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m4-2 2/90I/2

 

Rgds

Joachim

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The tree is in relief on my Eizo screen . I think it's your subject no ?

Fuji Acros has a nice b&w tonality

No problem with non-L post here we highlight film :)

Thanks for posting

Henry

Henry,

Yes, the tree in the foreground was side lit by the early morning sun and I wanted to frame it against the water and the boats in the background.

 

Ramesh

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continuing the stroll through the Mehane Yehuda market...

M-A, 28mm elmarit pre-asph portra 400

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here's the second...

M-A, 28mm elmarit pre-asph portra 400

 

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and the 3rd...

 

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and the 3rd...

Piqued my curiosity Adam.

M-A, is meter-less, like the SWC if you like. Given the measured approach I guess you take with the SWC, (tripod, G/G screen) and presumably your spot-meter, how does the M-A usage differ? I mean, do you still meter with the spot-meter, or do you "sunny-16" it?

Gary

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In an effort to emulate Philip.

M6

28 Elmarit

Fomapan 200

R09 1:50

Plustek 8100

Gary

 

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Piqued my curiosity Adam.

M-A, is meter-less, like the SWC if you like. Given the measured approach I guess you take with the SWC, (tripod, G/G screen) and presumably your spot-meter, how does the M-A usage differ? I mean, do you still meter with the spot-meter, or do you "sunny-16" it?

Gary

 

Hey Gary - I actually am quite different with my 35mm workflow and don't use any meter.   Many of these ones from the market came out on the contrasty side b/c I needed the speed.  It is hard to shoot people in candid situations using zone focusing with a shutter under 1/60.  The market is not very bright and I needed all the speed that I could get.  So I wasn't able to flood the portra with light like I might have liked.  But I still made due... :)

 

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Edited by A miller
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Hey Gary - I actually am quite different with my 35mm workflow and don't use any meter.   Many of these ones from the market came out on the contrasty side b/c I needed the speed.  It is hard to shoot people in candid situations using zone focusing with a shutter under 1/60.  The market is not very bright and I needed all the speed that I could get.  So I wasn't able to flood the portra with light like I might have liked.  But I still made due... :)

Cheers Adam. Sunny 16 even I can manage, outdoors. But indoors, well, it becomes a lottery to me (and I suspect, most).

Nice series any which way you get the exposure sorted.

Gary

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Hey Gary - I actually am quite different with my 35mm workflow and don't use any meter.   Many of these ones from the market came out on the contrasty side b/c I needed the speed.  It is hard to shoot people in candid situations using zone focusing with a shutter under 1/60.  The market is not very bright and I needed all the speed that I could get.  So I wasn't able to flood the portra with light like I might have liked.  But I still made due... :)

 

Adam,

 

In my view you captured exactly the right moment in #3 and #4. I do like your use of colour in those market pictures, and agree that Portra 400 copes well colour-wise - perhaps even better in this instance than Portra 160 (though I would probably have opted for B&W myself - but that is an entirely different story). I'm also wondering how Portra 800 would have fared as I saw it has an even more pastell-like complexion. Finally I think that your Elmarit works really well here - not too sharp and not too smooth - if you know what I mean.

 

Best regards,

 

Christoph

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The eye

 

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Hasselblad, 80 + extension tube, HP5, ns

 

Regards

 

C.

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Leica M6 | DR Summicron-50 | Tri-X@400 | Stand development in Rodinal

31575220590_957556ef60_o.jpg
_______________

 

 

 

I like the moment you captured but wondered how you managed to fit the 50 Summicron DR onto the M6 as I understood that they are not compatible. Did you modify the lens?

 

Best regards,

 

C. 

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Leura Garden in Blue Mountains, NSW, Australia

 

Leica M6, 35 Lux FLE, Acros, Rodinal 1:50

 

 

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