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[...] The best picture I have ever taken was with a secondhand 50mm F3.5 Elmar shot wide open. The lens is a dog to look at with a few scratches and a bit of fungus but it still produces great images all for an outlay of £80. [...]

 

Great little lens indeed, still one of the very best re vignetting, distortion and CA but it is soft in the corners below f/5.6 to be honest. Among affordable lenses, the last Elmar 50/2.8, the Summarit 50/2.5 or the Planar 50/2 will do better there with more contrast though which is not as advantage to anybody.

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I don't know.

Honestly, it's probably just me.

 

However I can't tell.

You can give me a photo from an iPhone, Canon, Leica, Nikon, etc. etc. and I'm pretty sure I won't get 100% right.

 

To be honest I buy Leica equipments because I can afford it, and I like how it looks - the classical look has always excited me.

 

However am I "worthy" of it in means of photographical skill? Probably not, my work is mostly reports and newspaper snaps, nothing artistic.

 

I am amazed (not sarcasm, simply from the bottom of my heart) that people can quickly tell what is shot by what lens.

I don't know. It's probably just me.

Have to agree!  Last April I bought a new Summilux 50mm ASPH.  I also have a ZM 50mm Planar f2, both used on my M240 and a ZM 50mm C-Sonnar f1.5 (for my M7) plus a 1951 LTM Summicron 5cm, mainly for my IIIg.  The image below is with ???  Of course, as shown here at 950px and 500kb max, it might well have been taken with my iPhone!  

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Went on a little photo excursion with my daughter this evening. Here's where the 50 Apo shines.

 

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Closer focus.

 

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Flawless and pristine.

 

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With respect Bernd I think that these images prove nothing at all about the 50mm APO - they could have been taken with any 50mm lens - Sorry.

I tried to look for something that shines in these photos and have come to the same conclusion. . .

Though they are nice snapshots, I don't see anything in particular that stands out.

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With respect Bernd I think that these images prove nothing at all about the 50mm APO - they could have been taken with any 50mm lens - Sorry.

Whether it can be seen in these small web shots or not, anyone who has used the 50 Apo can attest that there is no other M mount lens that has such a sharp, clean, and flat focus-plane with such immediate fall-off into nicely rendered out-of-fous areas behind and in front of the plane of sharp focus. If you can ever get your hands on an Apo, this is what you should be looking out for more than absolute detail at f5.6. I believe this lens out resolves any sensor that is currently on the market. That old Plymouth looks like it is "stenciled out" of the photograph, and it is a good test because it spans across a fairly good part of the image. I have no horse in this race, actually a few, because I still own a few other 50mm lenses. I know very well how they draw and this one is different.

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I agree with BerndReini, I have never seen such fine images as I have seen from the 50 APO. Please consider that any images shown here are not full jpegs ... they have been reduced in size to comply with the rules.

 

I don't really think having these images blown up to their native size ( 13.3' x 20" @ 300dpi with the 240 ) or seeing 100% crops would help sell the lens as standout. As harsh as it may sound, they are just not very good photographs, lacking an awareness for quality of light for starters. 

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I am sure the 50 mm APO is a fine lens and perhaps the pinnacle of all 50 mm lenses that have ever been produced.  However, I personally cannot really find fault with my 50 mm ASPH Summilux lens when I view images quite critically that I have taken with it.  The rendering, sharpness and bokeh seem all commendable.

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Very nice indeed but could have been taken with an Elmar as well. Little pics like this cannot prove anything i'm afraid.

 

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