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Aha, some proper stringed instruments ! 😀

Here are my remaining two bass guitars. The one on the right is Dingwall ABII 5/3 with Super Fatty II pickups and a Glockenklang active / passive preamp. The one on the left is an MTD Kingston Fretless 5. I whittled my "collection" of five down to these two keepers. Taken as a snap with my iPhone.

 

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Edited by Marc B-C
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4 hours ago, AndreasG said:

...I play this Oldie occasionally, its sound is fair, but nothing special. Old does not mean automatically excellence in sound...

Yes, Andreas, I agree wholeheartedly.

The worst Strat I've ever owned (and I've owned a few) was an all-original Fiesta Red '59 / Maple Neck which I hoped to use as a backup for my '64. It was hopeless; no real 'response' and a pretty dull, weedy sound but the worst aspect was the neck-fit. So poorly was the socket for the neck machined that even moderate live playing would be enough to shift the neck so badly out of whack as to put the whole thing out of tune. I'm sure with a bit of proper fettling a workaround could be found for the neck and the original electrics probably just needed to be changed (Shock! Horror!) but back in 1982? I wasn't so dedicated to the guitar to try to sort it out for myself.

Wish I still had it now, though!...

:lol:

Philip.

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vor 1 Stunde schrieb Marc B-C:

Aha, some proper stringed instruments ! 😀

Here are my remaining two bass guitars. The one on the right is Dingwall ABII 5/3 with Super Fatty II pickups and a Glockenklang active / passive preamp. The one on the left is an MTD Kingston Fretless 5. I whittled my "collection" of five down to these two keepers. Taken as a snap with my iPhone.

 

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Nice equipment, how is it to play with fanned frets? I don't have any experience.

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21 minutes ago, AndreasG said:

Nice equipment, how is it to play with fanned frets? I don't have any experience.

Thank you. Fan frets are actually very easy to play and take very little time to get used to. It is noot so easy (for me at least) to switch between the fretless and the fan fret, however. I had no problem with fan and standard fretted bass.

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11 hours ago, Marc B-C said:

Aha, some proper stringed instruments ! 😀

Here are my remaining two bass guitars. The one on the right is Dingwall ABII 5/3 with Super Fatty II pickups and a Glockenklang active / passive preamp. The one on the left is an MTD Kingston Fretless 5. I whittled my "collection" of five down to these two keepers. Taken as a snap with my iPhone.

 

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Love the wood! Also, love the horn in the cab.

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1956 Gretsch White Falcon, clean and original

Leica SL-2, 24-90 SL (49mm), iso 100, f-11

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1956 Gretsch White Falcon Headstock detail

Leica SL-2, 24-90 SL (90mm), iso 100, f-13

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On 10/27/2021 at 1:01 AM, roverover said:

1956 Gretsch White Falcon, clean and original

Leica SL-2, 24-90 SL (49mm), iso 100, f-11

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One of my favorite Gretsch bodies - I can just about hear those DeArmond pickups going through an old Fender Tweed or maybe an old tan Vox AC-15 - must be a joy to play!!

 

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1965 Gibson ES-330 TD, clean and original

Leica M10, Summilux-M 1:1.4/50 ASPH, iso 100, f-8

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4 hours ago, roverover said:

1965 Gibson ES-330 TD, clean and original

Leica M10, Summilux-M 1:1.4/50 ASPH, iso 100, f-8

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Crikey. You don't just have a collection of fine vintage instruments, but a collection of vintage instruments in wonderful condition. Museum quality.

Edited by wattsy
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A lazy snap (using M 240 and 35 Summilux ASPH) of my DC Special.

 

Edited by wattsy
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6 minutes ago, wattsy said:

A lazy snap (using M 240 and 35 Summilux ASPH) of my DC Special...

Stunning!

Is that the version which came out a few years ago, Ian? If so there was a lot of very favourable column inches devoted to it over on the Gibson forum when it was released.

Philip.

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Just now, pippy said:

Is that the version which came out a few years ago, Ian? If so there was a lot of very favourable column inches devoted to it over on the Gibson forum when it was released.

It could be. They do still make it <https://www.gibson.com/en-US/Guitar/CUSF5K865/Les-Paul-Special-Double-Cut-Figured-Top/Bourbon-Burst> but I think only in small numbers.

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I've found that too often the big luthiers produce inferior versions of their older, well regarded designs.  For example, if only D'Angelico still made them like they used to, then I'd buy one that was affordable.  The old ones are like buying gold bullion.

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I hope this fits, my good friend Hello Kitty plays.

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S1r w/Noctilux-M 50.

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55 minutes ago, stuny said:

I've found that too often the big luthiers produce inferior versions of their older, well regarded designs.  For example, if only D'Angelico still made them like they used to, then I'd buy one that was affordable.  The old ones are like buying gold bullion.

If you don't fancy shelling-out for an original, Stuart, you might do a lot worse than to track down one of their recent NYC-crafted examples.

The story with the recent D'Angelico instruments is interesting. When the brand was re-launched by the current owners (since 1999) there were two seperate lines offered; those made in the Far East and those made in NYC.

Of the instruments crafted in the far east there is a very large range and there are models which cater for pretty much every pocket from a few hundred dollars to well over a thousand. The guitars at the more expensive end of the price scale are actually very well made - although not in the same league as those from the NYC base. These latter NYC instruments, however, are hand-made by master luthiers and, unsurprisingly, are priced at a very different position in the market-place from their eastern cousins! Whereas the eastern instruments use veneered ply it is my understanding that the NY guitars use solid timbers.

I'm no jazz-player whatsoever but, quite fancying a large-bodied jazz-box, picked up one of the EXL-1 guitars in 2013. IIRC this model was temporarily withdrawn from sale soon afterwards and re-released with slightly changed specifications and at a correspondingly lower price-point.

Having, as it does, a floating pickup and with p'guard mounted controls the guitar performs, in effect, as a full hollow-body acoustic with nothing to impair top-table resonance. Unplugged - which is how I always play it - she sounds lovely!

Cue gratuitous snap taken, like the others I've posted, several years ago (I really should get some new photographs of my guitars now I'm back from my Hols!);

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Philip.

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Taylor K26ce / SL2, Summicron90SL, Big Octa Softbox

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- pls click on light box for better resolution -

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