be wrong about the ID, but I am not wrong about the beauty of your specimen or the sweetness of your photograph

lovely seeing this

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  • 2 weeks later...

Hi William,

 

I'm glad to see that you like the new Portra. It really worked well on this shot along with the framing.

 

Out of curiosity, which one are you preferring now - the NC or the VC. For most subjects, I like the new VC.

 

Best,

 

Ray

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