TerenceYam Posted January 4, 2017 Share #25541 Posted January 4, 2017 Advertisement (gone after registration) Leicaflex SL-135 Elmar + extension tubes-Kodak Portra400 Tripod and patience because of the wind and waiting for the ladybug Image 442CocEps24bits3200dpikodak400feclfht+++900.jpg Picture uncropped and uncorrected Best H. Nice one! I can imagine you standing there waiting patiently for the shot! Good job! 1 Link to post Share on other sites More sharing options...
Advertisement Posted January 4, 2017 Posted January 4, 2017 Hi TerenceYam, Take a look here I like film...(open thread). I'm sure you'll find what you were looking for!
TerenceYam Posted January 4, 2017 Share #25542 Posted January 4, 2017 Very welcome, Terence. I like the below shot in particular. It's nice also to see another Millennium shooter in our midst. br Philip Yeah! Great to see you too! We have 2 users out of the 2000 here. 1 Link to post Share on other sites More sharing options...
TerenceYam Posted January 4, 2017 Share #25543 Posted January 4, 2017 Shapes and shadow in Lisbon Hasselblad SWC ilford HP5+ 000012830008S by Terence Yam, on Flickr 13 Link to post Share on other sites More sharing options...
TerenceYam Posted January 4, 2017 Share #25544 Posted January 4, 2017 Hasselblad SWC ilford HP5+ 000012830011s by Terence Yam, on Flickr 10 Link to post Share on other sites More sharing options...
stray cat Posted January 4, 2017 Share #25545 Posted January 4, 2017 (edited) Very nice one, Phil. A brilliant example of abstract colour photography. In a somewhat similar vein. Crane, plane and post | Flickr 80 Planar Provia 400 The "abstract color" for Philip and Phil Kodak Portra 160 M7-28 Summicron Asph Annecy the Venice of the Alpes Old town Image4annekp160m7cron28cflfht+++950.jpg Best H Continuing on the minimalist theme. Tofta | Flickr 80 Planar Provia 400 Thanks for this. It is a spectacular photo. I guess part of my fascination is connected to my familiarity and fondness for old pickups: every time I see one I am tempted to shoot. Outstanding eye! I just shot a roll of Fuji 400H; this encourages me to just stick with Ektar. Thank you sincerely Philip and Wayne. The generosity of comment on this forum is outstanding. Great to see a couple more "abstract" and "minimalist" colour pictures coming up too. I really very much like the ones you have posted, Philip and Henry. Wayne, there certainly is something about old pick-up trucks isn't there? Perhaps they hark back to a bygone era or something. But they are also, I guess, unpretentious work tools, and are therefore fairly "genuine" and usually quite picturesque in that unrefined sort of wabi-sabi way. anyway, there are plenty of them there in the Southwest, as I'm sure you know. As for the Ektar, I'm a little unsure about it myself, although I feel it worked quite well in this picture. I find I'm generally pretty happy with Portra for colour. Anyway, i really appreciate your comment - thank you. (edit I just realized you are from Indiana, Wayne, which is quite a long way from the Southwest - sorry about that - geographically challenged is my excuse). Edited January 4, 2017 by stray cat 4 Link to post Share on other sites More sharing options...
Popular Post stray cat Posted January 4, 2017 Popular Post Share #25546 Posted January 4, 2017 A different kind of film - chromogenic: Ashley, Oaxaca, Mexico 2011 M6TTL, Elmarit 28mm, Ilford XP2 Super 20 Link to post Share on other sites More sharing options...
christoph_d Posted January 4, 2017 Share #25547 Posted January 4, 2017 Advertisement (gone after registration) A different kind of film - chromogenic: Ashley, Oaxaca, Mexico 2011 M6TTL, Elmarit 28mm, Ilford XP2 Super Philip, A lovely and genuine expression on the childs face, and I like how the film captured the soft light. Did you follow a workshop of Mary Ellen Mark in Oaxaca? Rgds Christoph 2 Link to post Share on other sites More sharing options...
stray cat Posted January 4, 2017 Share #25548 Posted January 4, 2017 Philip, A lovely and genuine expression on the childs face, and I like how the film captured the soft light. Did you follow a workshop of Mary Ellen Mark in Oaxaca? Rgds Christoph Thank you so much Christoph for your kind words. Yes, I consider myself extremely fortunate to have been able to meet and learn from Mary Ellen in Oaxaca that year. We kept in contact up to her death, and my wife and I had dinner with her in Sydney the year after this was taken. She is someone I miss very much and her passing leaves a great hole in the photographic community, as well as the world of really lovely people. She liked this picture though! Did you attend a workshop with her, Christoph? 1 Link to post Share on other sites More sharing options...
christoph_d Posted January 4, 2017 Share #25549 Posted January 4, 2017 Philip, It looks as if your time in Oaxaca was well spend . I much like MEM's work, and would have loved to partake in one of her workshops, but alas life had other plans. I did get her book " on the portrait and the moment" this Xmas, and enjoy leafing through it. Rgds Christoph 1 Link to post Share on other sites More sharing options...
Doc Henry Posted January 4, 2017 Author Share #25550 Posted January 4, 2017 A different kind of film - chromogenic: Ashley, Oaxaca, Mexico 2011 M6TTL, Elmarit 28mm, Ilford XP2 Super A really nice expression. Phil it's a superb and lovely portrait. Well done and the definition, b&w tone give a plus for the picture. Thanks for posting Rg H 1 Link to post Share on other sites More sharing options...
