Guest maddoc2003jp Posted March 8, 2010 Share #21 Posted March 8, 2010 Advertisement (gone after registration) I tried many BW films but always come back to Tri-X. Since HC-110 is now hard to get where I live, my recent developer is Tmax. So ... Tri-X / Tmax that is. Link to post Share on other sites More sharing options...
Advertisement Posted March 8, 2010 Posted March 8, 2010 Hi Guest maddoc2003jp, Take a look here 1st choice in B & W film?. I'm sure you'll find what you were looking for!
budrichard Posted March 8, 2010 Share #22 Posted March 8, 2010 I've used Tri-x for many many years but ordered a supply of T-Max 400 and am now working with that film to learn its charachteristics. My best buy was 300' rolls of Tri-x movie film that I used for many years before it ran out. Great stuff!-Dick Link to post Share on other sites More sharing options...
peter_n Posted March 8, 2010 Share #23 Posted March 8, 2010 Mine is Tri-X which you can buy rebranded now for $2.99/36exp roll. Wonderful film! Link to post Share on other sites More sharing options...
tobey bilek Posted March 8, 2010 Share #24 Posted March 8, 2010 T Max 100 or Delta 100 in D76 1:1. Delta 400 in Xtol or DDX only. Anything else looks terrible. TMax 400 in D76 1:1 Tri x at EI200 looks ok if you like the curve shape of TriX. cut development 20%. Link to post Share on other sites More sharing options...
underground Posted March 9, 2010 Share #25 Posted March 9, 2010 I use Pan-f for 95% of my B&W work. so my answer is Pan-f Link to post Share on other sites More sharing options...
Mountaineer-American Posted March 14, 2010 Share #26 Posted March 14, 2010 As far as I'm concerned there are 3 black & white films: Tri-X, Tri-X and Tri-X. Link to post Share on other sites More sharing options...
stunsworth Posted March 14, 2010 Share #27 Posted March 14, 2010 Advertisement (gone after registration) Tri-X in winter, FP4 in summer. Link to post Share on other sites More sharing options...
roguewave Posted March 14, 2010 Share #28 Posted March 14, 2010 TriX by day, Neopan 1600 by night. Love that night stuff. Link to post Share on other sites More sharing options...
cbretteville Posted March 14, 2010 Share #29 Posted March 14, 2010 I didn't like the look of scanned Tri-X until I switched to a Minolta 5400 mk 1 that iI picked up last year (it is way better for B&W than the mk 2 which I bought new when it cam out in 2005). Now I'm back in love with the file that was my favourite in the 80s. So Tri-X and APX100 (as well as Tech Pan of which I still have some left). Its like with 50s an RF shooters: it is really hard to choose just one. Carl Link to post Share on other sites More sharing options...
engelfangen Posted March 15, 2010 Share #30 Posted March 15, 2010 Acros 100 @ 80 D76 1+1 11.5min 20°C :-) Link to post Share on other sites More sharing options...
jplomley Posted March 16, 2010 Share #31 Posted March 16, 2010 TMax 400, Neopan 400, Neopan 1600 in 35mm, Across 100 and Delta 100, the latter reverse processed to a positive, in 4x5. Link to post Share on other sites More sharing options...
MPerson Posted March 21, 2010 Share #32 Posted March 21, 2010 My main films were Tri-X and Plus-X and I have a large stash of APX 100 in the freezer. Last year I discovered Double-X and am shooting just that for this year. I have also switched to making my own developers. Link to post Share on other sites More sharing options...
carbon_dragon Posted March 24, 2010 Share #33 Posted March 24, 2010 Tri-X, but with a great affection for Kodak HIE and Tech Pan (no longer made but I still have some) Link to post Share on other sites More sharing options...
batmobile Posted March 25, 2010 Share #34 Posted March 25, 2010 Probably Neopan 400. I would be happy with quite a list of films actually. I am happy to use TriX, D400, HP5+, FP4+, Foma 100, Delta 100, Neopan 400, Neopan 1600, Delta 3200, Efke 25 and possibly a few I forgot. When looking at my prints, the most apparent thing is whether I took a decent photogreaph or not. Still, a film you get on with helps make the best of a good photograph, but truth be told, most films can produce stunning results with some testing and familiarity. When I am not shooting in earnest I have been film testing and experiemnting, which is a great way of becoming stronger with your own selection and getting to know other combos better. Its useful when a film goes away as 120 Neopan 400 is. I can switch seamlessly over onto something else and go right out and shoot once in a lifetime opportunities without feeling nervous. Link to post Share on other sites More sharing options...
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