Jump to content

Recommended Posts

x

there are 4 examples...

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

  • Like 4
Link to post
Share on other sites

another

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

  • Like 2
Link to post
Share on other sites

a third...

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

  • Like 2
Link to post
Share on other sites

finally...

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

  • Like 2
Link to post
Share on other sites

BTW, if you enjoy these pictures, please call them 1, 2, 3 and 4 and rate them for me..

 

Remember, we are ALL embarked on an interesting and hopefully profitable Thambar learning phase...

 

All constructive criticism is welcomed!!!!

 

Albert  :D  :D  :D

I liked them exactly in the order of presentation 1 better than 2 better than better than 4.

Its really personal taste - I don't prefer too much fuzziness, as was pointed out it can cause dizziness looking at the photo.

 

Congrats on sharing what you can do with this lens.

 

Benedict

  • Like 1
Link to post
Share on other sites

Albert, I don't like these ones either. They just look like missed focus portraits. I like this lens because of the strange mix of what seems like overlayed sharp(ish) and soft areas. I'm not seeing any sharpness here.

 

If you look at the more successful (to me anyway) portrait, the subject is much closer. This has the added bonus of getting rid of a cluttered background. Also, with all the portraits I've seen so far with this lens, I would say that black & white works far better than colour.

 

There is a nice glow around the shoulders.

  • Like 1
Link to post
Share on other sites

Albert, I don't like these ones either. They just look like missed focus portraits. I like this lens because of the strange mix of what seems like overlayed sharp(ish) and soft areas. I'm not seeing any sharpness here.

 

If you look at the more successful (to me anyway) portrait, the subject is much closer. This has the added bonus of getting rid of a cluttered background. Also, with all the portraits I've seen so far with this lens, I would say that black & white works far better than colour.

 

There is a nice glow around the shoulders.

+1

Sorry, these don't work for me either!

I think the challenge for Thambar owners is not to just demonstrate the Thambar effect, but how to make it work to make an image better.

As classical portraits, these can all be critiqued for colour that distracts, highlights that are in the wrong place (bottom left), too much irrelevant background, and fuzzy eyes - I've done exactly the same myself!

These shots show what the Thambar does on its own; now we have to make it do something for us.

  • Like 5
Link to post
Share on other sites

I largely agree with the constructive criticism above (most of which would apply even if a Thambar hadn't been used) but still find something mesmeric about that rather unsettling quality in Albert's portraits (it's not so much the 'unsharpness', it's more as if something is 'out of phase'). One of the things that has attracted me to this lens is that its base characteristic (if you let it rip) is the anthesis of what I have grown to expect and like in photography. At the moment, I'm playing around with this lens – largely finding a balance between Thambarness and normality but I suspect it is the more extreme effect that I find most fascinating. For example, although these Leica promotional photographs by Mark de Paola head into the direction of 1970s kitsch I still find them far more compelling than I would have previously expected them to be.

  • Like 5
Link to post
Share on other sites

In a hurry.

M240 + Thambar ~f/3.4, no filter

Colour shot, minimal PP, slightly cropped

Barbican, London

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

Edited by LocalHero1953
  • Like 9
Link to post
Share on other sites

Non-conformist

M240+Thambar ~f/2.8, no filter

Barbican, London

Welcome, dear visitor! As registered member you'd see an image here…

Simply register for free here – We are always happy to welcome new members!

  • Like 7
Link to post
Share on other sites

Create an account or sign in to comment

You need to be a member in order to leave a comment

Create an account

Sign up for a new account in our community. It's easy!

Register a new account

Sign in

Already have an account? Sign in here.

Sign In Now
  • Recently Browsing   0 members

    • No registered users viewing this page.
×
×
  • Create New...