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Am 7.11.2024 um 08:34 schrieb helged:

Great! Super colour(s) and line(s). Bon voyage! 

Thank you. More often than not these days, some part of the state goes up in smoke, so it's no longer that easy. I was just down in Ventura last week where they have the big wildfire right now. Beautiful country down there, especially the Los Padres National Forest.

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Morning view across the fjord. Hardanger, W Norway. S3 with S70.

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 R O C K & R O Y A L T Y 👑

Captured the fierce elegance of Chanelle and Vicomte in the heart of Brussels. Styled with bold, edgy grace against the stone streets, we played with light and shadows using the Leica S3 paired with a Summarit 35mm f2.5 and the Harlowe Creators Pro Max for that sharp, contrasting edge. No frills, just raw power and beauty.

#milanswolfs 📸

 

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Last traces of light. Hardanger, W Norway. S3 with S180.

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Alabama Hills, CA. S3, 45mm

 

 

Edited by Pieter12
Poor reproduction of image first time
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Alabama Hills, CA. S3, Hasselblad HCD 28mm, 6:17 pano crop.

Edited by Pieter12
Post looked too dark
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M Y T H I C A L
“In medio stat virtus.”
Leica S3 Summarit-S 70mm f2.5 CS
📸 #milanswolfs

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Autumn in the Scottish Highlands - all S(007) with 120/2.5

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john

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This morning, from my window. Leica S3, Elmarit 30 mm

 

 

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Edited by irenedp
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Fossil Falls, near Lone Pine, CA. Leica S3, S45mm

 

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M Y T H I C A L 
“In medio stat virtus.”
Leica S3 Summarit-S 70mm f2.5 CS
📸 #milanswolfs

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There are several Vale de la Luna (Moon Valley) in South America. This is from the one next to the RN40 in the Jujuy province in the north of Argentina, not far from the Bolivian border.

 

S3, 24 Super-Elmarit, 2 photo vertical panorama

 

 

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Same place. S3 with 45 Elmarit_S

 

 

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One more. S3, Vario_Elmar 30-90 @77, stich of 9 vertical shots

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36 minutes ago, Pieter12 said:

A bit of difference in color between the lenses.

Or in the post processing. Also, I am still on the road. Only have a MacBook but no calibrated screen. 

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8 hours ago, shedboatshed said:

Out of curiosity, what is your S travel setup? 24 45 30-90?

24, 35, 30-90, 70, 120, and 180. Plus a S006 as backup.  That obviously is a lot. But, I am traveling in a big camper truck. So weight and space is not an issue.  Also, by far my most used lens is the 30-90, simply because it is so versatile and because I am often in difficult weather situations (sand, storm, rain etc.) where I do not want to change lenses. I also carry an SL3 with 24-90, 90-280, and 20 Sigma. And my wife is shooting with a Canon R6ii and a few lenses. So definitely not the normal travel set up.

If I would use the S3 on a normal travel, I would probably take the 24, 30-90, and either 120 or 180. Or 24, 45, 100, 180. But most likely would go very light and take M10R with 24 Elmar and 50 cron or lux.

The below shot of our camper on the Salar de Uyuni was with the SL3 and the 20 Sigma.

BTW, I write about our travels on Instagram under @thetravelingbertha.

 

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Berlin

S 2 + S 70

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On 11/25/2024 at 6:17 AM, GMB said:

24, 35, 30-90, 70, 120, and 180. Plus a S006 as backup.  That obviously is a lot. But, I am traveling in a big camper truck. So weight and space is not an issue.  Also, by far my most used lens is the 30-90, simply because it is so versatile and because I am often in difficult weather situations (sand, storm, rain etc.) where I do not want to change lenses. I also carry an SL3 with 24-90, 90-280, and 20 Sigma. And my wife is shooting with a Canon R6ii and a few lenses. So definitely not the normal travel set up.

If I would use the S3 on a normal travel, I would probably take the 24, 30-90, and either 120 or 180. Or 24, 45, 100, 180. But most likely would go very light and take M10R with 24 Elmar and 50 cron or lux.

The below shot of our camper on the Salar de Uyuni was with the SL3 and the 20 Sigma.

BTW, I write about our travels on Instagram under @thetravelingbertha.

 

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not sure I would call that a camper. Looks like a serious expedition vehicle.

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