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1 hour ago, Doc Henry said:

John do it your self you'll obtain best result 😀 just need heating plate purchased at the beginning but quickly paid for itself

....   beautiful color in your pictures

Best

Henry

Hi Henry, why I generally agree with you, and particularly wrt b&w development, DIY with this kind of movie film always has the danger of smearing some Remjet remnants onto the emulsian site fatally damaging the image in the process 😳… Professional developing machines for this film do not have this problem. 
(but finding a camera taking a songle roll of 122m of film is another matter 😬)

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1 hour ago, christoph_d said:

Hi Henry, why I generally agree with you, and particularly wrt b&w development, DIY with this kind of movie film always has the danger of smearing some Remjet remnants onto the emulsian site fatally damaging the image in the process 😳… Professional developing machines for this film do not have this problem. 
(but finding a camera taking a songle roll of 122m of film is another matter 😬)

Hi Christoph ,  you're right , it's a little extra work .... just remove the remjet with baking soda before processing C41 dev  😃

Best

Henry

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Ever ready!

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Blad 500 c/m 100mm Planar Velvia 50 in Tetenal e-6

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4 hours ago, christoph_d said:

Hi Henry, why I generally agree with you, and particularly wrt b&w development, DIY with this kind of movie film always has the danger of smearing some Remjet remnants onto the emulsian site fatally damaging the image in the process 😳… Professional developing machines for this film do not have this problem. 

I'm not Henry, but I shoot and develop in C41 exclusively Vison3 cine stocks (mostly 5207) and can assure you that I have never experienced Remjet remnants of the emulsion side. Removing the Remjet layer is not witchcraft; do the pre-soaking with eight grams of bicarb and one gram of washing soda. After washing the film, you manually wipe off the rest of the Remjet with paper towels. 

After some time, the reels become grey, but that doesn't matter. BTW, only cine labs have proper machines for that process, and they only take a minimum of 60m rolls in 35mm.

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3 hours ago, Doc Henry said:

Hi Christoph ,  you're right , it's a little extra work .... just remove the remjet with baking soda before processing C41 dev  😃

Best

Henry

 

55 minutes ago, hansvons said:

I'm not Henry, but I shoot and develop in C41 exclusively Vison3 cine stocks (mostly 5207) and can assure you that I have never experienced Remjet remnants of the emulsion side. Removing the Remjet layer is not witchcraft; do the pre-soaking with eight grams of bicarb and one gram of washing soda. After washing the film, you manually wipe off the rest of the Remjet with paper towels. 

After some time, the reels become grey, but that doesn't matter. BTW, only cine labs have proper machines for that process, and they only take a minimum of 60m rolls in 35mm.

Thanks gentlemen, I am not saying that it's impossible, but it isn't too easy either, and to use some auto-spot-removal function for scanning is a really good idea :) . It's also worthwhile to develop in ECN-2, the colours improve, particularly for the 250D. Anyway, here's an example of the 50D.

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MP, 28, Kodak Vision3 50D, ECN-2

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Hemmingway.

Leica M4 / CV 40/1.2 / 250D

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Vietnam, February 2024

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m3, summicron 50 rigid, portra 800

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Heidelberg

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Leica M4, Summaron 3,5/35mm, Kentmere 100, developed in Cinestill D96, Vuescan, Epson V800.

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On 2/22/2024 at 12:45 AM, Kl@usW. said:

According to this source: https://www.analog.cafe/r/jch-streetpan-400-film-review-qv7p the film is a repackaged security film with a special curve: few midtones, but strong accent on the fringes of the curve.  Seems to serve the original purpose. And may be appropriate for a  "japanese style of street photography". 

I can see that - this film would suit that.  Harsh, often nighttime, some blurry shots that much of base Japanese street has to offer. I am a fan when it is done right. I follow a couple of photographers on Insta and own an outstanding book from the genre - Friction/Tokyo Street by Tatsuo Suzuki.

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Michigan City, IN | M2 | 50 Summarit 2.5 | HP5+

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MA Thambar-M ADOX Color Implosion

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