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What do we photograph on the streets?

colint544

By colint544
in Street Photography

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Posted by jaapv,

This thread is suffering from overposting by a few members; I have hidden some posts. It is a an unwritten convention that we leave space for other participants. The reason is twofold: Overposting drowns out the other posts and, as important, if one floods a thread, the viewers lose interest and won't even look at those posts any more. It is equivalent to hogging a conversation. So: Please don't make endless posts with a large number of images, they are deadly boring, and don't po
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Red Dot Cameras

Red Dot Cameras

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colint544
colint544

I wander around my home city of Glasgow a fair bit. I always have either my Leica M Monochrom mk1, or an analogue M loaded with black and white film with me. I think that finding interesting photograp

colint544
colint544

A couple more. Cheers, guys.

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colint544
colint544

Glasgow - Leica M Monochrom mk1, 50mm Summilux ASPH

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lexffm

lexffm

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Pride in Frankfurt, Germany. Here is the Lufthansa truck

M 11-P with Noctilux-M 1:1.25 /75 ASPH. ISO 100, f5.6, 1/250 + Circular Pole filter + LR + Nik7 Color efex

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Briefing of participants from Lufthansa

M 11 Monochrom with Summilux-M 1:1,4 /35 ASPH. (V3) 2022, ISO 800, f5.6, 1/350

 

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lexffm

lexffm

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Various participants of the CSD in Frankfurt, Germany

M 11 Monochrom with Summilux-M 1:1,4 /35 ASPH. (V3) 2022, ISO 200, f5.6, 1/350

 

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M 11 Monochrom with Summilux-M 1:1,4 /35 ASPH. (V3) 2022, ISO 250, f5.6, 1/350

M 11-P with Noctilux-M 1:1.25 /75 ASPH. ISO 400, f5.6, 1/350 + Circular Pole filter + LR

M 11-P with Noctilux-M 1:1.25 /75 ASPH. ISO 320, f5.6, 1/350 + Circular Pole filter + LR + Nik7 Color efex

M 11-P with Noctilux-M 1:1.25 /75 ASPH. ISO 125, f5.6, 1/350 + Circular Pole filter + LR

 

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Ken Abrahams

Ken Abrahams

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Colour Street - This image speaks to me of the ways that I like colour Street Photography. The colour must be dynamic as a part of the image and not just because "the colour is there". Otherwise I would convert to monochrome. 

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lexffm

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Pride in Frankfurt, Germany. Here is the team from Continental

M 11 Monochrom with Summilux-M 1:1,4 /35 ASPH. (V3) 2022, ISO 200, f5.6, 1/350

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And once more partly Team Telekom

M 11-P with Noctilux-M 1:1.25 /75 ASPH. ISO 1000, f5.6, 1/350 + Circular Pole filter + LR

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frame-it

frame-it

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SL2S + Leica Apo-Summicron-M 1:2/90 ASPH

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Moscow

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tuna

tuna

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Art Appreciation

MP, Voigtlander 35/1.7 Ultron, BW400CN

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SL2S + Leica Apo-Summicron-M 1:2/90 ASPH

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SL2S + Leica Apo-Summicron-M 1:2/90 ASPH

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otto.f

otto.f

Posted
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10 hours ago, Ken Abrahams said:

Colour Street - This image speaks to me of the ways that I like colour Street Photography. The colour must be dynamic as a part of the image and not just because "the colour is there". Otherwise I would convert to monochrome. 

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The image is a perfect example of what you write there

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stephan54

stephan54

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M10 - Summilux 50asph

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Ray Vonn

Ray Vonn

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Zeiss C Sonnar/ M-E 220.

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Ken Abrahams

Ken Abrahams

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Station Platform - People ready to board train - SL2S with 21 SEM

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Indeepthought

Indeepthought

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6 minutes ago, Ken Abrahams said:

Station Platform - People ready to board train - SL2S with 21 SEM

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I admire your work, but, must say 3 half bodies, no train in sight, the title baffles  me!!

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Ken Abrahams

Ken Abrahams

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1 minute ago, Indeepthought said:

I admire your work, but, must say 3 half bodies, no train in sight, the title baffles  me!!

Thats funny but understandable. My train and bus station images attempt to capture people in a state of "neither here nor there". The space where thoughts are random but not a nothingness because we cannot think of nothing without thinking something. I have written about the concept before. I take these platform images as I disembark the train with camera set for distance and higher iso. The people are usually placed around the doors of the train waiting to board themselves which is another reason for shooting such images as I dislike people blocking the doorways when others are trying to walk out. It's another interesting phenomenon where people worry they wont get a seat and want to board before everyone has left. A pet peeve so I shoot them. The Perth central station has these high metal frameworks for its roof structure which also appears in many of the images.

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Ken 

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Indeepthought

Indeepthought

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2 minutes ago, Ken Abrahams said:

Thats funny but understandable. My train and bus station images attempt to capture people in a state of "neither here nor there". The space where thoughts are random but not a nothingness because we cannot think of nothing without thinking something. I have written about the concept before. I take these platform images as I disembark the train with camera set for distance and higher iso. The people are usually placed around the doors of the train waiting to board themselves which is another reason for shooting such images as I dislike people blocking the doorways when others are trying to walk out. It's another interesting phenomenon where people worry they wont get a seat and want to board before everyone has left. A pet peeve so I shoot them. The Perth central station has these high metal frameworks for its roof structure which also appears in many of the images.

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Ken 

I read you response twice, seriously though, I cannot equate your thoughts to the images.. 🍻

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Ken Abrahams

Ken Abrahams

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3 minutes ago, Indeepthought said:

I read you response twice, seriously though, I cannot equate your thoughts to the images.. 🍻

That is fair enough and I appreciate that you say that. I often call the image theme "platform humans" which is rather odd of me viewing life from an alien perspective when I am human too. I like to create dark shadowy eyes to emphasise a trance like appearance. Best.   

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Ray Vonn

Ray Vonn

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Nokton Classic 40mm F1.4/ M-E 220

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