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Faded royalty in Berkeley Square, Bristol.  Charles I and Elizabeth I.

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Leica M2 with Voigtlander Nokton 35 on Fuji 160.

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Westhafen Frankfurt, Germany (Leica R4, Leica Elmarit-R-16 mm, (Fisheye), Agfa APX 100, May 2008😞

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Edited by r+m
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Another view of faded royalty in Bristol:  from L-R, Henry IV, James I and Charles I.

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Voigtlander Bessa (screw-mount), Color-Skopar 2.5/35, Fuji 100.  Not quite as sharp as the later Nokton 35.

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Stockholm marina

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203FE 80/2.8 Ektar X1
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from one of the first rolls of my lock-down driven purchases. Since the weather was horrible and I had to test the `Cord; I went for some homework... using the damaged Pan F

(The evolution of)  Heads # 1 

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Rolleicord Vb; Pan F exp 2016, damaged , Rodinal,  daylight from window

Edited by Kl@usW.
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dans Paris by JM__, on Flickr

Provia 100 - M2 - 35 Summilux v2

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On 1/27/2021 at 2:48 AM, Ernest said:

Thanks for your comments and the patronage, which will certainly help nudge this to the New York Times best seller list of redacted books. The main problem I've discovered is that the list itself is so redacted as to render my redacted work little more than a redaction. I tried to pay for a Starbuck's Americano with the royalties, but I was embarrassed to find my credit had been redacted and Starbucks wouldn't even take an autographed copy, which as it turns out I had signed with a redacted pen that left no trace. With that I was left only to conclude that I had become a non-artist under the definition of the new regime and promised to redact with efficiency all verbs and incriminating nouns, including pronouns, and privilege articles and adverbs. Such is the hazard of a non-artist trading in redactions. I am thinking of jettisoning the rectangular redaction in favor of a Derridean strategy that calls for simply drilling a great many half-inch holes indiscriminately through the bound volume. The principal challenge will be the contest of titanium drill bit against steel plate "pages." The life of a non-artist finding himself out on a limb of Phil's "preposterous tree!"

Or you could try Hegel's Aufhebung, negate the notion into a higher totality....

 

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Link Diptych
M-A APO 50 ADOX Color Implosion

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Mid-Winter

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Agfa Record III, Agfa Solinar 105/4.5, Foma 200, HC110 1:250, 2 hour semi-stand

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Texel/ NL

M2 - Summicron 2/35 - Portra400

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On 1/30/2021 at 2:48 AM, John Robinson said:

Faded royalty in Berkeley Square, Bristol.  Charles I and Elizabeth I.

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Leica M2 with Voigtlander Nokton 35 on Fuji 160.

It makes me reflect on Victor Hugo's Hunchback of Notre Dame. He opines, for quite a  stretch, concerning how buildings/architecture were the means of recording history prior to widespread use of press and printed word. We are definitely being screwed by the digital revolution. Thanks for the photo. It, and the subject are magnificent.

Wayne

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Burano

(Oct. 2019, near Venice)

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Leica M4-P * Voigtlaender Nokton VM 1.4/35 S. C. * Kodak Portra 400 @200 * Nikon Coolscan V ED

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vor 3 Stunden schrieb Wayne:

Mid-Winter

Agfa Record III, Agfa Solinar 105/4.5, Foma 200, HC110 1:250, 2 hour semi-stand

could be here that kind of winter.
Althoug yesterday and today we had about 4-5 cm snow. And -1°C.
I hope there will be some nice shots on Portra 160 and Silbersalz 50D…

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Shrubs at the riverbank #2

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Rolleicord Vb, Xenar 3,5/75, Pan F, Rodinal

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