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Good news! M9 FW Update this week! (Merged)


NordHiker

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Guest trond

First picture WATE at 16mm, second picture 21lux.

 

http://www.saether-online.com/red-edges/WATE-16mm.tif

 

http://www.saether-online.com/red-edges/Summilux-21mm.tif

 

Summilux is at f1.4, WATE at f5.6.

 

Color cast is clearly visible on the left side on both pictures on a properly calibrated monitor.

 

Sorry for the large TIFF files the effect is less visible on jpeg and sRGB.

 

Best regards

 

Trond

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And this is what makes this interesting. I have tried two different WATEs and two different 21 'luxes and none of them have ever shown any red edge. The only Leica lens that I have been able to get to consistently show this is my 21mm Elmarit ASPH.

 

Jeff

 

Jeff,

 

I originally thought "what are these guys talking about" with colour cast on the M9/WATE, because I just wasn't seeing them. Then I got some horrible pink edges in snow. I have come to the conclusion that the colour temperature of the incident light is the critical factor. High colour temperature and you get pink edges; lower colour temperatures and you barely see them. In a higher colour temperature lighting situation e.g. noon day light, if you take a picture of a white sheet, I am sure you will see pink edges.

 

Wilson

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Guest trond
Jeff,

 

I originally thought "what are these guys talking about" with colour cast on the M9/WATE, because I just wasn't seeing them. Then I got some horrible pink edges in snow. I have come to the conclusion that the colour temperature of the incident light is the critical factor. High colour temperature and you get pink edges; lower colour temperatures and you barely see them. In a higher colour temperature lighting situation e.g. noon day light, if you take a picture of a white sheet, I am sure you will see pink edges.

 

Wilson

 

Dear Wilson,

 

I just tried a evenly lit white target now tonight with both lenses.

 

I am not able to reproduce the effect on the white target.

 

LightRoom color probe shows approx 2% more red on the left side than on the right.

 

This difference is barely visible on the white target.

 

Bright sunlight coming from behind at 30-45 degree angle seem to bring forward the color cast.

 

I have had these lenses for quite some time, and it was only in conditions with snow and bright sunlight that I have observed the color cast problem.

 

Best regards

 

Trond

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Dear Wilson,

 

I just tried a evenly lit white target now tonight with both lenses.

 

I am not able to reproduce the effect on the white target.

 

LightRoom color probe shows approx 2% more red on the left side than on the right.

 

This difference is barely visible on the white target.

 

Bright sunlight coming from behind at 30-45 degree angle seem to bring forward the color cast.

 

I have had these lenses for quite some time, and it was only in conditions with snow and bright sunlight that I have observed the color cast problem.

 

Best regards

 

Trond

 

Trond,

 

I think the vital word in your post is "tonight". I am guessing if you do the same test at midday, you would see a much more prominent red edge. To my mind that makes the correction easier, as Leica could factor in the colour temperature from the AWB, to control to what extent they roll back the red channel amplification for the left edge.

 

Wilson

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Guest trond

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Dear Wilson,

 

The "tonight" test was done with a calibrated 6500K monitor as the white target.

 

This produces a diffuse light.

 

The red edges I have only seen in strong sunlit scenes with strong contrast.

 

Best regards

 

Trond

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Jeff,

 

I originally thought "what are these guys talking about" with colour cast on the M9/WATE, because I just wasn't seeing them. Then I got some horrible pink edges in snow. I have come to the conclusion that the colour temperature of the incident light is the critical factor. High colour temperature and you get pink edges; lower colour temperatures and you barely see them. In a higher colour temperature lighting situation e.g. noon day light, if you take a picture of a white sheet, I am sure you will see pink edges.

 

Wilson

 

I have shot a white board looking for exactly this problem in diffuse daylight, about 6000K. It didn't show up. I don't get snow in Los Angeles. :D

 

Jeff

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So what? I'm not going to install the new FW in any case, until some other happy kamikaze pilots have done it first.

 

The old man from the Age of Punched-Card Programming

I will be one of them, and I will report about the result.

Cheers,

Ario

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Well, as a long-time deadline-facing journalist - "by" March 15 to me means "before 23:59 (11:59 p.m. for us Yanks) on March 15. ;) Probably well before, but perhaps not.

 

It also would never occur to me that someone at Leica would NOT work through or on the weekend (if needed) and upload something at 11:59 pm Sunday, March 14 (or 4 am March 15 or whenever). The internet is 24/7.

 

I note Leica (purportedly) only lists current wide lenses as having improved corrections for red edges. I wonder what that means for my pre-ASPH 21 Elmarit.

 

I love deadlines, I love the sound they make as they go wooshing past

- slight misquote Douglas Adams

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So what? I'm not going to install the new FW in any case, until some other happy kamikaze pilots have done it first.

 

The old man from the Age of Punched-Card Programming

 

Don't you reckon those 'kamikazes' have already been doing it for weeks/months? :D

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Re the red edge issue, I think the interesting part of the firmware updates is the "New ISO setting-related vignetting correction: strong correction at ISO 160, lowest ISO correction at 2500, interpolated for intermediate ISO steps."

 

Sandy

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.....

 

The old man from the Age of Punched-Card Programming

 

Ha, punched cards were for sissies....:rolleyes:

 

The real thing was the 5-hole wide punched paper tapes: a single mistake, and you had to make a new roll. And the sound of a room full of tape punches were similar to a shooting range....

 

We´ve come a long, long way......

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