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Mauritania 2001

 

 

Kodak E200 - Horizon S3

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Another Hasselblad sample:  Autumn Reeds with the 500C/M, Zeiss Planar 2.8/80 on Fuji Superia 100, scanned to a relatively low 16Mpixel on a Nikon Coolscan 8000.  There is something about the way the 80mm lens draws that is just charming.

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Am 19.3.2021 um 17:13 schrieb Steve Ricoh:

Neither, it’s alternating (ac).

How far do those electrons move! 🤓

yeah, one would think--with all that power pushing them. But in the end--they can't decide and get nowhere....

🤫 K. 

Edited by Kl@usW.
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9 minutes ago, Kl@usW. said:

yeah, one would think--with all that power pushing them. But in the end--they can't decide and get nowhere....

🤫 K. 

just the ambivalence and indecision of the modern condition. Yeats, Eliot, and all that rot....damn electrons.....

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19 minutes ago, benqui said:

Really very good Jean-Marc! I was in Mauretania in 1988, what a beautiful country!

Thanks a lot Marc !

We were on our way down to Senegal 🙂

 

 

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Airesflex (only TLR I know of to feature Nikkor lens (C-3.5/75,) Svema 65, long expired EI 10

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Hinge Red Blue Diptych
Rolleiflex 2.8F Fuji Velvia 100
Bauhaus photo-construction, steel and stucco

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Mamiya 7 80 mm HP5 HC110 50 min.
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4 hours ago, Kl@usW. said:

Topping out ceremony

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MP; 3,8/24; yellow filter; Delta 100; D76

A wonderful tradition, with the tree atop the new structure. What is it, Klaus - a bridge? Such beautiful tonality in this!

4 hours ago, bags27 said:

Mamiya 7 80 mm HP5 HC110 50 min.

So this is given extra time in the developer, Ken? Highlights and shadows look in perfect balance here - there is so much detail in those shadows!

Edited by stray cat
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