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Two scenes of the Struwwelpeter fountain at the Hauptwache in Frankfurt, Germany

M-A with Apo-Summicron-M 1:2 /50 ASPH., ISO 100, f5.6, 1/250, Kodak Tmax 100

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Old town of Heidelberg with castle (Leica M4-2 , Zeiss Biogon 2,8/25 ZM, Ilford FP4+):

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R8 with 21~35. Astia, expired.

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On 4/24/2025 at 10:37 PM, stray cat said:

Thank you so much AZD. I am really happy that you like it. The colours of Kodachrome are just so magical, not even time can diminish them.

Yes, that’s the thing, isn’t it? As good as it looks here, I can see in my mind’s eye what the slide looks like. Nothing else is as close to being there as a Kodachrome. 

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A grey day, but the local lake had a few sailing.

R8, 50 Summilux, Astia, very expired.

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Same grey day.

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Posted (edited)
On 4/19/2025 at 5:21 AM, stray cat said:

rosslare, ireland 1980

canon, kodachrome

Lovely series from your travels Phil. Memories are precious and thank you for sharing yours.

Edited by Bateleur
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For a project I'm rescanning prints, here's one taken with the Leica CL and 40mm Summircron.

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Ilford HP5+

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Kodak HIE

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On 4/9/2025 at 2:35 PM, fotografr said:

This portrait of a writer dates itself with the presence of an IBM Selectric typewriter at the left. She was a writer and this was taken in 1979--my second year of shooting for a living.

Probably done with my M3ds and 35mm Summicron (purchased as soon as it was released).

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Amazing image, Brent.  She's so relaxed and natural with your camera.  And the clarity of this image made me think at first you posted a digital file in the wrong thread.  Do you recall the film/developer did you use for this?

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M3 Elmar 50 2.8

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Posted (edited)

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M3 cron 50 apx-100

Edited by m-856
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M6 TTL, Kodak Tmax 3200, 2/50 Apo Summicron

 

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Leica II Elmar 50 3.5 apx-100

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6x9 Elmar

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Nagel Vollenda Folder, 105/4.5 Elmar, HP5 at 1600, low light

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