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Al Brown

By Al Brown
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Posted by jaapv,

How to upload images: Prepare the image as follows: 1.   The image should be sRGB and 8-bits 2.   Reduce the size to 2048 pixels on the longest side. (smaller sizes can be set, but are not recommended) 3.   Sharpen properly for screen. 4.   Save as JPG to your desktop, reducing JPG quality to produce 2000 kB (5000 kB for sponsoring members). 5.   In Lightroom these parameters should be set in the Export dialog. 6.   In the Forum posting or editing box, click “choose Files” and s
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PLEASE CLICK ON THE PREVIEW FOR HIGH RESOLUTION !
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Dr Cron

Dr Cron

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Fish market, Venice
July 2025
Leica M11 (glossy black), 35FLE
                                                                                                                                                                                                                                                                

 

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scroy
scroy

M11+21mm Super-Elmar-M Audience watching fireworks. The light exploding in the background is from a street light. The haze is a combination of the smoke from the fireworks with humidity. The rain

Athornton
Athornton

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dennersten
dennersten

Break of dawn. 35/1.4 Steel rim reissue 

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Posted Images

jeri

jeri

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Our world is full of invisible lines; boundaries, conventions, and frameworks. But true freedom lies in the ability to see beyond them. The passing plane is not just an aluminum cylinder with wings in the sky, it is a point of light within a network of human arrangements, a reminder that even when we are bound to orderly structures and accepted perceptions, our consciousness can soar. The different colors are not an aesthetic rendering, but a tribute to the changing soul of the viewer, between dream and panic, and between longing and power.

 

Leica M11 & Elmarit-M 28mm F/2.8 Asph

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G19

G19

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I currently own a Q2 and have an M11-P on loan for the weekend, paired with a Summilux-M 50mm f/1.4 ASPH.
Just sharing a few of the first shots from a walk this morning.
Still working on getting back into manual focusing—some of the results from today weren't quite where I want them to be.

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G19

G19

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Final one all taken in the UK and hopefully followed the rules for image size.

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f4nest

f4nest

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M11 ApoSummicron-M 35/f2

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f4nest

f4nest

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Olaf_ZG

Olaf_ZG

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9 hours ago, jeri said:

 

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Our world is full of invisible lines; boundaries, conventions, and frameworks. But true freedom lies in the ability to see beyond them. The passing plane is not just an aluminum cylinder with wings in the sky, it is a point of light within a network of human arrangements, a reminder that even when we are bound to orderly structures and accepted perceptions, our consciousness can soar. The different colors are not an aesthetic rendering, but a tribute to the changing soul of the viewer, between dream and panic, and between longing and power.

 

Leica M11 & Elmarit-M 28mm F/2.8 Asph

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Jeri, please use normal font, as this font is too hard to read, so I won’t even try…

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jeri

jeri

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2 hours ago, Olaf_ZG said:

Jeri, please use normal font, as this font is too hard to read, so I won’t even try…

Okay, I understand there's a problem. Here's the original version but in regular font.

 

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Our world is full of invisible lines; boundaries, conventions, and frameworks. But true freedom lies in the ability to see beyond them. The passing plane is not just an aluminum cylinder with wings in the sky, it is a point of light within a network of human arrangements, a reminder that even when we are bound to orderly structures and accepted perceptions, our consciousness can soar. The different colors are not an aesthetic rendering, but a tribute to the changing soul of the viewer, between dream and panic, and between longing and power.

 

Leica M11 & Elmarit-M 28mm F/2.8 Asph

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don daniel

don daniel

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In the Basel agglomeration, where I live, the conditions for Milky Way photography are extremely poor: there is simply too much light pollution. Nevertheless, it is possible to produce a DNG with the M11 and the Summicron 28mm (latest version), from which the Milky Way can then be made visible in Lightroom. Normally, I use the Z9 and the Nikkor Z20/1.8 for situations like this. That setup clearly produces less coma in the corners. But I was curious to try out the M11 as well. Now, I would need a lens that is more suitable for this purpose: wider angle, less coma, and as fast as possible. I don’t think I’ll find anything like that from Leica.

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lexffm

lexffm

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Frankfurt “European Quarter”. Frankfurt, Germany.

M 11-P with Tri-Elmar-M 1:4 16-18-21 ASPH. @21mm, ISO 160, f6.8, 1/1000

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lexffm

lexffm

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Frankfurt “European Quarter”. Frankfurt, Germany.

M 11-P with Tri-Elmar-M 1:4 16-18-21 ASPH. @16mm, ISO 100, f4.8, 1/2000

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maxpower

maxpower

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M11-D w/50mm Summilux-M ASPH

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graphlex

graphlex

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Oddly enough, the file I just posted (from my iPad) looks magenta-tinted on the LUF but not when viewed directly on my iPad as a jpeg. The original in C1 also does not look magenta-tinted. Hmmm…

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lexffm

lexffm

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The Hammering Man at the Ludwig-Erhard-Anlage in Frankfurt, Germany.

M 11-P with Tri-Elmar-M 1:4 16-18-21 ASPH. @21mm, ISO 500, f5.6, 1/1000

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Knorp

Knorp

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The gatehouse: a favorite subject -  Stadionplein, Amsterdam NLD

Voigtländer APO-Lanthar 2.0/28mm Aspherical

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G19

G19

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Day two of testing the M11-P with Summilux-M 1:1.4/50 ASPH goes back to Leica tomorrow.

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