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My absolute favourite lens/camera combo for beautiful rendering is the M9 w/50mm Summilux asph, despite preferring a wider FL for most uses and auto focus.

 

So I am considering the Q and will sell the M9 and 50 Lux to afford it. I am going to and fro in my mind about this decision. The Q,s fast AF and closer focusing are so tempting but IQ is paramount.

 

My concern and question is, how different is the rendering of the M9 W/50 Lux compared to the Q?

 

Many Thx

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My absolute favourite lens/camera combo for beautiful rendering is the M9 w/50mm Summilux asph, despite preferring a wider FL for most uses and auto focus.

 

So I am considering the Q and will sell the M9 and 50 Lux to afford it. I am going to and fro in my mind about this decision. The Q,s fast AF and closer focusing are so tempting but IQ is paramount.

 

My concern and question is, how different is the rendering of the M9 W/50 Lux compared to the Q?

 

Many Thx

 

I can not directly answer your question as I do not have an M series with a 50mm.  I will tell you this though, I started out with a Konica TC and a 50mm, and from that point went to an Olympus OM1 and then a Nikon FE, all using 50mm.  Later, I acquired additional lenses and cameras. More recently, I purchased a Lumix M4/3 (GX1), with several prime lenses and traveled the world, on business and pleasure. I like to do travel photography, historic sites, old churches and landscapes.  I do little creative work and would describe my photography style as "reportage." I soon found, that with the M4/3, 90% of the pictures were with the excellent little 28mm equivalent, despite also having a 40mm, 50mm and 90mm equivalent available. So when the Q came out, I decided one lens, one camera.  And as I said in an earlier post, I have done this for almost a year, traveling to some fabulous venues in the process, and have never see the need for another lens. Again, I know that this does not directly answer your question on rendering, but I for one love the 28mm lens and its output. Thanks.

Edited by falcon468
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I have an M9 and several lenses - 21 Elmar asph, 35 Lux asph, 50 Chron asph -  and a Q. I traded an M8 and another 21 Elmar asph for the Q. I love the M9, and kept it to use the interchangeable lenses. I can tell you there's no comparison between the M9's and the Q's IQ - the Q's is that much better, imho. While the CCD sensors on the M8 and M9 produce nice images, with what looks like film grain at higher ISO, they are/were both pretty useless over ISO 1600. Some would say the limit is 800. I'm a pro photojournalist and shoot only available light, and the Q is very usable at 3200 and 6400. Under some circumstances even 12800 looks pretty good. BTW, the lens on the Q is every bit a Leica Summilux in sharpness, contrast, and that special Leica look. If you're ok with the 28mm fov, don't worry about the IQ.

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You’ll likely miss the 50 lux, it’s so good and a FL you say you like a lot. The Q is complementary to the 50 on an M body, not a replacement. Unless you see yourself adapting well to the 28 FL. The IQ of the 28 f/1.7 is a helluva incentive ...

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Just received my Q last week and finding its rendering is special in terms of image quality, sharpness, out-of-focus roll-off, color reproduction (with or without Colorchecker Passport), contrast, and something else I can't put into words (you know it when you see it).  Plus the lens is so good that up-sizing even the 50mm crop to ~12mpx produces very good A3 prints. I feel like I bought a great 28/1.7 lens with a terrific camera that's fun to shoot attached as a bonus (or vice versa). I've never used that 50 Lux but would guess based on what you described as your likes that you'd enjoy Q.

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The Q's image quality is near unbeatable due to the fact that it's not an interchangeable system. Meaning, Leica have tuned the sensor and lens to work in perfect harmony. This sensor has only one job - and it's to make that specific 28 sing! It all comes down to whether or not you like the look of the Q files which are more modern, punchy, and edgy (SOOC) vs the M9's CCD.

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The Q's image quality is near unbeatable due to the fact that it's not an interchangeable system. Meaning, Leica have tuned the sensor and lens to work in perfect harmony. This sensor has only one job - and it's to make that specific 28 sing! It all comes down to whether or not you like the look of the Q files which are more modern, punchy, and edgy (SOOC) vs the M9's CCD.

 

thanks, yes, I think that's exactly right

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Hi I have had the Q for about 2 years now. I absolutely love it. The image quality and colour rendition is amazing, particularly in good light. However, I have supplemented it with the Fuji x pro 2 system (when I want more zoom) and more recently the Sony RX100 compact which I slip into my pocket for those few occasions when the Leica is too restricted.

 

However, I find the Q is fine 75% of the time. I wouldn’t just rely on it though if you have a choice.

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My absolute favourite lens/camera combo for beautiful rendering is the M9 w/50mm Summilux asph, despite preferring a wider FL for most uses and auto focus.

 

So I am considering the Q and will sell the M9 and 50 Lux to afford it. I am going to and fro in my mind about this decision. The Q,s fast AF and closer focusing are so tempting but IQ is paramount.

 

My concern and question is, how different is the rendering of the M9 W/50 Lux compared to the Q?

 

Many Thx

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