Doc Henry Posted January 4, 2017 Author Share #25551 Posted January 4, 2017 Leica M3 | Summilux-35 ASPH-FLE | Portra 400 Bangkok _______________ Alone in Bangkok essay on BURN Magazine Well done I like the look of the lady in background and her smile, beautiful girl even blurry Thanks Rg H. 2 Link to post Share on other sites More sharing options...
Fotoklaus Posted January 4, 2017 Share #25552 Posted January 4, 2017 Two great and superb b&w pictures Klaus I recognize the black of TMAX400 in the first picture of the hut. Than you. Best Henry THank you, Henry! There is a lot of black in the Tmax, you just have to find it! ;-) 1 Link to post Share on other sites More sharing options...
Doc Henry Posted January 4, 2017 Author Share #25553 Posted January 4, 2017 Next, my threesome from the Jerusalem shuk (with my over-stuffed "rolls royce" at my side... ) M-A, 28mm elmarit pre-asph, Portra 400 second... third... I like all Adam. The M-A gives a nice touch to the pictures you showed. That's I call the "M-A effect" Independently of the lenses ! color , exposure and definition are superb Thanks Adam Rg H. 1 Link to post Share on other sites More sharing options...
Doc Henry Posted January 4, 2017 Author Share #25554 Posted January 4, 2017 (edited) Llangollen (Wales) The way the film (Fuji Superia 400) has captured the afternoon sunlight spilling across everything is a big yes for me. Yes! Coogee, to whom do you say? You know 40 years of photo , we start to differentiate nevertheless the color, the "true" color without correction. If some do not differentiate , they compare (with digital photos) , and they will see. I stopped buying digital for this reason. The color in this picture is wonderful and in addition in " contre-jour" Effect 3D on my Eizo screen ! amazing relief Thanks for posting Best H. Edited January 4, 2017 by Doc Henry Link to post Share on other sites More sharing options...
Doc Henry Posted January 4, 2017 Author Share #25555 Posted January 4, 2017 Nice one! I can imagine you standing there waiting patiently for the shot! Good job! Thank you Terence for your kind comment , in macro-photo the wind even a small wind makes the subject move and it is necessary to wait until the wind stops. I like patience because we are is in full nature and it allows to relax The macro images in film are "softer" not aggressive (non-cutting edge like in digital) and the color is faithful. Best Henry Link to post Share on other sites More sharing options...
Fotoklaus Posted January 4, 2017 Share #25556 Posted January 4, 2017 M2, Elmar-M 2.8/50, APX 100 (old), D76 1:1 Welcome, dear visitor! As registered member you'd see an image here… Simply register for free here – We are always happy to welcome new members! 6 Link to post Share on other sites Simply register for free here – We are always happy to welcome new members! ' data-webShareUrl='https://www.l-camera-forum.com/topic/205842-i-like-filmopen-thread/?do=findComment&comment=3178529'>More sharing options...
Doc Henry Posted January 4, 2017 Author Share #25557 Posted January 4, 2017 Shapes and shadow in Lisbon Hasselblad SWC ilford HP5+ 000012830008S by Terence Yam, on Flickr Superb picture and geometry The perspective effect is amazing and the b&w tone wonderful Thanks for posting Terence Rg H 1 Link to post Share on other sites More sharing options...
Doc Henry Posted January 4, 2017 Author Share #25558 Posted January 4, 2017 Hasselblad SWC ilford HP5+ 000012830011s by Terence Yam, on Flickr Beautiful vanishing line and beautiful effect with the walker Thanks Terence Rg H 1 Link to post Share on other sites More sharing options...
Doc Henry Posted January 4, 2017 Author Share #25559 Posted January 4, 2017 (edited) M2, Elmar-M 2.8/50, APX 100 (old), D76 1:1 M2_Dec16_02_2.jpg Klaus superb black grey and white tone I see you use APX ! the grains are very fine Thanks Henry Edited January 4, 2017 by Doc Henry 1 Link to post Share on other sites More sharing options...
stray cat Posted January 4, 2017 Share #25560 Posted January 4, 2017 Philip, It looks as if your time in Oaxaca was well spend . I much like MEM's work, and would have loved to partake in one of her workshops, but alas life had other plans. I did get her book " on the portrait and the moment" this Xmas, and enjoy leafing through it. Rgds Christoph Thank you again so much, Christoph. It's funny that you mention that book - five or six of the photographers in it were at the same workshop as the one I attended, and I even offered suggestions to Laurie for her introduction. What Mary Ellen says in the book is very precious though, exactly the things she would say to us at the workshop. I know what you mean about life having other plans. Sometimes, though, all the stars align and some wonderful opportunities crop up - hopefully soon for you. A really nice expression. Phil it's a superb and lovely portrait. Well done and the definition, b&w tone give a plus for the picture. Thanks for posting Rg H Again, Henry, thank you so much for your kind, supportive and considered thoughts. Mary Ellen directed us in certain ways - she told me I should go out and find a family to photograph - so I did! Couldn't believe it when it happened, but that's just a part example of the kind of belief she was able to instill in people. 2 Link to post Share on other sites More sharing options...
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