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Tate Modern Selfie
MP/35FLE 
Portra 800
Bellini C41/NegLabPro

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West Kennet Tree
Avebury, Wiltshire
December 2022 mid-pm
Leica M3/21SEM
Ektachrome E100
Bellini E6

 

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Same(!) West Kennet Long Barrow
Spot-metered off snow with Sekonic 758DR

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Woman with hat
MP/35FLE
Velvia 50
Bellini E6

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Last one for now!

Leaves on glowing glass
MP/35FLE
Ektrachrome E100
Bellini E6
 

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PS love how I can inkjet print Leica 35mm colour slide photos on A3+ with great sharpness and no visible grain.  Increasingly using larger formats for different depth of field control or different image ratios.  (Fotospeed Platinum Baryta is my go-to paper for colour slide film and for B&W.)

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1 hour ago, Dr Cron said:

PS love how I can inkjet print Leica 35mm colour slide photos on A3+ with great sharpness and no visible grain.  Increasingly using larger formats for different depth of field control or different image ratios.  (Fotospeed Platinum Baryta is my go-to paper for colour slide film and for B&W.)

What printer do you use? Neither of mine have current drivers so I need to get a new one.  Love the picture of West Kennet Long barrow aka Wayland's Smithy (?)

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Thanks: Canon Pro 300 A3+ Excellent so far though it does eat ink! (Expectedly, though).  I suppose on reflection I had space for an A2 printer so it was a bit of a toss-up really.


This is West Kennet Long Barrow at Avebury.  Wayland's Smithy is similar but in among beech trees, further north east up and around the Ridgeway.

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35mm W-Nikkor f1.8 2005 Skyllaney M adapted on M2 with Kodak Vison3 500T

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35mm W-Nikkor f1.8 2005 Skyllaney M adapted on M2 with B&W conversion of Kodak Vison3 500T

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M3 and 50mm Dual Range and Ilford HP5+. 

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Main Tower - Frankfurt - Germany
 

M3 - Zeiss Distagon 35/1.4 - Ilford HP5+ @ 250

 

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50 summilux pre asph.... who cares whether it's in focus or slightly out of focus

It's the subject matter and the emotive quality that  moves me to shoot, Atmosphere

pulling the viewer in...now some will rake me over the coals...Life is ever changing, lows, highs, sorrows & bliss... and this poor soul refuses help 

 

 

Edited by Helenhill
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50 summiliux pre asph with neopan 1600 pushing beyond it;'s means in lowlight

but what fun that is, trying to understand  the boundaries between light & dark

and not knowing till You develop your film and then either curse or feel exhilarated

with the results

 

 

 

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11 hours ago, Helenhill said:

50 summilux pre asph.... who cares whether it's in focus or slightly out of focus

It's the subject matter and the emotive quality that  moves me to shoot, Atmosphere

pulling the viewer in...now some will rake me over the coals...Life is ever changing, lows, highs, sorrows & bliss... and this poor soul refuses help 

 

 

I agree entirely… atmosphere and engagement. In a way the OOF pulls the viewer in.

Good to see you posting here, as well as in the your mothership, the RFF.

Edited by Steve Ricoh
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Leica M2, Zeiss Planar 50/2, Kodak Ektar 100 

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