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Please convince me the SL 50/1.4 is better than summilux


leica1215

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  • 3 months later...
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I was on a trip, left 24-90 mm home and shot Q 28mm, SL w Summilux-M 50mm asph and SL w 90-280

Looking through pictures the mild softnes of Summilux wide open bothers me some. Especially when compared to pictures taken with Q. Now I've read this chain through and found that as expected the SL 50 mm is tack sharp wide open and also thet the combo I used is used by others. Nice.

When I compare my test shots: Q wide open vs SL 24-90 at 28mm wide open I like the crisp sharpness and more 3D effect of Q images.

Now, convince me that the same difference is between Summilux-SL 50 mm vs Summilux-M 50 mm (obviously even more than between Q vs 24-90).

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I think there is no doubt the images produced by the 50SL are technically better than the 50M .... but the weight makes it a difficult lens to carry about 'just in case' for the majority of amateurs engaged in casual photography. For specific sessional use or in a static environment it would be hard to beat. 

 

Carting it about on holiday with the usual gear in the sort of temperatures the Med is seeing at the moment is another story altogether .....

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I think there is no doubt the images produced by the 50SL are technically better than the 50M .... but the weight makes it a difficult lens to carry about 'just in case' for the majority of amateurs engaged in casual photography. For specific sessional use or in a static environment it would be hard to beat. 

 

Carting it about on holiday with the usual gear in the sort of temperatures the Med is seeing at the moment is another story altogether .....

It is a fine lens.  I had one.  I sold it becuase I could not imagine carting it around.  If I were in a studio, perhaps I would feel differently.   I use the 50 APO Summicron M instead, and am perfectly happy with it.   I keep the 24-90 zoom for when I absolutely need autofocus and/or variable focal length.   I love the SL but coming from an M (I also shoot M10) the size of the native lenses is hard to deal with. 

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When I had the Olympus FourThirds SLRs and later the Panasonic Lumix G2, my most prized lens was the Panasonic/Leica Summilux-D 25mm f/1.4 ASPH. This gives the same normal FoV as the Summilux-SL 50mm  does on the SL body, modulo the difference in format proportion. I found myself often carrying nothing else, even though it was about the same size as the SL50mm and the body of the G2, in particular, was a lot smaller ... the imaging quality was that beautiful. 

 

Not carrying a superb lens because it's just too big I can understand, the superb SL 90-280mm is right on the edge for me, mostly since I don't use the longer focal lengths all that often. But the 50mm is not too big—for me, anyway. I'm unlikely to buy one purely because I already have the Summicron-R 50mm, Summilux-R 50mm, and the Macro-Elmarit-R 60mm ... never mind the M lenses. If the SL50 had been available at the start, I'd have bought that instead of the 24-90. A fast 50mm is just about the most useful lens I can think of. 

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I come from Olympus OM-4, E-3, E-5, E-M1 with 14-35 mm f 2 (quite heavy) and I have the wonderful Pana Leica 25mm 1,4 too.

Having tasted the Leica fruit one always wants more.

Summilux-M 50 mm renders biting sharp at and beyond 2,8 but fully open it looses sharpness / contrast. And there are situations when the cinematic look and curving plane of focus is not welcomed. Architecture etc need corner to corner sharpness and less vignetting.

I'm keeping my M(240) and Summilux-M for times they are the only ones to give the wished result.

But for the other occasions I ordered today the SL 50 mm.

What might be waiting time in Europe (Finland) at the moment?

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It is a fine lens. I had one. I sold it becuase I could not imagine carting it around. If I were in a studio, perhaps I would feel differently. I use the 50 APO Summicron M instead, and am perfectly happy with it.

There will be a stack of potential variants in answering this question, but please can I ask how did you viewed the 50mm SL versus your M 50 APO in terms of any differences in image quality / rendering?

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There will be a stack of potential variants in answering this question, but please can I ask how did you viewed the 50mm SL versus your M 50 APO in terms of any differences in image quality / rendering?

Apologies, but I did not do an analytic comparison between the lenses.   The results from the APO are IMHO spectacularly good, and even if there were some "improvement" from the Summilux SL, I was not willing to trade that for the compactness of the APO.  The clear advantage of the SL is one stop and autofocus.   Neither was enough for me, but that is my own preference.   I should have known from the prerelease pictures, so the loss I took on selling is entirely my fault.

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Apologies, but I did not do an analytic comparison between the lenses. The results from the APO are IMHO spectacularly good, and even if there were some "improvement" from the Summilux SL, I was not willing to trade that for the compactness of the APO. The clear advantage of the SL is one stop and autofocus. Neither was enough for me, but that is my own preference. I should have known from the prerelease pictures, so the loss I took on selling is entirely my fault.

Thanks for your comments. I recently got the M 50mm APO for my M240. A brilliant lens indeed.

 

If I moved to an SL, I'd likely keep the M 50mm APO for that focal length, if it's already similar in image quality to the SL 50mm Summilux.

 

I am actually mainly intrigued by the SL for other Non-50mm focal lengths, given the pending launch of the relatively compact SL Summicrons (especially the 35mm one) which promise to be potentially amazing and ahead of nearly anything in the M range in terms of image quality.

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Super non scientific study between the lenses :)

 

The m-lux is prettier, the SL is sharper.

 

35768786214_cb21c5cd5c_b.jpg50mm M-Lux taken with 50mm SL-Lux by dancook1982, on Flickr

 

36436858942_fdc4e5b635_b.jpg50SL taken with 50 mLux by dancook1982, on Flickr

Are you going to use the 50SL for weddings Dan? If so I'd love to see what it produces.

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I'm pretty sure he has... the new addition is the 50 M. He has some gorgeous stuff with the 50SL.

Ah thanks Donzo. Sometimes reading web posts is like trying to read a novel through a letterbox. You can only see one sentence at a time!

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f5.6 ;-)

 

 

Sent from my iPhone using Tapatalk

 

I borrowed a friend's M10 to shoot during a wedding ceremony for which I was a second shooter, the other day.

 

I'm excited about the prospect of using one for weddings, but will need to get the practice in before i make a possible switch - I will have the Q, Sl and M for a while and see what I settle on.

 

 
36536288415_b7287fdd80_b.jpgM10 Wedding by dancook1982, on Flickr
 
36536287945_0253a5aff2_b.jpgM10 Wedding by dancook1982, on Flickr
 
36490099286_99dd918da8_b.jpgM10 Wedding by dancook1982, on Flickr
 
36490098336_ca57217538_b.jpgM10 Wedding by dancook1982, on Flickr
 
35727253593_d61db706a5_b.jpgM10 Wedding by dancook1982, on Flickr
 
36536284685_12bc271629_b.jpgM10 Wedding by dancook1982, on Flickr
 
35727252233_c906841c70_b.jpgM10 Wedding by dancook1982, on Flickr
 
36536283755_9091e09a88_b.jpgM10 Wedding by dancook1982, on Flickr
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Super non scientific study between the lenses :)

 

The m-lux is prettier, the SL is sharper.

 

35768786214_cb21c5cd5c_b.jpg50mm M-Lux taken with 50mm SL-Lux by dancook1982, on Flickr

 

36436858942_fdc4e5b635_b.jpg50SL taken with 50 mLux by dancook1982, on Flickr

I can only look at them on my cell phone right now. The m-lux pops off my screen. It's 3D-like. Nice wedding pics with the M10, by the way. It suits you.
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