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80-Summilux-R: How sharp at close focus distance?


Nitnaros

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My R9-DMR came finally back from Leica NJ repair;

right after I acquired it, it needed to go there due to fuzzy images - "alignment of DMR to R9" according repair report (it did not focus properly). I had thought it was the focus screen, but it wasn't...

 

I haveso far the 15-2.8/35-lux/60-f2.8 and I am thinking of adding either the 80-lux or the 90-2.0-apo. I am aware of the different drawing of both lenses.

 

What I don't know is how sharp the 80 is wide-open at its close-focus distance - ?

 

Comments/images appreciated.

 

Peter

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My R9-DMR came finally back from Leica NJ repair;

right after I acquired it, it needed to go there due to fuzzy images - "alignment of DMR to R9" according repair report (it did not focus properly). I had thought it was the focus screen, but it wasn't...

 

I haveso far the 15-2.8/35-lux/60-f2.8 and I am thinking of adding either the 80-lux or the 90-2.0-apo. I am aware of the different drawing of both lenses.

 

What I don't know is how sharp the 80 is wide-open at its close-focus distance - ?

 

Comments/images appreciated.

 

Peter

 

Lux focuses to 0.8 m. The Cron to 0.7 m (larger magnification than 80 also due to longer focal length). If you want it sharp the 90AA performs great and f/2 is sufficient because DOF is extremely shallow already. The Lux is still a good performer has less distortion and is more versatile as a bokeh portrait lens. Maximum close up sharpness means 100 macro if you want more light the 90AA is great if you need a lot more light and have tried the bokeh of the 80 go for it.

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This is at f/1.4 and at its minimum focusing distance. Consider that some blur is due to very slow exposure time (1/15 hand held). You can clearly read the letters.

Fernando.

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Thank you, folks, for your responses.

 

So one interesting combo would be to go with the 80-lux and add the 100-macro later. That would provide the very good portrait capabilities of the 80, and I could use the 100 for very close distance portraits.

 

I was not considering the 100-macro so far, although everybody says it is an excellent lens, since I bought the 60-macro, which is very affordable to have in used condition (and I really like it).

 

Any close distance portraits with the 80-lux from somebody?

 

Peter

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The 80mm may not appear as sharp as the 90mm f/2 but the details are better, more 3D and more characteristic.

 

The 80mm has a very lively way of handling light which also, with the DMR make it look more "film like" at least in my opinion.

 

Here's some slide shots with the 80mm:

leica.overgaard.dk - Thorsten Overgaard's Leica Pages - Leitz Summilux-R 80mm f1.4 test photos and samples

 

And here's some R9/DMR shots - the first two on the page are 80mm portraits (no 2 with the sun straight into the lens):

 

leica.overgaard.dk - Thorsten Overgaard's Leica Sites Leica DMR digital back for the Leica R8 and R9 SLR cameras test photos, manual and links

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I have never used a 90AA-R, but I own a 90AA-M and a 75 Lux, and used to own an 80 Lux, which I used on a 5D.

 

The 75 Lux is great, but for my taste, a tad too sharp wide open. The 90AA is awesome, but my favorite lens of all time (so far), remains the 80 Lux. It was not the most sharp lens wide open, but it has a really special look, and I would never have traded it, except that I ditched my SLR stuff completely, and went for an M set. One day, I will own the 80 Lux again.

 

If you want to talk about maximum sharpness, get the 90AA, but if you want an awesome lens with legendary portrait characteristics, which sharpens up amazingly well by f/2.8, get the 80 Lux. You can get the 90AA later too, if you really need it for something else.

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The Summilux is amazing at MFD. Here are a few:

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I have never used a 90AA-R, but I own a 90AA-M and a 75 Lux, and used to own an 80 Lux, which I used on a 5D.

 

The 75 Lux is great, but for my taste, a tad too sharp wide open. The 90AA is awesome, but my favorite lens of all time (so far), remains the 80 Lux. It was not the most sharp lens wide open, but it has a really special look, and I would never have traded it, except that I ditched my SLR stuff completely, and went for an M set. One day, I will own the 80 Lux again.

 

If you want to talk about maximum sharpness, get the 90AA, but if you want an awesome lens with legendary portrait characteristics, which sharpens up amazingly well by f/2.8, get the 80 Lux. You can get the 90AA later too, if you really need it for something else.

 

Is the Summilux 80 R sharper wide open than the 75 M?

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No, softer. The 75 Lux was a little easier to design, due to the lesser flange distance, apparently. However, they are very close in look. The 75 Lux on FF would probably be closer to the 80 Lux look that I love so much. Using only the centre 1.33 part artificially "improves" the lens.

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Yeah, there's something about the 80R lux that reminds me more of the Nocti than the 75 Lux on the M system. It has the same fabulous flare characteristics (meaning it does special things with light in adverse // low-light conditions).

 

But the 80R is sharper than the Nocti from 1.4 on.. so in that way it's more like the 75.. but it is softer in sharpness as Carsten notes, but it still has better contrast characteristics... so one of my all-time favourites too, and a really great lens with lots of character.

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Softer at maximum aperture, for sharper imaging, you just have to turn from 2 to 2.4 and you get the edge.

If you want sharper images at maximum aperture, go for the 50 lux

 

Here are some images taken with the 80 lux and DMR

Note aperture and speed values on file names

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Carsten,

I know that mathematical modelling don't catch always 100% of the real life. However if you look at the "official" MTF curves published by Leica, at f/1.4 the R80 is sharper than the M75. If you got the opposite result, it could be due to other factors.

Fernando.

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It might be sharper, but I think what contributes to the 80 Lux looking softer is its glow. It just has more glow than the 75 Lux, at least in my memory. I recall finding the 75 Lux slightly too sharp after buying it, being used to the 80 Lux, but I didn't actually own both at the same time, so it is possible my mind is playing cruel tricks on me. I have heard others say the same though.

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In fact, thinking more about this, I am getting more and more convinced that this is exactly what makes the 80 Lux so special: that soft-sharp look. More softness, due to coma or glare or something, yet sharper due to other characteristics. The 75 Lux is just a bit cleaner overall, and while it is really nice, nicer than almost any other portrait lens on that platform, I still prefer the 80 Lux. Like Jamie said, on the M8, the Noctilux comes closer to the 80 Lux than the 75 Lux does.

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