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New type of artifact


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LCT: There have been cameras with optional and/or removable physical AA filters. At least a couple of the Kodak SLRs over the years, as well as some MF backs.

 

But where in the short image path of M lenses would you like Leica to place their filter? Behind the shutter? I'd hate to have to poke around in the shutter window with a pair of tweezers trying to remove an AA filter (or worse, fit it back into place). The odds of scratching the sensor or jimmying the shutter blades (we're talking a metal implement here, not a soft cloth or swab) are too terrible to contemplate.

 

Leica DID put a user-optional firmware "AA filter" into the DMR, that could be applied, or not applied, in either JPEG or RAW mode. Unfortunately, they made it only semi-optional in the M8 (it is always ON in JPEG mode and OFF in DNG mode, without any user choice allowed).

 

I don't know if that could be changed back to the DMR approach at this point - it seems like it would just require (yet another) firmware rewrite.

 

As to the original artifact - yes, these maze-like patterns are caused by an error in how the camera or the raw processor reassembles the pixels to create a full-color RGB image. However, although fine details at the resolution limit of the sensor can cause them, I have seen them in circumstances where there were NO details, just a smooth tonality. Usually bright reds, like the sunset sun Brad R. mentioned above, or in out-of-focus illuminated car tailights at dusk.

 

In one case (tailights) it happened with the version of ACR that was 'beta' for the M8 (last Nov.), and when I reprocessed the image with the next upgrade of ACR the mazes disappeared. Obviously Adobe had fixed something in the M8 algorithm between editions.

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...where in the short image path of M lenses would you like Leica to place their filter? Behind the shutter? I'd hate to have to poke around in the shutter window with a pair of tweezers trying to remove an AA filter (or worse, fit it back into place). The odds of scratching the sensor or jimmying the shutter blades (we're talking a metal implement here, not a soft cloth or swab) are too terrible to contemplate...

OK Andy thanks for your clear explanations as usual but why could not we open the back like we do/did with film? Too big? Too complicated? And what about the R10?

 

...Leica DID put a user-optional firmware "AA filter" into the DMR, that could be applied, or not applied, in either JPEG or RAW mode. Unfortunately, they made it only semi-optional in the M8 (it is always ON in JPEG mode and OFF in DNG mode, without any user choice allowed)...

Is this DMR firmware more efficient than Phase One's and others? If so there would be no problem anymore of course... doute02.gif

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OK Andy thanks for your clear explanations as usual but why could not we open the back like we do/did with film? Too big? Too complicated? And what about the R10?

 

If they offered the choice it would probably have to be done at the factory or by Leica service as it would probably require a recalibration of focus. Making the back accessible would add to the complexity and cost of an already expensive camera and create more areas for something to go wrong. How many would be willing to pay extra for this option? 1 out of 1000 buyers?

 

Maize / basketweave artifacts can happen even with AA filters and even in smooth areas with any digicam depending on your raw processor settings. I've seen it with MF backs, Canon 1Ds and the M8. Trying to preserve all the detail and resolution of the capture gets you close to the edge of provoking these sort of artifacts.

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Hank, i did not refer to the M8, what is done is done i guess.

I'm interested in the near future instead i.e. M9 and R 10.

In a sense, i can agree with you as i remember my using a 22 mg back without AA filter the results of which were really ugly but i cannot agree where you give the feeling that all digicams are more or less the same. No to me there are two categories of digicams as far as moiré so far: with an without AA filter and the former have *much* less moiré problems in my modest experience at least.

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Hank, i did not refer to the M8, what is done is done i guess.

I'm interested in the near future instead i.e. M9 and R 10.

In a sense, i can agree with you as i remember my using a 22 mg back without AA filter the results of which were really ugly but i cannot agree where you give the feeling that all digicams are more or less the same. No to me there are two categories of digicams as far as moiré so far: with an without AA filter and the former have *much* less moiré problems in my modest experience at least.

 

I was not referring to the M8 but of the added complexity and expense of including the option of a user accessible AA filter that could be put in and removed in a future M. The vast majority of photographers would be incensed at adding expense and complexity to have this feature. Every feature and function you want to add to a device has a price in cost, complexity and reliability.

 

There seems to be general agreement among M8 owners that the lack of AA filter is a very good thing. Why should Leica fix something that's not broken?

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