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Leica M Film Photos -- Feel Free to Share Yours

RayD28

By RayD28
in Leica M-A / M7 / MP and Film M

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Posted by jaapv,

How to upload images: Prepare the image as follows: 1.   The image should be sRGB and 8-bits 2.   Reduce the size to 2480 pixels on the longest side. (smaller sizes can be set, but are not recommended) 3.   Sharpen properly for screen. 4.   Save as JPG to your desktop, reducing JPG quality to produce 1000 kB (2000 kB for sponsoring members). 5.   In Lightroom these parameters should be set in the Export dialog. 6.   In the Forum posting or editing box, click “c
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JohnV

JohnV

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River-Boots, Riverside Park, Victoria, TX.

M6 | 50mm Summilux f1.4 | HP5+

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jakontil
jakontil

M2-R + 50 apo Kentmere 400  ILfotec HC 

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jakontil
jakontil

MP | 50 lux asph | kodak portra 400 | home souped

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jakontil
jakontil

M6 | 50 noctilux | cinestill 800t home souped

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jakontil

jakontil

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MP + 50mm apo,

ilford hp5+, +2 stops developed in ilford DDX

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Keith (M)

Keith (M)

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Tree eats fence...   M7, 50mm Noctilux f1 v4 at f4, Tri-X, 1:50 Rodinal.

 

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dimm

dimm

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Serp & Molot, 2021

M2-R | Summicron-M 35mm f/2 v1 8-element | 25 years old Kodak TMax 400 | TMax developer 1:4

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JohnV

JohnV

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"Tremors"

M6 | Summilux f1.4 | HP5+ 

 

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RayD28

RayD28

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4 hours ago, JohnV said:

I'm not sure if you were asking me. If you were, scanned with my Optifilm 8200i. I really like the ease of use compared to my epson v800. 

Yes, I was asking you.  I'm curious to know what scanners/digital cameras are used that get good results.  Again, you posted a great shot and thanks for answering.  

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RayD28

RayD28

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10 hours ago, jakontil said:

MP + 50mm apo,

ilford hp5+, +2 stops developed in ilford DDX

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Nice photo.  So you overexposed two stops and then developed at box speed (400)?  

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jakontil

jakontil

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5 hours ago, RayD28 said:

Nice photo.  So you overexposed two stops and then developed at box speed (400)?  

Hi, that’s correct, i was shooting overexposed intentionally bcoz my light meter was off for some reasons, and i used my sekonic to meter which i was certain would give me inaccurate readings somehow, and to play it safe i developed at box speed

 

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jakontil

jakontil

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Mp +. 50 apo cron

kodak portra 160 @default

home developing with Kodak Flexicolor C41 

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dimm

dimm

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2021

M2-R | Summicron-M 35mm f/2 v1 8-element | 25 years old Kodak TMax 400 | TMax developer 1:4

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tommonego@gmail.com

tommonego@gmail.com

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Abstract Snow to Water, off the bridge at the end of my street

M3 35 Summilux pre asph, Foma 100, Beutler Formula developer

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Edited by tommonego@gmail.com
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Toks

Toks

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FastCar

MP , CV 28/3.5 Color Skopar , Portra 400

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lmans

lmans

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On 2/1/2021 at 3:42 PM, dimm said:

Serp & Molot, 2021

M2-R | Summicron-M 35mm f/2 v1 8-element | 25 years old Kodak TMax 400 | TMax developer 1:4

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I think you just missed a bit here because of 'too much of a twist'..... If this would have been just a bit evened out, the natural curve of the walkway, the wall etc...would have been fine. Don't go too far and attempt to do something fancy when it is not needed... jim

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John Robinson

John Robinson

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Plage de Malo-les-Bains at Dunkerque, France made famous more than once:  something about an evacuation in 1940 and more recently when someone made a film about it.  Leica M6 with Summicron-M 50 (III) on Ektar 100.

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RayD28

RayD28

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18 hours ago, John Robinson said:

Plage de Malo-les-Bains at Dunkerque, France made famous more than once:  something about an evacuation in 1940 and more recently when someone made a film about it.  Leica M6 with Summicron-M 50 (III) on Ektar 100.

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I just did a little research and this place is indeed hallowed soil and sand.  Thanks for posting.  

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jakontil

jakontil

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Leica Mp + 50 apo

ilford hp5+, developed by ilford ddx

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jbhthescots

jbhthescots

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The Empty Child by John Henderson, on Flickr

Leica M3, 2/50mm Summicron v5, FP4+, HC-110

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John Robinson

John Robinson

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Trees doing their best to cope with growing on Connaught Park (Dover), built on the side of a steep valley.

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Leica M3, Summilux-M 50 ASPH, Ilford XP2 Super.  Nikon SC5000ED, cropped and adjusted in Capture One.

Edited by John Robinson
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