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On 5/10/2025 at 10:29 AM, Kl@usW. said:

 

Sometimes the question arises whether one really belongs here—but somewhere, the day breaks again and people appear. These friendly women are selling chicha, a corn beer that’s an important drink in the Andes. It seemed to me like something between a party and a sales event.

Only experienced travelers dare to  drink it: the fermentation process is started by spitting into the corn mash.

 

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The second photo is delightful, priceless expressions, so much life shining out. And did you partake?

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Rock 'O the wall

Hasselblad 2000FCW & 110mm Planar lens.

Shooting ReflxLab Pro 100 220 color film (AKA Aerocolor iv)

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Man on a pier

Hasselblad 203FE & 250mm Sonnar lens

Shooting Reflx labs Pro 100 220 color film (aka Aerocolor iv)

In the background is the superstructure of HMVS Cerberus, that was scuttled as a breakwater for the harbour.

 

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Posted (edited)

Advertisement (gone after registration)

Big Popsicle, Little Popsicles 

MP | 50lux asph | TMax 100 

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Edited by Roy Bigsby
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M3 KODAK Color Plus 200

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It made me think of Auguste Rodin. What would the great sculptor create, were he alive today?....The Sponge?

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Minox LX, Shanghai GP3, 100 iso

 

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The old bridge in Wetzlar, Germany.

M3 from 1957 with Elmar-M 1:2.8 /50 from 1961. Kodak Ektar 100

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Reflection in the windshield of a truck. Wetzlar, Germany.

M3 from 1957 with Elmar-M 1:2.8 /50 from 1961. Kodak Ektar 100

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Goods in front of a store in Wetzlar, Germany.

M3 from 1957 with Elmar-M 1:2.8 /50 from 1961. Kodak Ektar 100

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Spiral.

mamiya 645 / 120 macro / Cinestill XX @500 / Diafine

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Am 10.5.2025 um 02:18 schrieb Ernest:

 I try to surrender to basics of color and texture in a subliminal way.

That’s exactly what happened to me — guided by colors and textures, I gave in to the associations and ended up in uncharted regions, where the old cartographers no longer knew what to do and wrote at the edge of the map: Here be monsters.

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A splash of colour

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Rollei 35 SE, Kodak200, C-41

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Posted (edited)

Forest with fog and hoarfrost (Leica M4-2, Zeiss Biogon 2/35, Ilford FP4+):

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Edited by r+m
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Posted (edited)
On 5/14/2025 at 1:44 PM, Kl@usW. said:

That’s exactly what happened to me — guided by colors and textures, I gave in to the associations and ended up in uncharted regions, where the old cartographers no longer knew what to do and wrote at the edge of the map: Here be monsters.

Is the question then to eschew or embrace the monsters? Not that it is either/or.

Edited by Ernest
sanity
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