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By the bay


Rolo

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Sitting in the evenin' sun.....

 

Your comments are appreciated.

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Brilliant control of light in the sky, which looks very colorful in BW.

The foreground, IMO, could have a little more detail (or less). My eye try to "read" this part, because of the apparent structures, but can't read it well.

 

Gérald

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Gerald,

 

pleased you like it.

 

The lighting is a struggle. For me, it's a picture of a sky. The sun has gone down and is lighting the underside of the clouds. Effectively, there is no light hitting the walls facing the camera. Retaining the highlights and keeping shoadow detail required careful metering. The details there have been dodged and curved extensively to avoid a silhouette. Pushing them further starts to break up the detail for little effect IMO.

 

You would not be satisfied with a straight print.

 

The print has greater depth than the screen and shadow detail can lie further down the scale and be pleasing.

 

Thank you Martin as well. It's the comments that keep the posters posting.

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Rolo, i have looked at this image for a while before i decided to comment. Most probably, everyone comes across a difficult image like this, and would not end up with such good results. IMHO, pushing further to get more detail in the foreground, would have killed the magic of this image. There is just enough detail on the church, without it, being overpowering. What i note is the different shades from the foreground to the background.

A marvelous image, composition wise and rendered. Very well seen and captured.

 

Best Azzo

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Rolo -

 

 

Terrific subject, composition, light and tonal range. Where is it?

 

 

It's just across the water from you. You can get there from New York with 4 days steaming. :D

 

It's in North Wales.

 

Thanks for your kind words.

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Rol,

I think I know this one.......!

That is Moel y Gest mountain to the right of the chapel, Carn Fadryn in the far distance, so this must be taken from about where the toll road meets the main road to Harlech? :confused:

 

Lovely shot.

 

Cheers,

Pete.

 

Aw Pete !

 

My money was on you suggesting it was the Peak District again.

 

What gave it away ? Bugger. :D

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Aw Pete !

 

My money was on you suggesting it was the Peak District again.

 

What gave it away ? Bugger. :D

 

We used to have a place at Tudweiliog, so I've seen that profile before, in fact Mrs Pete made it to the top of Moel y Gest when she was 8 months pregnant! :eek:

 

Keep 'em comin'.

 

Pete.

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Is your shot a cemetery on the coast road to the east of Barmouth? If so you did very well to miss the telephone poles :-)

 

 

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Is your shot a cemetery on the coast road to the east of Barmouth? If so you did very well to miss the telephone poles :-)

 

 

[ATTACH]17270[/ATTACH]

 

Pete, could you answer this for me please ?

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Thanks Pete, it was a guess on my part - obviously wrong :-)

Steve, not intending to offend with the re-direction of your question, but Pete is my self-assigned location database and i's the only one he got right on first attempt. So i lettig him bask in his glory. :)

 

There is only one he's not asked about, yet, and that's the bike.

 

Andy, it's good to get out, there's always a result.

 

DTD, when will our Xmas macaroons be ready? Will meet again to consume :D .

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(...) Effectively, there is no light hitting the walls facing the camera. Retaining the highlights and keeping shoadow detail required careful metering. The details there have been dodged and curved extensively to avoid a silhouette. Pushing them further starts to break up the detail for little effect IMO.

(...)

The print has greater depth than the screen and shadow detail can lie further down the scale and be pleasing.

 

Rolo, you are obviously right about the screen/print depth and intensity. I must keep that in mind.

So I'm only talking about this web version. I understand your point and your choices, although I'd be tempted to treat the foreground wall as a silhouette.

 

Still, and I repeat myself, a wonderful control of light for a delightful result.

 

Cheers,

Gérald

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Rolo, you are obviously right about the screen/print depth and intensity. I must keep that in mind.

So I'm only talking about this web version. I understand your point and your choices, although I'd be tempted to treat the foreground wall as a silhouette.

 

Still, and I repeat myself, a wonderful control of light for a delightful result.

 

Cheers,

Gérald

 

Thank you Gerald.

 

I'm not particularly fond of black holes in my prints. Always try to retain some detail in a shadow area. The RHS of the wall is very short of detail in the negative to start with and was the most troublesome part of the image to treat.

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