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Stone houses in Foroglio, Ticino, Switzerland (Leica M4-2, Zeiss Biogon 2/35 ZM, Ilford FP4+):

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Olive Tree in Bloom.

Leica M3 / Konica Hexanon-L 35 f2 / Kodak ProImage 100

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Eglise Saint-Nizier

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LCA+, Kono 400, C41

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M7 Delta 100

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M6 and 50 Summilux

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Rolleiflex 2.8e, Ektar

 

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From a recent Melbourne trip. Pen FT and 40mm. Fomapan 100 in Rodinal.

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Zipper Line
MP APO 50 AD0X Mission

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7 hours ago, christoph_d said:

Eglise Saint-Nizier

LCA+, Kono 400, C41

Wow, you are giving me the j-j-j-itters! No less than 27 exposures of controlled chaos and N. Katherine Hayles's My Mother Was a Computer.

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From a series I did on a local pottery friend.

Rolleiflex T and Ektachrome.

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Revisiting some dusty, scratched, reticulated and generally beaten-up negatives:

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bryan ferry and chris spedding, festival hall, melbourne, march 23 1977

canon TLb, tamron 135mm, tri-x at 800iso

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MP, 50 Summilux, Portra 400

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19 hours ago, christoph_d said:

Eglise Saint-Nizier

LCA+, Kono 400, C41

That's a marvelous way to use the camera. It gives the church such a sense of transcendence. Where function follows form. 

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Leica M6 | Lomography Berlin 400 | Xtol 1:1 | Leica Summicron 50mm f/2 v3

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M3 / Tele-Elmar 135mm / Pro Image 100

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Nikon Photomic F2 Micro-Nikkor f/3.5 ADOX Mission

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500C/M and CF80 Planar.

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