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Open thread: Show us your portraits!


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Leica CL+TL Summilux 35/1.5

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mp + 50 lux

kodak ektar 100

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2 hours ago, jakontil said:

mp + 50 lux

kodak ektar 100

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I might have cloned out the fingertips at the base. Otherwise, a lovely portrait. 

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4 hours ago, jakontil said:

mp + 50 lux

kodak ektar 100

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Lovely portrait. An ambitious use of Kodak Ektar 100 because of its characteristics, but you have made it work well.

I detect on my screen a slight crossover of Red & Cyan (skin V's hair) which is usually a factor of the film.

I would have cropped up from the bottom to throw emphasis to the face more as well as eliminating the distracting fingers. Just my opinion.

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4 hours ago, erl said:

Lovely portrait. An ambitious use of Kodak Ektar 100 because of its characteristics, but you have made it work well.

I detect on my screen a slight crossover of Red & Cyan (skin V's hair) which is usually a factor of the film.

I would have cropped up from the bottom to throw emphasis to the face more as well as eliminating the distracting fingers. Just my opinion.

Thanks! Ambitious? Yes i agree.. the unlikeliest film stok I probably wanna use for portrait studio but i think im kinda liking it

thank you for pointing out the colour cast, im really bad with colour cast probably due to my partial colour blind 

yes and i think i should have more guts with cropping since i m not used to 

6 hours ago, wda said:

I might have cloned out the fingertips at the base. Otherwise, a lovely portrait. 

Thank you!

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Bridal environmental portrait (She was posing for the main photographer).

M10 + 50 Summicron V

I was an invited 'guest'  photographer (3rd) ...

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BTS shot

 

Edited by Dennis
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Washington Square Park, today, SL2 w/21 SEM

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SL2 w/50mm 1.4 Summilux M ASPH

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Edited by trickness
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The Chef. (UK)

A 'situational portrait'. I'm still struggling to like Portra 400 in 35mm format due to grain.

M4, Portra 400, Voigtlander 35mm/1.4

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Portra 400, IMO, is the superior colour film these days, depending on what ones intended purpose is of course. And very  expensive also!

The grain can be affected by either the processing or the scanning, or both. Too many variables, I know.

With your shot above: my suggestion would be, knock a little bit of Red out and increase the levels in the Darker direction. This purely a 'taste' opinion, but just might improve things for your POV.

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Lost in thought

The men were taking a break while their ship was being unloaded of its fish in Pekalongan, East Java. They had been out to sea for a month. All the way from Papua. I approached the group, they continued resting, ignoring my presence. I began making images with a 50mm till I noticed this fisherman with his intense look and strong features. I changed from a 50 to a 75 mm Apo-Summicron wide open.

A wonderful but difficult lens to focus (especially at 6 in the morning!). I recently discovered the pleasure of using this focal length. I love its rendering.

M10R Apo Summicron 75. ASPH

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Nice moment captured.

I agree that the 75mm is an excellent lens, but difficult to focus, because of the 'short throw'. It is, IMO, harder to focus than the Noctilux which I also have. IMO, the secret to focusing both lenses is to slow down a bit, take the time to be sure you are accurate. Difficult under stressful moments.

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2 hours ago, erl said:

Nice moment captured.

I agree that the 75mm is an excellent lens, but difficult to focus, because of the 'short throw'. It is, IMO, harder to focus than the Noctilux which I also have. IMO, the secret to focusing both lenses is to slow down a bit, take the time to be sure you are accurate. Difficult under stressful moments.

Thank you Erl. Confirms my opinion regarding the focussing wide open of this 75mm. Great lens to help one become more ZEN and learn to breath slowly. Regards. Carl
 

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16 hours ago, carl_valiquet said:

Thank you Erl. Confirms my opinion regarding the focussing wide open of this 75mm. Great lens to help one become more ZEN and learn to breath slowly. Regards. Carl
 

Nice portrait of the fisherman. I also have found this lens hard to focus. I got so frustrated trying to use it wide open during portrait sessions that I bought a Visoflex. That has helped a lot. I use the Visoflex only with this lens; I have no problem focusing my other, shorter-focal-length lenses using the rangefinder. 

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9 hours ago, eawriter said:

Nice portrait of the fisherman. I also have found this lens hard to focus. I got so frustrated trying to use it wide open during portrait sessions that I bought a Visoflex. That has helped a lot. I use the Visoflex only with this lens; I have no problem focusing my other, shorter-focal-length lenses using the rangefinder. 

Thank you Eric. I thank you for the suggestion of using a Visoflex. I think it will also be good to compose with a 21mm. If I am not mistaken, I can attach it to the M10. Regards. Carl

p.s. I took a peek at your web site. Really nice. I shall continue exploring it when time permits.

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9 hours ago, wda said:

Why not try an eyepiece magnifier? I have a 1.4x for use with the 75 mm Summarit, which is equally challenging close to the subject.

I was thinking of getting one of those. The toss up between this magnifier and a Visoflex. Thank you wda.

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SL2/75 Nocti wide open

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