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Leica M5 +50mm Summilux ASPH + CineStill 800T

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Leica M5 +50mm Summilux ASPH + CineStill 800T

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Leica M5 +50mm Summilux ASPH + CineStill 800T

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Pentax MX, 50mm f1.4, Ektar Ei 200

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Meteora, Greece, Leica R4, color negative film:

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It's going to be nice when I can pester someone new for a photo! P. and T. have done more than their fair share during the last 18 months of immunosuppression!

XP2 Super @200, Diafine, two flashes. Probably should reduce the power of the one from the side.

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Nikon F2 Photomic, Micro-Nikkor 55mm 1:2.8 Ais, Kodak Tri-X, Rodinak 1:50 13' 20°C.

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4 hours ago, MarkP said:

Antarctica
Fuji GS690III
Fujicolor PRO 400H

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What a wonderful series! 

I'm relieved the earth didn't tumble out of orbit when you brought that monster camera (I know from experience) so far south!

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Discobolus.

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Hyacinths.  Enjoying the grain of the film.

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Leica M2, TTArtisan 1.4/35 ASPH with ND8 to shoot at 1.4 on Fuji Superia 400.  Somewhat cropped to approx 50mm angle of view in Capture One.

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Untitled.

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Fallen trees after a storm.

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Leica M2, TTArtisan 1.4/35 ASPH with ND8 to shoot at 1.4 on Fuji Superia 400.

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Am 21.4.2021 um 05:45 schrieb Ernest:

You have, or should I simply say that your photographs show, an uncanny sense of depth, even though you have not employed a Rolleiflex Stereo Slide or ventured across the border to Belplasca. Rolleicord Vb, my word. I was just mulling one over with Phil, the character of the Xenotar lens, and the resilience of its classic design. Bravo, Dr. Klaus.

Thank you, Rog. I think you put in a nutshell what the pleasure of the use of a Rollei TLR is about: the resilience of the classic design; resilience for good reasons:  the 3-D finder, the view from a low angle, the stubborn and reliable mechanics.... About the Xenotar: viewing the negatives in LR, I don't have to look at the HB-notches to discern the origin of the negative--HB or Rollei. The modern Zeiss-HB-lenses have much more contrast, flatter field, are sharp even wide open--but: the rendering of the Xenotar is a nice variation I still have to fully understand. Still learning and finding out, but that's  fun.. I guess your journey with the Tele-Rollei might be a similar pleasant experience. 

Am 21.4.2021 um 17:39 schrieb oldwino:

Forest Light.

Leica I / Summar 50/2 / Delta 400 / Xtol

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It´s not a bug, it´s a feature !   ( the glow! ) 

Am 22.4.2021 um 09:21 schrieb gbealnz:

Cine250D

SL with 21/4

Very funny, Gary ! Are these a special NZ breed ? 

vor 16 Stunden schrieb Wayne:

Elmar does MF  (127) Nagel Pupille, Leitz 50/3.5 Elmar. Rerapan 100

Very nice and bucolic. Searching for the ducks though Wayne; did you fit Elmar yourself or came the Nagel Pupille with it ? 

vor 13 Stunden schrieb Ernest:

Skater 
M-A APO 50 ADOX Color Implosion & Tele-Rolleiflex Fuji RDP 100

Amazing how the -out of context- makes the skaters into some alien flying object, with their 3-D plasticity crashing into the flat Bauhaus reality of  a rectangular, even colored  construction.. very good  Rog.  

vor 11 Stunden schrieb stray cat:

This is from a few years ago. I think its sentence has now been carried out...

Condemned!

Mamiya 7, 65mm, Reala

What a pleasure to see the chaos of the scene framed and thus put into order: the zig-zag of the pallets leading the eye to the strange and forlorn pole, more pallets suffering in their apparent uselessness carrying nothing, and then the center of the picture: a wild mixture of signs, witnesses of a time that is undoubtedly gone, only to be overwritten by even less important information, altogether merging into a cacophony screaming at us, but with a hoarse and exhausted voice not really getting to our ear. The eyes already have embarked on another round, pallets, pole, more pallets.... 

vor 7 Stunden schrieb MarkP:

Antarctica
Fuji GS690III
Fujicolor PRO 400H

Impressive, Mark. Just one technical question: did you use a center ND filter or are you supposed to do so ? 

Edited by Kl@usW.
typo
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