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Leica M6, old Summaron 28/5.6, Tri-X@400, LS-5000

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Guest Nowhereman

On an overcast day, another example of what Moriyama Daido calls a “no finder shot”:  I held the camera in front of my chest after I pre-set the focus and shutter speed. Had I brought the camera up to my eye, at least one these people would have given me a great, big smile or made a “V-sign”.

 

M10 | Summaron-M f/5.6 28mm | ISO 200 | f/5.6 | 1/250 sec

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What I particularly like about this lens is how it handles contre-jour. The combination of moderate contrast, good flare handling and "glow" (presumably some aberration thing) works well with modern film. So much so that I am willing to put up with the soft corners as a price worth paying.

 

37954965964_a746e941eb_b.jpg

 

If you hadn't mentioned soft corners I wouldn't have noticed them, and I'm not sure I can now to any extent worth worrying about.

 

Pleasing photo, by the way, feels nicely natural.

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If you hadn't mentioned soft corners I wouldn't have noticed them, and I'm not sure I can now to any extent worth worrying about.

 

 

I'm fairly philosophical nowadays about sharpness (it is much less important to me than it was a few years ago) but there have been one or two photos where the soft corners have been more noticeable than ideal. For me, the most important lens characteristic I'm interested in is how the lens handles light – general contrast, how it copes in flarey situations, etc. – and the Summaron-M has been quite satisfying in this respect.

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Leica Summaron-M 28mm f/5,6 + Monochrom MM1 


at f/11


 


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Early evening Saint Louis bar scene...

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New York cube...

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On an overcast day, another example of what Moriyama Daido calls a “no finder shot”:  I held the camera in front of my chest after I pre-set the focus and shutter speed. Had I brought the camera up to my eye, at least one these people would have given me a great, big smile or made a “V-sign”.

 

I get the “V Sign” a lot when I cover a uk football match !

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I found a W-Nikkor 28cm, the Nikon marketing response in the early 50's to the Summaron 28 you folks are all so enthusiastic about. It's a somewhat difficult lens to find in LTM mount. I'm very happy with performance, and of course it's faster at 3.5 than your Leica 5.6. if you can't afford the new Summaron, consider the Nikkor?

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For that price I think I’ll stay with my nice old Hektor 28/6.3. I like its bit of softness and vignetting. Most of all I love its classic character. Same with my 50/2.5 Hektor, 73/1.9 Hektor, and 135/4.5 Hektor. All made between 1932 and 1939, all in near mint condition. Took me 20 years to find them in the condition I wanted, lots of swaps in between on the road to finding what I wanted in the condition I wanted. Still looking for a 125/2.5 Hektor VISOFLEX lens to complete my set of Hektor lenses.

 

Cannot afford a Leica digital M so use my Hektor lenses on my M6, IIIa, IIIc, If, and my Ricoh GXR-M (digital).

 

Happy Trails to you,

 

Don out West

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Swanage Piers

 

This image, taken today, has no great merit , but does demonstrate the lovely vignette you get with this wonderful little lens.

 

M9 / 5.6 Summaron-M 

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Rush hour...

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