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Posted (edited)

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This actor needed to look like a street girl. Cue the tattoos - temporary she hopes.
An exceptional actor - she doesn't need aids to be totally convincing in whatever part she takes. The last shot is her in character.
It's a courtroom drama, hence the grim lighting.
SL2-S + 24-90.

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Edited by LocalHero1953
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Welcome, dear visitor! As registered member you'd see an image here…

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Welcome, dear visitor! As registered member you'd see an image here…

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I love the final image and the light falling across her. It has the look of film not digital. Once you know its a court room, you can make up the story in your own head. 

I now want a (temporary) tattoo of the cobra - thats how good it all looks. 

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Posted (edited)
4 hours ago, stuny said:

A delightful series, and the last really does work well.  it's been interesting following your journal of the play's progress.

Thank you. I enjoy getting along to early rehearsals of any performance and watching how it develops. On a purely practical note, I can recognise significant moments/expressions/action that I must be ready for in the dress rehearsal.

This was a production with a cast drawn from both university and city; I have known and photographed two of the the four cast (including this one), plus the director, for 2-3 years, which helps with building trust. 

Edited by LocalHero1953
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7 hours ago, Sandokan said:

I love the final image and the light falling across her. It has the look of film not digital. Once you know its a court room, you can make up the story in your own head. 

I now want a (temporary) tattoo of the cobra - thats how good it all looks. 

I like this one as well - every part of her body is at a different angle to the rest. The otherwise rather ugly light from a large skylight high above (creating deep shadows in the eye sockets) surprisingly works well here.

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