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Pink was a thing in a workshop I participated in last Saturday. The light setup was provided by photographer Frank Jurisch for the Sigma Day Berlin:

 

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Leica Q3
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SL2 + Nikkor 50mm, F/1.4 AI

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Susanne

S 2 + S 70

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M10 + 1946 Carl Zeiss Jenna Sonnar 5cm f1.5 LTM (Coburg/Transition lens with Skyllaney-certified Zeiss optic block and aperture assembly but Russian focus mechanism/mount).

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Edited by SonnarGauss
Corrected KMZ to Russian as I'm not sure the KMZ factory made the Russian contributions
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Portrait of a friend SL2S with Apo Summicron 50 F2

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M10 + 1946 Carl Zeiss Jenna Sonnar 5cm f1.5 LTM (Coburg/Transition lens with Skyllaney-certified Zeiss optical block and aperture assembly but Russian focus mechanism/mount)

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6 minutes ago, SonnarGauss said:

M10 + 1946 Carl Zeiss Jenna Sonnar 5cm f1.5 LTM (Coburg/Transition lens with Skyllaney-certified Zeiss optical block and aperture assembly but Russian focus mechanism/mount)

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I particularly like the rainbow flare in the last picture.  And she is a wonderfully natural and photogenic model.

Pete.

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6 hours ago, SonnarGauss said:

M10 + 1946 Carl Zeiss Jenna Sonnar 5cm f1.5 LTM (Coburg/Transition lens with Skyllaney-certified Zeiss optic block and aperture assembly but Russian focus mechanism/mount).

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Very nice rendering Sonnar. I looked at this image once and then as I was navigating around the forum following my notifications as you do, I looked at the image again and then just now, the third time, I checked the like button. It's a beautiful lens Sonnar and a very good portrait with supporting reflection and bokeh. So soft and void of contrast found with modern lenses.  I am familiar with Zeiss glass from 40 years ago, sometimes these lenses show their age when used with modern sensors but not here.     

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7 hours ago, SonnarGauss said:

M10 + 1946 Carl Zeiss Jenna Sonnar 5cm f1.5 LTM (Coburg/Transition lens with Skyllaney-certified Zeiss optic block and aperture assembly but Russian focus mechanism/mount).

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Did she drink it? 🍾

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I had the privilege of immersing myself in four remarkable days at the Leica Society's hub in Wetzlar, affectionately dubbed the "mothership." The crowning moment of my experience was capturing the essence of the legendary photographer, Steve McCurry, in a captivating portrait. Witnessing his appreciation as he remarked, "Wow, that's a wonderful portrait," left me deeply honored.
Mr. McCurry's gracious request to obtain a copy of this remarkable portrait emphasizes the deep honor I felt, as he expressed his desire to immortalize it in print.
Leica M11 Monochrom Noctilux 50mm f1
STEVE-MCCURRY-MILAN-SWOLFS.thumb.jpeg.81b27dd8835798df4be76002c19ace2c.jpeg
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Monochrom alternative image with added extra sliders in post. The subject preferred a more grunge look, less soft than the one posted above #4007

I think I agree with him the colour one is lacking, maybe post processing can't fix it but this is what I sent and he liked it.  

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M10 + Voigtlander Nokton 35mm f1.2 III

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Which would you chose of these three? 

M10 + 1946 Carl Zeiss Jenna Sonnar 5cm f1.5 LTM (Coburg/Transition lens with Skyllaney-certified Zeiss optical block and aperture assembly but Russian focus mechanism/mount). Ilford FP4 Plus 125 simulation.

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Looking through a loophole in a ruined Castle

 

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M10M + 50/1.4 asph BC

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Tea-time :)

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M10M + apo-summicron M 75

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