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last two .... for the record, shots were taken at metropolitan museum of art, times sq, rockefeller ctr christmas tree, and a mexican/spanish restaurant in nolita, I think that covers it ... thanks again for looking ...

 

The tones of this film are pretty amazing. 

Love the last photo of the tacos booths, so lively !

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M2

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some random shots around NYC, eastman xx B&W movie film this role from Cinestill, there is something about the look of this film I really like. Most were shot with my 35mm summicron on the MA ....

 

The first shot belongs in a gallery. Your next exhibition? Brilliant observation and timing.

 

Cheers

 

J :)

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some random shots around NYC, eastman xx B&W movie film this role from Cinestill, there is something about the look of this film I really like. Most were shot with my 35mm summicron on the MA ....

Totally agreed. The tonality is very rich and smooth. First shot is my favorite. So much going on in one frame.

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Friday afternoon.

 

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Agfa Ambi-Silette, Bergger 400 Pancro, Agfa 35mm Color Ambion

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Christmas Spirit.

 

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Agfa Ambi-Solette, 35mm Color Ambion, Bergger 400 Pancro
 

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An inviting prospect?  M7, 50mm C-Sonnar f1.5, Neopan 400.

 

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Those in the Know, Adam, will clearly recognize the Linhof 4x5 shadow, lower left. :)

 

Minox B, Fuji Superia 100

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Another M7, 50mm C-Sonnar f1.5 & Fuji combination, this time with Acros100...

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Sublime timing and framing, Adam. 

 

 

Ilford Delta 100

Hasselblad SWC

attachicon.gifBrooklyn Bridge Adam Miller.jpg

 

 

WOW. I mean WOW as in W.O.W. How did you shoot this?

 

Brilliant, Wayne - it ably demonstrates the benefit of having a nimble little camera with you always. Great title, too.

 

Thank you again to all those with great advice about how to control temperatures for colour processing. Today I struck paydirt. Sue and I went out to the local antiques market looking for something altogether different (a mid-century sideboard - a nice English one of which we found!) and we noticed there happened to be a stall selling camera and photographic gear. Great stall, by the way - he had everything from old mahogany and brass plate cameras to Pentax 110 SLR kits, Hasselblads, Leicas plus all sorts of paraphernalia. Anyway, he'd just brought out a Jobo TPE2 temperature-control unit - and at $75, that was my temperature anxieties cured! Also got my eye on a nice Graphlex TLR...

 

Anyway the Tetenal kit is on its way, so hopefully soon it will all mean I'll be able to soon process the colour films I haven't taken yet. As it's been a bit stormy of late, perhaps more like this:

 

p1813848303-5.jpg

 

Storm, Western Port 2003

Mamiya M645, 80mm f2.8 lens, Kodak E100VS

 

I really like this one. It looks like a movie still and feels closed and oppressive somehow. Very 'cineliterate photography' if there is such a thing. Really cool. 

 

Another 2 shot from this combo 

 

M7 / 7ART 50mm / AgfaVista200

 

 

 

 

tumblr_p0ocf7uCx61vjphu4o1_1280.jpg

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Another 2 shot from this combo 

 

M7 / 7ART 50mm / AgfaVista200

 

 

 

 

I really admire the way your eye, or your mind, or what ever took such a seemingly uninspiring subject and made such a beautiful photograph. The 1st one (of the coin slots) is especially lovely. The camera and the lens and the film: yes. But it is the mind behind the finger which really makes the picture.

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I indicated that I'd like a picture and the young monk reacted with an alacrity which surprised me. I was lucky to get him launching out of that canopied flatbed... a sort of school-bus.  

 

Vientiane, Laos

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T-Max 100

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Another 2 shot from this combo 

 

M7 / 7ART 50mm / AgfaVista200

 

 

 

 

I really admire the way your eye, or your mind, or what ever took such a seemingly uninspiring subject and made such a beautiful photograph. The 1st one (of the coin slots) is especially lovely. The camera and the lens and the film: yes. But it is the mind behind the finger which really makes the picture.

 

Thank you. 

You are too kind. 

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