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Lately, I’ve been experimenting with motion-based photography — not full abstraction, but gentle ICM (intentional camera movement) to slightly shift the light and rhythm without losing form. This frame was taken on the southern coast of Finland, where sailboats, a lighthouse, and an old sauna happened to align into a single moment.

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Leica M11 + APO50, 1/2s, ISO64, F/16

PS. As it turns out, I may have found the perfect combo for both image-making and large-scale printing. I was technically prepared — and still surprised by how confidently the APO-Summicron-M 50 handled this kind of gesture. Even as shapes begin to dissolve, the image remains clean and readable, retaining all necessary detail — enough for printing at 120×90 cm without compromise. No visible diffraction ruins the composition, even at f/16.

The Leica M11 gives me exactly the level of engagement I need: no stabilization, compact, precise, and ideal for controlled motion. In fact, the rangefinder feels almost made for this kind of gestural work.

(Yes, I know this almost reads like an ad — but I trust most of you already know exactly what you’re using.)

Edited by Alvin Greis
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Posted (edited)
7 minutes ago, Graham (G4FUJ) said:

I don't usually like ICM shots, but this is quite subtle and almost painterly :)

Thanks! I don’t usually like ICM shots either: they tend to be unpredictable and often messy in both color and composition. That’s actually why I’ve been experimenting with a similar approach: trying to keep the gesture, but make something abstract yet still visually attractive. 😀

Edited by Alvin Greis
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