Herve5 Posted March 18, 2016 Share #1 Posted March 18, 2016 Advertisement (gone after registration) Given the current sensitivities we reach in low light, I often find myself in situations where, out of the camera and myself, I find the one needing more light to aim in the dark is me, rather than the Q which will imperturbably shoot at night with zero blur. I have come to think, what I need rather than a bulky flash is just a lamp to look myself at what I'm composing (and, maybe more often, to compensate backlightings). And so I tried. I now have one of these nice frontal LED lamps, that indeed allows me to compose and, to some extent, cleanup some backlightings. My concern is, that lamp is a high-T white ('blue'), when the remaining low light is almost always low-T ('yellow'), which sometimes results in relatively bizarre dual-color shots. Thus my questions: - are some of you also using lamps instead of flashes? - which models would you suggest? - did you encounter the T color issue? - is there a way, alternate to lamp selection, to postprocess a high-T lighting, maybe selecting a given blue value and shifting it to warmer yellows? TIA! Hervé Link to post Share on other sites More sharing options...
Advertisement Posted March 18, 2016 Posted March 18, 2016 Hi Herve5, Take a look here Lamp rather than flash?. I'm sure you'll find what you were looking for!
Echo63 Posted March 18, 2016 Share #2 Posted March 18, 2016 Photographic shops may have some, but Theatrical shops certainly will. the solution you are chasing is a CTO or CTS gel. it will come in a roll, or sheet, and is just precisely coloured plastic film, it should convert your 5600ish kelvin LED source, into 3300ish kelvin (tungsten) coloured light. it will be a bit dimmer though, as it is filtering out a lot of the bluer wavelengths. the other option, is to shoot raw, process two versions, one with a daylight white balance (for the LED) and a tungsten WB (for the ambient) and layer them together in photoshop - using layer masks to paint in the appropriate area Link to post Share on other sites More sharing options...
Herve5 Posted March 18, 2016 Author Share #3 Posted March 18, 2016 (...) the other option, is to shoot raw, process two versions, one with a daylight white balance (for the LED) and a tungsten WB (for the ambient) and layer them together in photoshop - using layer masks to paint in the appropriate area Ah, yes, expressed like this it sounds much simpler than what I feared ;-) I do shoot raw, I'll do some testing this evening... Link to post Share on other sites More sharing options...
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