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January beach.  Revised version of one I posted earlier:  still trying to get colour-balance of Vision3 stock right.  This is closer to how it looked just before sunset on a bright, sharp January day.

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Leica M3, Summilux-M 50 ASPH, Kodak Vision3 200T (no filter).

Edited by John Robinson
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Winter woods.  A kind of light that Vision3 200T seems to like.

 

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Leica M3, Summilux-M 50 ASPH, Kodak Vision3 200T (no filter).

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Leica IIIf, Summicron 5cm 1:2 collapsible, Ilford Delta 100 @ 80, PMK 1:2:100 24°C 10'.

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50:1.4v3 , MP and Kodak Vision3 250D 

Home dev in C41 

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The Colombian Coffee Company, Soho, London

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m3, Summilux 35v2, Delta 3200

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That is Mt. Watkins in the distance.  Half dome is to the right and out of view.

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Again, amazing in lightbox!

I have a 4'x3' print of that on my wall, taken with my Mamiya 7 and the incredible 43mm lens, drum scanned and professionally printed. But I don't think it's any sharper and definitely not any better! 

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Jazz No. 2
Rolleiflex 2.8F Portra 400
Diptych Surveillance

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it was a hazy day 

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smokey morning


Lomo CN100 | hasselblad 503cw

zeiss 50mm fle | home souped

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Leica IIIf, Summicron 5cm 1:2 collapsible, Ilford Delta 100 @ 80, PMK 1:2:100 24°C 10'.

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Three kinds of painting on the street

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M3, Elmar 2.8, Foma100 Rodinal Edited by DreiPunkte
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NYC ca. 1966, Konica Auto S2, Tri-X, probably D-76. 

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„Director’s cut“ ... playing with our shadows. Leica M2

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Play Ball
Rolleiflex 2.8F Portra 400
Diptych 

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Textures @ the beach

M6 & 90mm Cron shooting Delta 100

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